In the two months since Path 2 launched, it has attracted a million new users, according to Path CEO Dave Morin. That’s roughly the same amount Path got in its entire first year.

(Path still has a long way to go; Morin’s former employer, Facebook, announced this week that it has 845 million users, and the social juggernaut has in the past year added “close friends” lists and better sharing and filtering tools.)

Beyond the two-million user milestone, Morin shared a bunch more stats and info about Path’s progress to date.

On the engagement front, he said 70 percent of people who use Path in a week return the next week.

Path users have created over 50 million items of content and half a billion pieces of feedback. The latter is a somewhat inflated stat, because “feedback” is created every time a user looks at content on Path. But for reference, there are 15 million pieces of feedback created on Path per day now, versus 10 million total in the first year, Morin said.

The most common types of content shared on Path are photos, “thoughts” (status messages) and sleep records (users can manually note when they power down for the night and when they wake up in the morning), in that order.

There’s one song posted on Path per second, and the most popular artist is Drake.

Am I getting too “in the weeds” here? How about some geographic data: The U.S. is by far Path’s biggest country, but other fast-growing contributors include the U.K., Germany, Japan, France and Korea.

San Francisco-based Path had 15 employees when Path 2 launched; now it’s up to 25.

What’s next for the company?

Well, it launched tilt-shift photo and video filters this week. Next up are extended platform tools (Path already has a deal to get health data from Nike), smarter friend-request filtering, and perhaps a Windows Phone app, Morin said.

So, perhaps the obvious next question — given Path raised Series A funding a year ago — is when will Path hit investors up for more money?

That answer was more inexact. “Sometime,” Morin said.

(Photo description credit: Dave Morin accepts the 2012 Crunchie award for best design from Google’s Marissa Mayer; (cc) Kenneth Yeung — www.snapfoc.us on Flickr)

Facebook said today in its filing with the Securities & Exchange Commission that Zynga accounted for approximately 12 percent of the company’s revenue last year when Facebook’s revenues totaled $3.7 billion.

The revenue came from both its 30 percent payments processing fee related to the sale of virtual goods from games, such as FarmVille and Words With Friends, but also from advertising purchased by Zynga.

Additionally, Facebook said Zynga’s apps generate a large number of pages on which it displays ads from other advertisers.

The dependence on Zynga is so significant that Facebook warns that if it fails to maintain its relationship with the game maker, or if Zynga’s popularity declines, its financial results may be adversely affected.

Even more notable perhaps is that it’s not just Zynga. Facebook said social games are currently responsible for “substantially all of our revenue” when it comes from payments.

In December, Zynga went public, raising $1 billion, and is obviously one of the companies most reliant on the social network. But now with Facebook’s financials also public, we can see that the two companies are actually interdependent.

And, in fact, over the past three years, Zynga’s importance has only increased. In both 2010 and 2009, Zynga accounted for less than 10 percent of Facebook’s revenues.

The big turning point occurred in May 2010 when Zynga agreed to use Facebook Credits as its primary payment method inside games. As part of that, Facebook would collect 30 percent. That contract will expire in May 2015.

Some of the details of that contract were disclosed as part of Zynga’s public offering, but we wouldn’t be surprised if Facebook is also required to publish it at some point. In the version Zynga released, a lot of the contract was redacted.

In after-hours trading, Zynga was trading about 4 percent higher to $11.02 a share, nearing it’s all-time high of $11.50.

MORE ON THE FACEBOOK IPO:

• Facebook’s Ad Business Is a $3 Billion Mystery
• Viral Video: Farewell to the No-IPO Mark Zuckerberg
• Zuckerberg Is the Billion-Share Man: Who Owns What, Who Makes What in the Facebook IPO
• Zuckerberg Tells Investors, “We Don’t Build Services to Make Money”
• Mobile Highlighted as Key Risk Factor (and Opportunity) in Facebook Filing
• Stop All That Poking: Facebook Filing Temporarily Crashes SEC Web Site
• Zynga Accounted for 12 Percent of Facebook’s Revenue in 2011
• Facebook Has 845 Million Users
• On Its Eighth Birthday, Facebook Files to Raise $5 Billion in Massive IPO (Get Your S-1 Here!)
• Go the F**k Back to Sleep, Silicon Valley: Facebook IPO Likely to File Later Today at Earliest
• Dude, Where’s My Facebook IPO Filing? (Ashton’s on Hold!)
• The Quiet Man: Meet the Less-Known Face of the Facebook IPO, CFO David Ebersman
• Facebook Board Meeting Today for Final IPO Okays
• Facebook (Eye)PO: Tracking the Truth of the Biggest Deal of Web 2.0
• Viral Graphic: Visualizing the Facebook IPO
• Is Facebook IPO on Track for Late May?
• IPO Watch: Facebook Hiring Brunswick to Help With Comms for Expected Public Offering
• Complete Facebook coverage

Seattle-based Treemo Labs has created an iOS app maker called Appafolio that requires no code in the app-building process, will show up to 10 screens of data or imagery, and caches the app content so the app will work even when an Internet connection isn’t available.

The company wants to become an app resource for business users and marketing professionals who want to create brochure-like apps that likely won’t pass muster in the App Store. Appafolio is free, though there will be a premium model that offers more bells and whistles.

There’s also a simple Appafolio pass phrase that app makers can use as a URL and share with anybody, directing iPhone and iPad users directly to their app instead of to an app store or marketplace. The link won’t, however, work on a Web browser.

Treemo co-founder and CEO Brent Brookler pointed to camera company Contour as an example. Contour used Appafolio to show off its new line of cameras a few weeks ago at the Consumer Electronics Show — where the cellular service and Wi-Fi connectivity is notoriously bad. The company used an iPad as a kind of marketing brochure at its booth, and since the content of the app could be downloaded and cached in advance, there were no issues swiping through the Contour app and viewing all of the data available.

Of course, the number of companies that help people make apps is as large as the day is long — and some them also offer no-code builds. There’s also AppMkr, AppIncubator, AppWhirl from App.co, AppVoyage and EachScape, which just nabbed $3 million in Series A funding, to name just a handful.

While the Appafolio product is geared toward business clients, the app maker doesn’t allow users to import things like PDF or PowerPoint files. So, for an offline deck, the non-iPad-owning business user might still turn to other software applications to create slides or brochures.

And while Brookler sees getting an Android app going as an important step to market Appafolio to the masses, for now the app is iOS-only.

Brookler says the app isn’t just for business users; a casual user might want to create an app for a wedding, for example. But that sort of app is also unlikely to pass App Store muster, so Appafolio makes it easier for those users to become developers for a day.

Seattle-based Treemo Labs launched in 2005 and has mainly created apps for media properties, including CBS News, “60 Minutes” and “Survivor,” as well as music video apps.

As of today, Pulse users can subscribe to a curated feed of trending election news, or follow dedicated feeds around specific candidates or political commentators. (So I suppose you don’t really have to leave the comfortable confines of the filter bubble, if you don’t want to.)

Pulse is available for iPad, iPhone, Android and Windows Phone. It adds 1.5 million to two million new users per month, according to CEO Akshay Kothari. He said those users read more than five million stories per day. Kothari declined to comment on plans to add a desktop version.

Via Kothari, here are the new Pulse news sources: Fox News, the New Republic, the Los Angeles Times, Talking Points Memo, Daily Kos and Reason Magazine; plus dedicated political news from previous sources the Daily Beast, the Atlantic, the Atlantic Wire, Slate, Al Jazeera, the New Yorker, USA Today and the Huffington Post.

Included presidential candidates are Barack Obama, Mitt Romney, Newt Gingrich, Ron Paul and Rick Santorum.

And included political commentators are Rachel Maddow, Hendrik Hertzberg, Erick Erickson, John Cassidy, David Brody, Jared Bernstein and David Horsey.

The piece elicited a variety of reactions — even Roger Ebert seems to think it might be too late to learn a new keyboard. I also received a fair number of follow-up emails pointing out some interesting technologies that I’d missed.

So here are some other options for the touchscreen-averse:

Talk Emo to Me

A company called Siine is trying make touchscreen typing even quicker by replacing words or entire phrases with emoticons.

The Siine Writer app is based on editable icons. Each icon, or “Siine,” is supposed to convey three different words or phrases, depending on how many times the user taps it.

So, instead of typing out a text-laden message, users tap a series of visual cues that send the message to the person on the receiving end.

Users make the Siines by downloading the app from the Android market, going to the emoticon screen, holding down an emoticon and selecting “create,” to assign a new picture, a name and the corresponding text for the emoticon. After that, the Siine emoticon will appear on the user’s keyboard.

It’s a pretty nifty idea, though there would likely still be a need to enter text for more random words, and words used less frequently.

Siine is based in London and Barcelona; the company launched in 2007, and received funding last February from Atomico, the VC firm of Niklas Zennstrom, best known for co-founding Skype.

The free app is available in both English and Spanish for devices running Android OS. There’s also a tablet version of the app, available exclusively from Samsung Apps; at the moment, there isn’t a Siine app available for iPhone or iPad.

The Next Productivity Killer at Work

Here’s a familiar sequence of events: You’re typing away at your desk, and your phone pings — loudly — alerting you and the rest of the office to the fact that you’ve got a message. You’re in the middle of doing work, so you ignore it. But you don’t, really: You glance at your phone’s interface, quickly, just to check. But, wait — it’s your friend, asking if you want in on tickets that are going to sell out in exactly 47 seconds. Or it’s your significant other, asking if you could meet the handyman at the apartment. Or it’s your mom. You simply have to respond.

What if you could just keep typing on your desktop keyboard — and still respond to your urgent calls?

That’s the kind of keyboard Matias has come up with.

The Canada-based company uses Bluetooth technology to wirelessly connect your phone to your keyboard and toggle between your desktop screen and phone — you’re still typing on your keyboard, but the text is appearing on the screen of your smartphone. (Here’s a video from CES that shows how this works, courtesy of Engadget.)

There are three Matias models — the $79 Slim One Keyboard, the $99 One Keyboard and the $199 Tactile One Keyboard — and all of them work on both PCs and Macs. The One and the Slim One are available now; the Tactile One will begin shipping in May.

The cheapest model, the Slim One, does not include a hub for your phone. The $99 One Keyboard includes a USB 2.0 hub and in-keyboard stand to hold your phone. The $199 Tactile One Keyboard has all of that, plus Alps mechanical key switches, which means there are real switches under each key.

And for those of you who wrote to me and suggested the Dvorak style of keyboard as an alternative to the traditional keyboard layout — Matias also makes a Dvorak keyboard for PCs and Mac computers.

Projecting Into the Future

We’ve seen at least one example of a laser-projection device that can create a keyboard out of any opaque surface. But what if you could make a keyboard out of any surface? What if you could make a keyboard … out of thin air?

MicroVision, a company specializing in laser-display technology, announced earlier this month the availability of its new laser-display engine, the PicoP Gen 2 HD laser display (the company’s patented display, PicoP, is actually the tech behind OmniTouch, mentioned in the previous article.)

The Gen 2 display takes it a step further: MicroVision’s PicoP Gen 2 can turn any projected image into a virtual touchscreen, regardless of the surface it’s being projected onto — or whether there’s even any surface at all. The PicoP Gen 2 HD laser display engine boasts 720p HD image projection and interactive displays up to 200 inches diagonal. MicroVision also announced technology for 3-D projectors, which could project 3-D images from a small display device.

While this kind of technology might have a more obvious place in the gaming market, it can also be used in conjunction with mobile devices to allow users to “step away from the screen.”

The company is emphasizing that this is still a prototype; MicroVision expects to begin sending samples to selected manufacturers for testing sometime early this year.

(There aren’t any images of this technology being deployed, so you’ll just have to imagine that keyboard in thin air for now.)

Forget the Keyboard — It’s All About Voice

Still other readers threw the four-letter word at me. Not that one. They were talking about Siri — and her competitors — saying they believe that touchscreen technologies, tactile or otherwise, are all moot because of the emergence of voice-command technology. Voice recognition is now in smartphones, gaming consoles and “smart” TV sets; is it only a matter of time before we’re dictating everything to our computer screens?

The Mobile Threat Tracker app consolidates the most recent two weeks’ worth of Lookout’s security data into a kind of mobile heat map. The user sees dots flying around the globe as a real-time visualization of where threats are happening.

When users scroll over the globe, a timeline appears, showing how much of the threat is malware and how much is spyware; the top three threats are listed along with plain-English descriptions, and why Lookout has identified them as malicious.

Kevin Mahaffey, Lookout’s co-founder and CTO, said the app isn’t necessarily about offering immediate solutions, but more about making people aware of when they might be particularly vulnerable on mobile. “People shouldn’t have to be security experts to stay safe. We want to remind them to download apps from reputable app stores, to not go to shady download sites; to look at the developer name behind an app, and make sure it’s legitimate.”

The Mobile Threat Tracker is only available on devices running an Android OS to start, and Mahaffey says it’s unclear whether there will be a version for iOS devices. “Right now, it makes less sense, because there isn’t any real malware on the iPhone,” Mahaffey said, “though at some point there might be a need for it.”

Lookout Mobile Security launched in 2007, and now claims more than 15 million users worldwide. The company says it takes an educational approach to informing people about products for malware and spyware, rather than using fear-mongering in its marketing; it offers most of its apps for free, with additional features available at a premium.

While threats on mobile devices still aren’t as high-scale as malware and spyware on PCs, Lookout’s internal research shows that the amount of malware on mobile has increased.

Lookout said the likelihood of an Android user encountering malware increased from 1 percent to 4 percent over the course of 2011. The company has identified more than a thousand instances of infected applications, double the number it saw in July 2011.

The Lookout report notes that Web-based threats like phishing can carry over easily from PCs, making the likelihood of clicking on a bad link higher than that of acquiring malware through mobile apps. The global yearly likelihood of an Android user clicking on an unsafe link is 36 percent — up 6 percent from just six months ago — while in the U.S., the likelihood is higher than the global average, at 40 percent.

(Photo courtesy of TheTechBlock/Flickr)

In November and December, the number of online transactions increased by 37 percent, and overall sales jumped by 25 percent. But the average ticket size declined by 9 percent, according to Chase Paymentech, which analyzes information across the top 50 e-commerce retailers.

As it turns out, more consumers are turning to e-commerce for more of their everyday spending, rather than reserving online purchases for big-ticket items.

Here are Chase’s three reasons for the decline:

• More consumers are purchasing digital media, which has a lower price point than most physical goods — MP3s cost less than CDs, e-books cost less than paperbacks, and apps cost less than game cartridges.
• Prices for popular electronics, such as tablets, e-readers and TVs, are falling.
• More retailers are offering free shipping, which eliminates the incentive to fill carts to reach a free-shipping threshold.

EBay, which is the first major e-commerce provider to report Q4 results, confirmed it was also seeing the trend. The company’s payments division, PayPal, reported smaller transactions during the fourth quarter across the merchants it serves.

John Donahoe, eBay’s CEO, explained in an interview that the biggest driver of that trend was eBay’s acquisition of Zong, a mobile payments provider that powers the sale of digital goods. In addition, Donahoe said retailers, including eBay, heavily discounted products in order to drive more purchases this holiday.

Amazon, which is the leading e-commerce provider, also said that it is selling a lot of low-priced digital goods, ranging from e-books to MP3s.

Historically, the company has said that Christmas is the largest day of digital sales on Amazon.com, followed by Dec. 26. In 2010, from Christmas Eve through Dec. 30, Amazon customers purchased three times more digital content — including Kindle books, magazines, movies, TV shows, music and digital games — compared to the weekly average for the year.

Despite transactions declining overall, Chase identified two exceptions: Apparel and footwear rose 6 percent; toys rose 10 percent year over year.

(Amazon photo courtesy of thisisbossi)

A new survey by the investment banking firm concluded that each Kindle Fire generates well over $100 in additional income, which more than makes up for the $2 to $3 Amazon reportedly loses on each sale.

“Kindle Fire unit economics are likely to be more favorable than consensus expectations, based primarily on frequency of digital goods purchases,” RBC Capital analyst Ross Sandler said in a research note to clients. “Our assumption is that Amazon could sell 3-4 million Kindle Fire units in Q4, and that those units are accretive to company-average operating margin within the first six months of ownership. Our analysis assigns a cumulative lifetime operating income per unit of $136, with a cumulative operating margin of over 20 percent.”

So: an additional $136 over the lifetime of the device.

How are Fire owners spending that money? Mostly on e-books. According to Sandler’s survey, 80 percent of Fire owners have purchased e-books, and 58 percent of those bought more than three of them within the first 60 days of ownership. Sandler figures that means the typical Fire owner will buy five e-books per quarter, generating about $15 net per quarter for Amazon (assuming an e-book ASP of $10).

Making up the remainder of that $136 sum? Apps, mostly. Two-thirds of the Fire owners Sandler surveyed had purchased at least one app. And 41 percent of those claimed to have purchased three or more. Sandler estimates that the typical Fire owner will purchase three apps per quarter, generating another $9 for Amazon.

Add to that video-on-demand buys and incremental purchases of physical goods, and you reach $136. Which isn’t bad at all, particularly if you’re multiplying it by the three million to four million Fires that Sandler expects Amazon to sell in its fourth quarter.

Many Internet companies and boldfaced names in tech have in recent weeks been vociferously opposing the passage of the bills, saying the provisions that would thwart piracy would also create an environment of censorship and unfairly target certain sites as being compliant in piracy. Supporters of the bills, meanwhile, say that the laws are necessary to clamp down on sites that circulate copyrighted content outside the U.S.

For those protesting the bills, some Web sites and developers have created options to help other Web users who want to black out all or portions of their sites.

SopaStrike.com is offering “blackout code” for Web users to copy and paste into the theme section of Web sites to protest SOPA/PIPA. The site says the code will only be available today.

The site encourages visitors to join the strike, sign up online and send letters to Congress. It also has a full list of confirmed participants in the strike.

CloudFlare is offering a “Stop Censorship” app that blacks out intermittent words on your site (you have to have a CloudFlare account to access the app). Visitors to your site will see the black bars only the first time they visit; after that, they’ll see a black “censored” label in the upper left corner of the site. CloudFlare also says it won’t block links, and is taking an SEO-friendly approach to blacking out words.

For users who don’t have a CloudFlare account, there’s a plugin available on GitHub, created by CloudFlare coder Mike Sofaer.

Some Webmasters might be concerned about the short-term impact of blacking out their sites, even if it is in solidarity with the national protest. WebMonkey points to a Google+ post from Google’s Pierre Far on how to black out sites the “right” way. He also notes, interestingly, that Google’s crawl team has configured Googlebot to crawl at a much lower rate for today only, so that the Google search results of Web sites involved in the strike are less likely to be affected today.

Around midnight last night, Google put up a blackout banner in front of its homepage logo; Wikipedia, BoingBoing and other sites also went dark. As AllThingsD’s Arik Hesseldahl writes, sites like Google could find themselves in legal hot water under SOPA and PIPA just for linking to pirated content in search results.

Still confused about what the SOPA protests are all about? AllThingsD has been covering the story, so here’s the latest, along with a growing list of participating Web sites. And the Guardian has a video explainer here.

The Chinese company is perhaps originally known for bringing World of Warcraft to China through a prior partnership with Activision. More recently, it invested in U.S.-based OpenFeint, which was acquired by Japan’s Gree last year. It continues to work with OpenFeint on a version of the social gaming platform for China.

But the deal with Sony Ericsson in China will be a first for The9, which will be the exclusive operator of its PlayNow app store. It will provide technical and operational support, including testing, releasing and promotion of all apps.

The partnership is not unheard of; Sony Ericsson has leaned on other providers in the U.S., such as GetJar, to manage its app store here.

The PlayNow store in China will include games, as well as other apps and content, such as ringtones. It will work on Xperia phones that operate Android and Java.

Feature phones continue to be the dominant phone factor in China, but increasingly smartphones are being adopted, said Chris Shen, general manager of The9’s Mobile Business Unit, in an interview.

He said that since games are the company’s strength, it will be looking to partner with other content providers to integrate other products into the PlayNow experience. So far, 50 games have already been added to the store.

Shen said it will receive a cut of the revenues from sales of games, advertising and microtransactions. The9 must also share the revenue with third-party developers.

The company, which trades on the Nasdaq, has struggled to regain revenues that were lost after its World of Warcraft contract was not renewed in 2009.

In the second quarter of 2011, it reported a loss of $1.9 million on revenues of $3.9 million. The company’s stock fell 2 cents today, to trade at $6.80 a share.

At the Consumer Electronics Show, the company is showing how each Android app can appear as its own Metro-style app in Windows 8’s new start screen. BlueStacks plans to offer its Android-on-Windows app for Windows 8 as soon as the new operating system ships, and is also working deals to have its App Player software preloaded on some new PCs.

BlueStacks is positioning itself as helping to fill the inevitable gap that will occur as Microsoft tries to move its developers to a whole new style of application.

Opinion within Microsoft is divided on BlueStacks, said CEO Rosen Sharma. Some are happy to see lots of apps that run in Metro, even if they are Android apps. Others, though, would prefer developers write apps directly to Windows.

As for computer makers, Sharma said that many are happy to have an option that allows them to offer up Android and Windows together.

And Mac fans, rest assured, BlueStacks wants to reach you, as well, and hopes to have something ready to show soon. “We are working on the Mac version,” Sharma said.

After an introduction from Samsung Visual Display president Boo-Keun Yoon, the company launched into its TV offerings for 2012 and beyond.

Samsung first showed off the ES 8000 LED TV, a smart TV with a dual-core processor that allows for multitasking — for instance, if you’re watching a movie on Netflix and want to check on hockey scores through NHL Game Center, you can toggle easily between apps.

And since TV makers always think bigger is better, Samsung is offering smart TVs up to 75 inches.

Samsung first introduced TV apps two years ago at CES; this year, the company is expanding the TV app offerings on its smart TVs with new content partnerships. The number of TV apps available has grown from 500 to 2,500 over the past two years, Samsung said. It has also introduced Smart Hub, improving the user interface of its smart TVs.

Now, Samsung says Media Hub, which is its mobile platform for apps and entertainment content, will be coming to TVs, as well. (This is already too many “Hubs” for us, but we’ll keep listening.)

Because no CES conference is complete without 3-D: 50 percent of Samsung’s TV models this year will be 3-D TVs, and the company believes consumers “love” 3-D in the home. In the past, Samsung has partnered with companies like DreamWorks to bundle 3-D movies with TVs; now, Samsung will offer streaming 3-D content, like “Battlestar Galactica,” through the Media Hub.

In the middle of the event, a virtual Angry Bird made its way on stage to make an announcement on behalf of Samsung: Angry Birds will be available for free on Samsung smart TVs! (PS: It’s also available on the Roku 2 box for a lot less than a smart TV. Just a tip.)

Emphasizing family-friendly usage and connectivity in the home, users can also now upload photos, videos and memos directly to the TV using “Family Story” features.

In the future, there will also be voice chat, voice gestures and face-recognition technologies in its TVs. With a demo video, Samsung showed how face recognition logs in users to access their own profiles, and how voice control can power Web browsing (demoed using Microsoft’s Bing search engine). Since the Internet evolves much more quickly than TV sets do — most consumers hold onto a set for five years or more — Samsung is offering a “Smart Evolution Kit” for easily upgradable TVs.

And, in a take-that-LG move, Samsung has rolled out a 55-inch “super” OLED TV, with an emphasis on “super,” the company says, because it has a dual-core processor, an ultra-slim bezel, a super-fast motion-response time that eliminates blur and has no need for a color filter. Oh, and by the way, it’s also 3-D. Samsung’s Tim Baxter said during the event that Samsung makes 90 percent of all OLED displays used worldwide.

LG also unveiled a 55-inch OLED TV this morning at its press -conference, as well as 3-D smart-TV offerings.

MORE CES NEWS:

• Complete coverage
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• Walt Shows Off CES Gadgets for Fox Business News (Video)
• What Kind of Web Video Plans Does Sony Have? (Video)
• Fujitsu Seeking Way Into Crowded U.S. Smartphone Market
• Why Rhapsody Is (Probably) Bigger Than Spotify — In the U.S.
• Microsoft Beefing Up CeBit Presence Even as It Pulls Back on CES
• Inside the CES Lost & Found
• FCC Chairman Has New Tablet, but Same Script: More Spectrum!
• Verizon Wireless: We Want to Connect Five Devices for Every Subscriber
• Ultrabooks From HP and Lenovo That Are (Kinda, Sorta) Different
• Walt and Katie Take a Tour of CES (Video)
• Schmidt-Storm Alert: The Google Chairman Didn’t Like Your Question
• T-Mobile Expands Bobsled Messaging Service
• Intel Shows Just How It Plans to Get Into Phones (Video)
• Motorola CEO: We’re Going to Release Fewer Phones This Year
• Kinect Helps Keep Aging Xbox at the Top of Its Game
• More From T-Mobile CEO: On Pricing, LTE and That Ever-Elusive iPhone
• Exclusive: New Boss Acknowledges Windows Phone Still Has “Awareness Problem”
• And You Thought Jawbone UP Was Going to Miss the CES Party!
• Interview: T-Mobile CEO Says No Second AT&T Deal Out There
• Grover Is at CES and I Am Missing It
• BlueStacks Bringing Android Apps to Windows 8
• Why the Future of TV Won’t Be Here Soon
• Nvidia’s Tegra 3 Tries to Save Battery in All Sorts of Different Ways
• Dynamic Dual Coverage: Ballmer’s Last Act in Vegas and the BCS Championship in 3-D
• Microsoft Phoning In Its Last CES Keynote
• Myspace — Yes, Myspace — Says It’s Going to Sell You Web TV
• Samsung Unveils “Super” 55-Inch OLED TV
• Nokia Unveils That LTE Windows Phone It’s Been Dying to Share
• Steve Ballmer Gives Ralph De La Vega a Very … Vigorous Greeting (Video)
• Interview: AT&T’s De La Vega on LTE, Tablets and Life After T-Mobile
• AT&T’s De La Vega: Shared Data Plans Still in the Works
• LG: 55-Inch Glasses-Free 3-D Screen Is on the Way
• LG Pushes 4G Smartphone Through Verizon: The LG Spectrum
• Live: AT&T’s Vegas Act Stars LTE and, Making Her Return to the Stage, Nokia
• CES Notebook: The Constant Search for Power and Vegas’ Worst-kept Secret
• Belkin Bringing Mobile TV to Lots of Cellphones, Will Anyone Tune In?
• Acer Introduces “World’s Thinnest” Ultrabook and a “Me-Too” Cloud Service
• There Better Be Some Cool Stuff at CES, Because CE Holiday Sales Data Bytes!
• CES 2012: Snooki and Bieber Are In, Gaga Is Out!
• Coming to a Smartphone Near You: Gorilla Glass 2
• RIM Hopes Next PlayBook OS Will Impress at CES
• Ultrabooks, the Ultra-Fancy New Name for Laptops
• At CES, Expect More Gadgets Telling You to Get Off the Couch
• Intel to Detail Its Phone Plans at CES Next Month
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For 2012, they are focusing on making TVs “smarter” by enabling them to connect to the Internet for apps and video services on the Web.

But that doesn’t mean 3-D is going away. It’s just riding shotgun with smart TVs.

Smart TV is not a new concept, of course. Up until now, it has been defined as Internet-connected television achieved through a separate box or device that connects to the TV and streams Internet content, or via a computer-like processor built directly into the TV.

On the showroom floor in Las Vegas next week, electronics makers including Samsung Electronics, Sony and LG Electronics are expected to show off more television sets that bring Internet connectivity to entertainment centers for the home. Yesterday, Google announced that LG will join the list of companies supporting Google TV; Samsung, Sony, and Vizio Inc. have also adopted Google’s Internet TV technology.

With Apple rumored to have a possible Internet-connected HDTV in the pipeline, TV makers are making all kinds of pushes to bring to market devices that offer consumers a full range of options. For many consumers, the answer for now will still be external devices that offer easy, upgradable solutions, like the Microsoft Xbox, Apple TV, Google TV and even Roku’s latest gadget.

Analysts believe that Internet-enabled TVs will begin to take a larger share of the market by default, eventually becoming a check-off item for consumers, rather than a special feature. Some 60 percent of new televisions being sold in 2012 are expected to have Internet connectivity. According to NPD’s DisplaySearch, connected-TV shipments are expected to reach 138 million globally by 2015, accounting for 47 percent of all flat-panel TVs.

So where does 3-D fit into all this?

TV makers will still be touting 3-D at CES 2012, as many smart TVs will also include 3-D capabilities. Samsung Electronics, for instance, says that more than half of its 2012 TV models will support 3-D. “Our commitment to 3-D is only deepening,” says Ethan Raisel, director of communications at Samsung.

Tim Alessi, Director of New Product Development at LG, estimates that around 20 percent of all LG TV units will support 3-D, and notes that 3-D is featured in 50 percent of the company’s lineup for this year.

But despite the fact that 3-D TV sales in 2011 showed some encouraging gains — with an estimated 21.5 million 3-D units reported to have shipped last year and sales showing significant gains from quarter to quarter — the forced exuberance over three-dimensional screens has been tempered a bit.

That’s likely because it doesn’t matter how well 3-D TV units are selling — for the consumer, anyway. “It’s not really the penetration that matters, it’s the use,” says Forrester Research analyst James McQuivey. “You’d be hard pressed to find a 3-D TV owner that actually uses it in 3-D mode even once a week. That’s not a formula for building consumer momentum.”

For TV, 3-D presents a three-headed monster: To start, there are the technical and psychological obstacles of those pesky 3-D glasses — and while autostereoscopic (glasses-free) 3-D technology is being worked on in many R&D labs, industry experts all agree that quality 3-D without glasses is at least a few years away.

Secondly, 3-D presents a chicken-and-egg dilemma that doesn’t exist with smart-TV features — the question of where the viewable content will come from. Many content creators have been holding off on making 3-D programs. The Discovery Channel and ESPN made headlines two years ago when they announced 3-D channels; but in terms of sports, 3-D has been relegated to key events, due to high production costs.

An increasing number of 3-D movies are available on DVD, but moviemakers that hopped aboard the 3-D train early — think Pixar Animation Studios and DreamWorks Animation — were likely doing so to plant a flag in the ground for when 3-D finally does hit critical mass in the living room, says Scott Steinberg, head of strategic consulting firm TechSavvy.

Sony Chairman and CEO Howard Stringer even said recently, regarding the company’s 3-D TV push, that he hadn’t realized all of the challenges in getting 3-D content in place.

And the third issue affecting the uptake of 3-D has been the cost of the sets. On average, the cost of 47-inch to 50-inch 3-D TV sets is $400 more than similar HDTVs, according to a 2011 report from Retrevo. And while the entire consumer electronics industry has been hurt by a weak U.S. economy, TV sales have been hit particularly hard.

Steinberg says that for the average American household, television purchasing is about being practical right now. “It’s much more important to have the maximum-value TV with Internet capabilities and apps, than to invest in a still-unproven technology like 3-D.”

A December 2011 report from Parks & Associates on consumer purchasing intent also indicates that smart TVs are what’s grabbing the interest of consumers right now.

Even that report points out that smart TVs won’t deliver the killer blow to 3-D. As smart TVs are punched up with even more features — from apps to motion remotes to voice-command capabilities — more middle-class households looking to purchase smart TVs may buy in to 3-D, whether they’re actively looking for it or not.

Whether consumers actually want to sit in their living rooms and wear 3-D glasses to watch TV remains to be seen. For now, TV makers will still insist that they do.

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And it’s going to show it off next week at the 2012 Consumer Electronics Show.

Late Thursday, RIM distributed invitations to “an intimate event” to be held at CES on January 10. Emceed by Alec Saunders, RIM’s VP of developer relations, and Martyn Mallick, VP of global alliances, the event touts the BlackBerry as “the best app platform in the industry today,” and promises to prove it with a demonstration of PlayBook OS 2.0 and BlackBerry 7 OS.

Evidently, RIM has made some remarkable improvements to both operating systems, as well as its straggling app ecosystem. If it hasn’t, it’s never going to hear the end of that “best app platform” claim.

That said, the long-awaited addition of the native email, calendar and contact apps that the device debuted without should go a long way to silencing at least a few of the complaints that have plagued it.

RIM is expected to release PlayBook OS 2.0 to consumers sometime in February, the same month it reportedly plans to debut BlackBerry OS 10 at Mobile World Congress.

Over a series of tweets last night the rapper and music producer announced the creation of a design company called DONDA that would comprise 22 divisions and make “products and experiences that people want and can afford.”

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In a new report, Flurry Analytics estimates that in the final seven days of 2011, 1.2 billion apps were downloaded worldwide across both Android and iOS, representing a 60 percent jump over a typical week.

More important, it is the first time the globe has punched through the billion-download mark, according to the technology company, which builds tools that thousands of developers use to track usage of their mobile applications.

Flurry had said last week that a record-breaking 6.8 million iOS and Android devices were activated on Christmas Day, along with an equally record-breaking 242 million application downloads. For the entire week, it now is estimating that 20 million iOS and Android devices were activated.

Additionally, Flurry discovered that Americans represented the biggest app addicts, downloading 509 million of the worldwide total.

The remainder of the top five countries are: China (99 million); the U.K. (81 million); Canada (41 million); Germany and France (40 million each).

In the new year, Flurry is forecasting that application downloads will frequently break the one-billion-a-week mark.

In 2011, it added, Apple’s App Store was on pace to exceed 10 billion downloads, which was twice the number it recorded over the three previous years combined. Likewise, the Android Market is also setting records. Over the past seven months, it achieved more than seven billion downloads, taking its life-to-date total past 10 billion.

(Image credit: iStockphoto | mbortolino)

Mobile-software developers have long complained about Apple’s limits on them. Chief among their gripes is Apple’s rule that developers registered through its standard developer program cap testing of their app to 100 devices before the software is sold in the app store. Developers say the rule curtails the amount of feedback they receive to improve their apps.

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