Kara Swisher

Recent Posts by Kara Swisher

AOL Socializes Even More With New Lifestream

the-n-lifestory

As part of its ongoing rejiggering of its social-networking offerings, AOL is formally rolling out its expected Lifestream platform today, with a new “timeline” depicting a user’s online life in a streaming horizontal calendar called a Lifestory.

(See image above; click on it to make it larger.)

The moves are the latest made by AOL’s People Networks related to its Bebo social site, which this column previously reported about in December.

AOL is hoping its efforts will focus users more on Bebo, which it bought for $850 million in March, a high price that has been controversial both inside and outside Time Warner (TWX), which owns AOL.

While Bebo is one of the larger social networks, it is still not popular in the U.S. and lags well behind leaders like Facebook.

Lifestream will first be available on AOL’s Bebo and include updates from friends on Facebook, Myspace, YouTube, Flickr, Twitter and Del.icio.us. Lifestream can also be used by brands, celebrities, bands and companies.

Lifestory uses a zooming technology to look at various times, using text, music, videos and photos, and can be done with many contributors. It also includes a feature called Social Slider that allows a user to have more granular filtering control over who sees what in Lifestory.

AOL had previously launched other social-networking features, such as Social Inbox, a one-stop destination with aggregated social feeds from across the Web, multiple email accounts and media recommendations.

AOL also has an upcoming service called Site Social, with plans to use its advertising platform to help monetize the offering.

Many large Web portals like AOL have recently rolled out by large Web players like Microsoft (MSFT) and Yahoo (YHOO). All are attempts to offer a competing product to the most popular social-networking sites, Facebook and the News Corp. (NWS) unit, MySpace, where users have flocked. (News Corp. is the owner of this Web site.)

Those two companies have also been making moves of late to allow consumers to aggregate their disparate piles of online information through connective offerings that allow them to pool all kinds of Web content and communications in one place.

AOL’s People Networks unit, which includes Bebo, AIM and ICQ, has an overall audience of 92 million, according to a recent comScore (SCOR) survey.

Here are some screenshots of the AOL pages with the new features:

Moviefone Lifestory

moviefone-lifestory

VH1 Lifestory

vh1-lifestory

Social Inbox

social-inbox

User Profile

user-profile

User Profile 2

user-profile-2_high-res


comments so far. Add yours.

  • http://500hats.typepad.com/ dave mcclure

    i don’t know if it’s worth $850M but i will say that’s one of the coolest UIs around, perhaps 2nd only to Facebook. they definitely have pulled off some interesting stuff with the Bebo + SocialThing integration.

  • http://blog.macb.net Mac Beach

    Somewhere I started a list of discontinued services (that I used) during the past months (almost a year) and I think the majority of them are (were) AOL based.

    At this point there is probably no web-based company (except those started last week) that hasn’t put forth and then later withdrawn a service. But with some there is an increasing feeling that you are potentially wasting all the minutes (and newly created data) that you put into these things.

    As with the banks, your time spent on these services is an investment that you would like not to see vanish overnight due to a change in corporate structure or direction.

    Good luck AOL, you’re going to need it.

  • greymav

    Except news from AOL very soon that Lifestream is wildly successful, with millions of users.

    Expect AOL to lie. If you use AIM, you are automatically added to Lifestream, whether you like it or not.

    I updated to the newest version of AIM today, and right now all that I want is to be taken OFF of Lifestream.

Latest Video

View all videos »

Search »

He’s an a–hole. That guy has $2 billion that he made from figuring out ways to steal royalties from artists, and that’s the bottom line. You can’t really trust anybody like that.

— Black Keys drummer Patrick Carney on why he’s not a fan of Sean Parker