Kara Swisher

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Video: Pixazza's Bob Lisbonne Talks About "AdSense for Images"

Recently, BoomTown took a walk down digital Memory Lane with Bob Lisbonne, CEO of Pixazza, the photo-tagging service that has nicknamed itself “AdSense for images.”

That’s because Lisbonne used to be a big wheel at Netscape Communications, the iconic Internet browser company that truly changed the digital world–before crashing and burning in a very public way.

We talked about the old days, of course, but more about the new days and his business focused on putting all kinds of advertising within online images.

The Mountain View, CA, start-up–which is backed by Google Ventures, CMEA Ventures, August Capital, Foundation Capital and Shasta Ventures, as well as by angel investors Ron Conway, Gideon Yu and Maynard Webb– aims to do for Web photos what the search giant did for text.

At least that’s the hope.

Pixazza is selling itself as a win-win for online publishers–who certainly could use one.

Essentially, the company lets publishers match and link images of products or places with its network of advertisers, via a single line of code.

When users on that site mouse over the photos, they get rich information about pricing and more, as well as a clickable way to purchase the items.

Quite possibly annoying, but Pixazza is growing quickly anyway, with the company claiming 20 billion image views per year and reaching 70 million unique visitors a month on sites deploying its technology.

There are rivals in the space, of course, such as GumGum and Vibrant, but Pixazza does come armed with $18 million in venture funding, as well as that relationship with Google.

Here’s Lisbonne talking about it all in a video interview I did at Pixazza’s Silicon Valley HQ:


comments so far. Add yours.

  • http://pakistan66.blogspot.com/ Pakistani Boy

    use both text and image ads for increase in profit. Adsense team says it again and again.

  • http://www.thinkstorm.com Thorsten Claus

    Sounds like a web-based version of http://www.DeliveryAgent.com/, but without the access to studio and agency assets, TV screens, cable operators, and channel management.

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