Instead, I’m focusing on the ones that promise to bring me the TV I want to see, when I want to see it, without charging me a fortune. And without making me pay for stuff I don’t care about.

Try it yourself. See? Things get quiet in a hurry.

All that other stuff that everyone is talking about right now — new ways to get Web video onto your TV set, new ways to chat up your friends while you watch TV, etc. — is sort of interesting. Maybe it eventually turns into something really interesting.

But none of it solves the problem that regular people have with TV right now. Because they actually like TV quite a bit, and watch tons of it every week, and they’re okay paying for it, too, even if they say they’re not. They just want to pay less for the stuff they want.

Making that happen will require a lot more than using AirPlay to throw video from your iPad to your LCD, or making it easier to search the Web via a Google TV. It means fundamentally overhauling the TV business.

And while it can look like the TV business is loosening up dramatically — look at all those shows the networks are putting on the Web, for free! — it’s actually tightening up considerably — it’s getting harder and harder to watch that stuff, it turns out, without paying for cable, or going rogue.

Even the most interesting stuff I’ve heard about — selling TV “over the top,” via the Web — still contemplates buying bundles of channels from the programmers, which means that over-the-top TV will look just like cable TV. Just like satellite TV and fiber TV do.

“I think there’s not a lot wrong with the business models,” says Myspace owner Tim Vanderhook, who wants to launch his own over-the-top service this year. I’m not at all confident that he’s going to pull it off, but I’m sure the programmers are happy to have a chat. They love the idea of more buyers ponying up for their stuff.

One interesting variant you’re hearing more about right now involves keeping bundles intact, but buying less of them. If you don’t pay for ESPN, then you’re not going to get anything from Disney, including ABC Family and the Disney Channel. But if you can live with sports or kids stuff, you could save an awful lot — or put the money into other programming you do care about.

That’s not nearly as sexy as The End Of TV As We Know It, but it is doable. And I’ll definitely holler about that one, if and when we see it.

Disney has re-upped a two-year-old deal with Netflix to stream older shows that aired on ABC, ABC Family and the Disney Channel. And it announced what is essentially the same deal with Amazon, which will make the shows available via its Amazon Prime streaming service.

The Amazon deal also includes animated shows featuring Marvel characters, and it’s possible that the two deals have minor differences. The Netflix release, for instance, says that some shows that are still on the air — like “Grey’s Anatomy” — will be available 30 days after the last episode of each season runs on TV. There’s no reference to window length with Amazon.

But for the average Web video viewer, this stuff is going to mean the same thing: Both Amazon and Netflix are going to have a bunch of old ABC shows. A few of them will be programs that are still running on TV, but they’ll be from previous seasons, not this year’s reruns. And everything else will be even older.

That’s now the standard for most Big TV Web-video licensing deals. The networks and studios are quite happy to sell their shows to digital distributors, as long as they’re a bit musty.

It’s basically found money, and it will drop straight to Disney’s bottom line, just like equivalent deals at Comcast’s NBC, News Corp.’s Fox, etc. (News Corp. also owns this Web site).

And the networks are finding ways to sell the same stuff multiple times, like today’s pacts, or deals announced earlier this month to show CW Network shows on Netflix and Hulu, which (could) bring more than a $1 billion in new revenue to owners CBS and Time Warner.

The deals also show that Amazon continues to cut into the lead Netflix has built up in its Web video catalog. Netflix is moving toward an exclusivity strategy, where it pays a premium for stuff you’re not going to be find anywhere else on the Web. But it can’t fill its 20,000-title catalog with exclusives alone. And in this deal, at least, it doesn’t appear to have carved out any exclusives at all.

Yesterday, BoomTown reported that Mark Walker, the head of the powerful Yahoo News site, was leaving the Internet giant for another company.

That company, sources said, will be Disney, where Walker will be leading a major overhaul of its flagship Disney.com site.

The property, which has largely been a promotional and aggregation play for Disney’s many family-oriented offerings–such as its popular Disney Channel cable television shows–still sees 20 million unique visitors monthly.

Walker will report to Jimmy Pitaro, the former Yahoo media head who is now co-president of Disney’s online division with John Pleasants. Walker worked directly for Pitaro at Yahoo.

Walker’s job, said sources, will be to find a new direction for Disney.com, including adding original programming to the site, as well as more personalization for its users.

It’s a big task for Walker, since Disney’s various Web efforts have a long and often rocky history, from its disastrous purchase of Infoseek in 1998 and efforts to create the Go.com portal to its savvy acquisition of several innovative kid-focused sites such as Club Penguin in recent years.

Still, like many traditional media giants, Disney has never achieved the kind of digital success its spectacular brand has promised. The hiring of Pitaro and Pleasants by CEO Bob Iger was a sign that the company was going to make some big changes again.

BoomTown will query Iger about all this at the ninth D: All Things Digital conference this summer, where he’ll be interviewed onstage.

After factoring out one-time charges and write-offs, Bob Iger and company earned 43 cents a share on revenue of $8.1 billion. Wall Street had been looking for 40 cents and $8.15 billion, respectively.

Iger: “We had a difficult second quarter due to the weak economy and other factors.”

The bright spot for the entertainment conglomerate is the same one you see at every media giant these days: Disney’s cable business. Revenue at ESPN and the Disney Channel was up four percent and operating income was up five percent. That’s because those powerhouse channels have locked in payments from cable operators that show up regardless of the economy’s state.

And that’s why you won’t see (much) programming from those channels on Hulu–there’s no way Iger is going to rile up the cable operators who pay for that programming by running it for free online.

Disney’s interactive group, which includes videogames and sites like Club Penguin, but not revenue from ABC.com and sales from Apple’s (AAPL) iTunes store, saw revenue decline 17 percent, and operating income drop two percent.

Here’s the breakdown by segment (click to enlarge):

Write-down watch: Disney took $203 million in “impairment charges”–accountant-speak for “the stuff we bought back then isn’t worth much now.” That includes “$108 million related to radio FCC licenses and $46 million related to an investment in an Indian media company.”

This follows on the heels of a lousy February quarter in which the company didn’t hit expectations.

Disney (DIS) is the first of several big media companies to report this week. News Corp. (NWS) weighs in tomorrow, followed by CBS (CBS) on Thursday.

The Disney earnings call is starting now. I’ll listen in and update as warranted.

Disney CFO Tom Staggs on ad market, economy: “While we believe the pace of decline has generally stabilized, we believe ad buyers and consumers remain cautious.”

During Q&A, Iger has a long monologue about online philosophy, Hulu, etc., but my Webcast cut him off before he was finished. Don’t know whether to blame Disney or Time Warner Cable (TWC) for that one….

In any event, here’s my paraphrase of what I could get down, with a smattering of quotes:

“We found that as we move product to the Web…at least [with regard to] piracy that we’re aware of, there’s been a stabilization….We feel that if we don’t put it online…it will be demanded by consumers, and they’ll find ways.”

Research on cannibalization and piracy in general is inconclusive and some research conflicts with other research we’ve seen. “Some of this is instinct, by the way. It’s not all based on research.”

We feel media consumption is moving to the Web and that media consumption may be expanding. We think we’re better being online than not being online. We realize that Web monetization doesn’t exist yet, at least not at TV-like levels, but we believe that eventually it will.

A lot of the consumption that we’re seeing is incremental because it’s a different demographic. The average age of consumers watching ABC.com and itunes is younger than the average age of those watching network TV. The Hulu demographic is generally younger than prime-time network demographics. So we don’t believe it’s cannibalization.

That’s what finally allowed Disney (DIS) to join up with GE’s (GE) NBC and News Corp.’s (NWS) Fox in Hulu, the fast-growing Web video site.

The deal, which was finally announced yesterday, has its roots in a November 2007 meeting between Hulu CEO Jason Kilar and Disney’s executive team where Kilar demoed a private beta of the service on Disney CEO Bob Iger’s computer. But the two sides didn’t really start talking in earnest until mid-December of last year.

Since then, people who were involved in the negotiations tell me, the discussions were a long slog, complicated by the fact that there were essentially five parties in the talks. But at no point did the deal ever look to be in jeopardy, I’m told–even though everyone from Google (GOOG) to Comcast (CMCSA) was trying to convince Iger not to go forward.

In the end, Disney essentially agreed to the same terms that NBC and Fox first used when put the site together two years ago. The main components:

• A two-year guarantee of exclusive third-party access to ABC’s online TV inventory, as well as a smattering of Disney cable shows.
• Marketing money, to be spent buying market-rate air time promoting Hulu on Disney TV properties. NBC and Fox handed over $50 million each, doled out over two years, when they formed Hulu; I’m told Disney has committed to a similar amount.
• A cash investment in Hulu itself. I’m told that NBC and Fox kicked in a total of about $30 million to get Hulu off the ground, prior to getting Providence Equity Partners to pony up $100 million for a 10 percent stake. Given that NBC and Fox took on substantial risk when they contributed their stakes, it’s likely that Disney ended up paying a larger sum.

At least as important as Disney’s contribution, though, is NBC and Fox’s decision to re-up their exclusivity arrangements for another two years. Some executives at NBC and Fox I’ve talked to have downplayed this part of the deal, arguing that their companies would have kept working with Hulu even without renewing their exclusives, which were expiring.

But the reality is that if NBC and Fox had not renewed, it would have been a signal that the networks were no longer committed to their joint venture, a question that’s been whispered more and more often in recent months. There are also some practical effects when it comes to dealing with the cable guys (see below).

The deal still needs regulatory approval, and you may hear the likes of Google and Comcast murmuring loudly that a partnership between three of the four broadcast networks violates antitrust statues. But assuming it does go through, here are some of the ripple effects:

CBS: The broadcaster is on a lonely road, which is not where entertainment companies like to find themselves. It may well be that the Web strategy CBS has been pursuing–don’t put too much of your stuff online, but syndicate the stuff you do put out there as widely as possible–is the right way to go. But if CBS CEO Les Moonves ever changes his mind, he will have a hard time climbing aboard the good ship Hulu.

For the record, Kilar is enthusiastic about bringing on CBS: “We’d love to see CBS jump into Hulu,” he says. We’d love to see Time Warner (TWX) jump in to Hulu, too.”

But executives at his partner networks–the same guys who forced him to cut off Web upstart Boxee, remember–says that the door is shut for CBS, at least in terms of the equity deal ABC just got.

If CBS (CBS) does want to make a deal with a big Web distributor, it may well end up doing something with Google’s YouTube, which already distributes snippets of CBS shows on its site. You won’t hear CBS bragging about this out loud, but I’m told partnership has worked out very well for the network to date.

The cable guys: Note that there’s very little of Disney’s premium cable stuff on Hulu–just a smattering of SoapNet and a few shows from the Disney Channel, but nothing your kids care about. And there’s zilch from ESPN.

That’s because Iger doesn’t want to freak out cable operators that pay Disney billions a year for cable programming. So that stuff will stay offline. (Meanwhile, it may get increasingly hard to find some of the NBC/Fox cable programming on Hulu, for the same reason. Good luck watching the most recent episode of FX’s “Rescue Me,” for instance).

But the Disney move, along with NBC and Fox’s commitment to re-up their exclusivity arrangement, just complicated efforts by the likes of Comcast and Time Warner to push an “authentication” arrangement. That’s where cable subscribers–but only cable subscribers–get access to a wealth of TV on the Web.

Without the exclusivity clause, the cable guys could demand that the networks hand over their best stuff directly to them for their online efforts. Now, at least for the next two years, they’ll have work through Hulu, on Hulu’s terms.

It may be that the cable guys are so far away from making their authentication plans a reality–I’m told Comcast’s test will launch this summer with just a few thousand subscribers and will add something like 50,000 subscribers a month after that–that this might not mean much. It’s possible that by the time the cable guys are ready to really talk shop with their programmers, the two-year deals will be long expired.

Bonus: We get to see new Hulu ads, starring actors from ABC shows. I’m hoping for one featuring Jorge Garcia, who plays Hurley on “Lost.” For now, here’s the newest one in the current campaign, featuring Dennis Leary from “Rescue Me.”