Dolly Parton

EMI’s Owners Suffer a $1.6 Billion Case of Buyer’s Remorse

Peter Kafka in Media on March 2, 2009 at 5:04 pm PT

A lot of people couldn’t understand why Guy Hands, the private equity guy who bought EMI in the summer of 2007, was willing to pay so much for the music company. Now he says he agrees with them–his Terra Firma buyout firm has written off half the $3.2 billion he paid for the company. He may have to write off more before he’s done.

Crucial Dolly Parton Endorsement Fails to Swing "White Spaces" Vote

John Paczkowski in News on November 5, 2008 at 5:48 am PT

Over the objections of television broadcasters, theater producers and Dolly Parton, the Federal Communications Commission Tuesday approved a plan to open up unused frequencies between television channels–known as “white spaces”–for a national broadband network. This 300MHz to 400MHz range of unused spectrum lies between channels 2 to 51 on analog television sets and is perfect for offering wireless broadband services because it’s able to carry signals long distances and easily penetrate trees and walls. And while critics argue that using them in this way might interfere with TV signals or, heaven forbid, the wireless microphones in Dolly Parton’s Broadway production of “9 to 5,” the FCC felt such concerns to be overblown and ruled the country would be better served if the spectrum were opened up for free public use.

Crucial Dolly Parton Endorsement Fails to Swing “White Spaces” Vote

John Paczkowski in News on November 5, 2008 at 5:48 am PT

Over the objections of television broadcasters, theater producers and Dolly Parton, the Federal Communications Commission Tuesday approved a plan to open up unused frequencies between television channels–known as “white spaces”–for a national broadband network. This 300MHz to 400MHz range of unused spectrum lies between channels 2 to 51 on analog television sets and is perfect for offering wireless broadband services because it’s able to carry signals long distances and easily penetrate trees and walls. And while critics argue that using them in this way might interfere with TV signals or, heaven forbid, the wireless microphones in Dolly Parton’s Broadway production of “9 to 5,” the FCC felt such concerns to be overblown and ruled the country would be better served if the spectrum were opened up for free public use.