Yes. But not that many people.

Social TV tracker Bluefin Labs counted 3.44 million “social comments” about last night’s Oscar awards. That metric, which primarily tracks Twitter usage but also includes some data from Facebook and other services, is certainly big. But it’s much smaller than two other big live-TV events this month. Bluefin counted some 12 million comments for the Super Bowl, and 13 million for the Grammys.

And the comment volume for those two events showed much more year-over-year growth than the Oscars, too. Bluefin says Oscar Tweets were up more than 250 percent this year, compared to a crazy 2,300 percent bump for the Grammys and 580 percent for the Super Bowl.

That might seem a little odd to someone like, um, me, whose Sunday evening Twitter feed seemed to be clogged exclusively with people live-tweeting the same broadcast. (Which, really — love you guys, but I could do without.)

So this ends up being a very healthy reminder that different people use Twitter for different things. Hard to remember that sometimes, because the medium so closely mimics a traditional broadcast system, with its one-to-many structure (even if CEO Dick Costolo insists it’s not a media company). But on Twitter, there are a whole lot more broadcasters out there, and not all of them go freaking nuts about the Oscars, and that’s not a bad thing at all.

(Photo courtesy of Academy Award official site)

Many of those folks work at Trendrr, one of several start-ups trying to make a go of the “social TV” boom. A dozen of the company’s 20 employees will spend the day monitoring the broadcast, as well as the red carpet run-up to the show and the post-event recaps.

But Trendrr did its heaviest lifting last week, when it had to figure out exactly how it was going to track Twitter’s Oscar conversation. (Like its peers, Trendrr also keeps tabs on Facebook and other social outfits, but Twitter provides it with the most complete data stream.)

Some of you will go out of your way to help Trendrr and its competitors, like Bluefin and Socialguide, by explicitly labeling your Oscar tweets via hashtags like “#oscars.”

But many of you may simply type something about “The Descendants” at some point during ABC’s broadcast. And some of you may leave out the space between the two words, or the “The” altogether. How to account for all of that?

A combination of art and science, says Trendrr CEO Mark Ghuneim. His team spent the week going through the list of award categories and nominees that will be televised, as well as any presenters expected to be on stage, etc.

That yielded around 200 search terms that his computers will use to search the Twitter stream. And each search term will contain multiple queries — not just “The Artist,” for instance, but “TheArtist.” (You can see some of the list, pictured left.)

Some of the other stuff is trickier to account for, and Trendrr will need to make some decisions about some of the tweets on the fly. If it sees a spike in tweets about “Drive,” for instance, it will need to figure out if people are talking about tooling around in a Toyota, or a sound-editing award.

All of which make for interesting data points after the event, some of which I’ll happy to write up here. (Spoiler alert: Just like the Super Bowl and the Grammys, the Oscars will generate a big year-over-year increase in Twitter activity.)

The long-term question is what kind of value all of this data will provide for programmers and advertisers.

Even if it turns out that Twitter (and Facebook, and every other social service) is directing more eyeballs toward TV — a narrative that pleases both the old- and new-media folks — how is it helpful to know that “George Clooney” was a popular term on Twitter last night?

“This is a swarm event,” Ghuneim says. “And when you have a swarm event, that’s when the action is most actionable.”

That sounds smart, though I’m a little skeptical that the ad world is anything close to nimble enough to do a lot with the data right now. Still, lots of marketing folks seem interested in this stuff in the present tense — if you visit Interpublic Group’s Media Lab, for instance, you’ll see Trendrr data displayed prominently. And always better to have more data than less, right?

And now, if you’ll excuse me, I need to finish my preshow Melissa McCarthy appreciation exercises.

*If I had to bet, I’d go along with the conventional wisdom that gives “The Artist” an armful of statues. And if you haven’t seen it, I’d say this: It’s fun! You should go! But if you don’t see it in a theater, and end up watching at home, you’re going to be underwhelmed. Can’t watch this one with a remote or an iPhone in your hand.

How would we even know that today is Valentine’s Day, were it not for #FedValentines and the now-emerging meme of #candyheartrejects that is Twitter-trending across New York, San Francisco and the rest of the U.S. right now?

Well, I would certainly know — I’ve written about Valentine’s Day tech trends twice today already. And after this, I am done. Finito! But some of these popping up on Twitter right now are just too good to pass up:

Get tested. #CandyHeartRejects

February 14, 2012 12:03 pm via Twitter for MacReplyRetweetFavorite

@TeamCoco

Team Coco

#candyheartrejects “Since you don’t like Harry Potter, this won’t work”

February 14, 2012 11:03 am via TweetList ProReplyRetweetFavorite

@ArryPottah

Harry Potter™

It puts the lotion in the basket. #candyheartrejects

February 14, 2012 11:39 am via Twitter for iPhoneReplyRetweetFavorite

@thomastowell

Thomas Towell

Please Stop Crying #candyheartrejects

February 14, 2012 10:21 am via webReplyRetweetFavorite

@marcmaron

marc maron

#CandyHeartRejects ‘Friend request denied’

February 14, 2012 12:07 pm via UberSocial for BlackBerryReplyRetweetFavorite

@I_Luv_Heels

♥Andraya ♥

You look way hotter in your profile pic. #candyheartrejects

February 14, 2012 12:39 pm via webReplyRetweetFavorite

@shawniemacdon

Shawn Macdonald

I relapsed over you. #candyheartrejects

February 14, 2012 10:40 am via TweetDeckReplyRetweetFavorite

@anamariecox

Ana Marie Cox

Unblock me. #candyheartrejects

February 14, 2012 8:27 am via Twitter for iPhoneReplyRetweetFavorite

@RyanLizza

Ryan Lizza

Help! I am being held prisoner in a candy heart factory in China! #candyheartrejects

February 14, 2012 12:36 pm via webReplyRetweetFavorite

@daforce

daforce

You’ll do. #candyheartrejects

February 14, 2012 12:40 pm via webReplyRetweetFavorite

@beeborg

bee chelse

You get the idea. If you want to follow along yourself, you can click on #candyheartrejects in the trends section of your Twitter page, or run a Twitter search for the trend.

(Photo courtesy of Flickr/Valcuric)

The new campaign — set to the tune of “Let’s Stay Together,” by Al Green — is much more tame than last year’s ad. The 30-second spot focuses on creating family memories around campfires, swimming holes and hiking trails; memories that often can be made in or near homes — not in hotels.

HomeAway, which operates vacation-rentals marketplaces, including HomeAway.com, VRBO.com and VacationRentals.com, went out on a limb for its Super Bowl commercial last year. If the point was to generate buzz before filing for its initial public offering, it was a success.

But the Austin, Texas-based company ended up having to yank the ad after drawing criticism over a particularly disturbing image: In the commercial, a doll — which was obviously not a child — was thrown against a wall to demonstrate how cramped hotel rooms can be, compared to more spacious rental houses.

The updated — and more subtle — campaign will air in select markets during NBC’s broadcast of the 69th Golden Globe Awards. Following its debut, the spot will air on the Travel Channel, the Food Network, HGTV and other special promotions, including the Grammy Awards on Feb. 12, the Academy Awards on Feb. 26 and the “Survivor” finale.

Second time’s the charm?

My Twitterstream was dominated by snarky play-by-play, and the rest of the Web was doing the same thing. Even the New York Times and The Wall Street Journal put Grammy liveblogs on their homepages.

So now it might be nice to head online and actually see–and hear–what I missed. No dice.

The official Grammy site, run by the National Academy of Recording Arts & Sciences, has plenty of clips, but none from the CBS broadcast itself–it’s all backstage, or red carpet or other footage I don’t care about. CBS.com doesn’t have anything, and neither does TV.com, CBS’s mini-Hulu.

Meanwhile, Google’s YouTube, the place where I really expect to see clips, is doing a very good/frustrating job of keeping the site scrubbed free of amateur uploads. You can find some stuff, but it takes work, and the quality is poor, and I’m pretty sure it’s getting removed quickly after it goes up.

So while I really want to see Arcade Fire’s performance–my Twitter pals were ecstatic about it–right now the only thing I can find is grainy footage of  Lady Gaga doing yet another Madonna…homage. This may or may not be available by the time you read this:

[UPDATE: Ask, and you shall receive! For now. Thanks to @colinparksfried, @tdotjdot and @nolaschott]

A CBS rep notes that Grammy performances “aren’t typically available online due to rights clearance issues,” and I’m sure that’s true. Any given song can have lots of different owners, and getting all of them to agree to put it on the Web can be a huge hassle. On the other hand, it’s not an insurmountable challenge–that’s why we have Vevo.com, a Web site dedicated to nothing but music videos.

Left unsaid here is that big live events like the Grammys are now TV’s most valuable commodity, and the people who produce big live events continue to struggle with the Web. But more and more of them are getting it–even the very uptight NFL is putting highlight videos up on its site while the games are in progress.

The Grammys are already being augmented very nicely by the Web, which provided it with endless free promotion last night. But now that the live event isn’t anymore, you’d think the music industry, which can use all the promotion it could get, would be pushing very, very hard to let people see what they missed last night.

Who knows. It might even prompt someone to, you know, buy some music.

The company’s technology encrypts music files with a watermark and lets record labels share them securely with radio stations and other destinations. The watermark allows Yangaroo to identify each person who has downloaded a track, so if a song is leaked, it can trace its origin.

Cliff Hunt, Yangaroo’s operating chief, used to work in music production and management but helped to start the company in 2004 after seeing a presentation about Biopassword. The biomarker system, now called AdmitOne Security, identifies a person’s unique typing rhythm. Mr. Hunt acquired the rights to use it for music and advertising.

Read the rest of this post on the original site

CBS paid $1.8 billion for CNET last summer, and today it is dealing with the consequences: A re-org and layoffs.

CBS execs won’t release specifics on the firings and won’t say how many people were let go altogether. So news will be coming out in piecemeal fashion for some time.

The best that I can tell, though, the cuts came throughout the company’s interactive group, from its London-based last.fm radio service through CBS (CBS) headquarters in New York to CNET’s homebase in San Francisco.

Based on the fact that CBS Interactive boss Quincy Smith flew to the west coast to quarterback the re-org this morning–and the fact that CNET was much, much bigger than the CBS Interactive group–I’m assuming that more CNET employees were let go than anyone else.

Quincy, if I’m wrong, please let me know. And CBS Interactive/CNET employees can reach me directly at peter@allthingsd.com.

In the meantime, here’s the new structure of Smith’s group, via an internal memo that comes from him and Neil Ashe, his CNET counterpart:

Team,

As we come to the end of 2008, we have a lot to be proud of. CBS Interactive is the best online content network for information and entertainment. Our properties are expanding, advertisers are capitalizing on our properties and their scale, and we are positioned well to continue to grow. As we prepare for 2009 and beyond, we’d like to update you on this progress, announce some organizational changes and comment on the broader market environment and how it impacts CBS Interactive.

Progress

CBS Interactive is the 8th largest Internet network in the world. Our combined traffic is up nearly 30% since we closed the merger this summer. CNET, CBSSports.com, BNET, GameSpot, TV.com, CBS.com, last.fm, and CHOW have each had record traffic within the past three months. Our commitment to our users is paying off.

Advertisers have noticed. We have recently signed and announced deals across several of our properties with Microsoft, AT&T, Intel, Bertolli, EA, and GM. In these challenging economic times, marketers are consolidating their efforts with their best partners. Our properties, our audiences, our ideas and our insights will continue to differentiate us in the marketplace.

Finally, we have contributed to and benefited from the TV and Radio divisions of CBS. We’ve done nearly 1,500 purpose-driven promotions to our properties on Broadcast TV, Radio and local TV Stations; CHOW and GameSpot content is running on the CBS Outernet; and CNET ran a major consumer campaign in markets like New York and San Francisco through CBS Outdoor. CBS Interactive is also a key partner to CBS Television Network for major broadcast events. In just the last week, we featured complementary content for events including The Victoria’s Secret Fashion Show, the Grammy Nominations and the SEC Championship.

Moving forward, we have a lot to look forward to. Events like CES, The Grammys, and March Madness on Demand are all just around the corner. Each represent huge cross-platform opportunities where CBS Interactive will again help complete the experience with coverage on air, online, and on mobile for our audiences.

Organizational Promotions and Changes

As we enter 2009, we are making some changes to our organizational structure to capitalize on audience and advertiser overlaps. We are also making some changes to key functions so that we can realize the benefits of our position in the marketplace. These changes mark another significant milestone in our integration, as we fine-tune our organization to best take advantage of the power of our entire network.

Sports, Games and Music

We are combining our Sports, Games and Music properties into a single group led by Steve Snyder. Steve has tremendous product and leadership experience and an enthusiasm for each of these categories. In addition, Tom Jones will be moving over from CNET to head-up the sales efforts for this group. Within the group, our talented senior leaders including Jason Kint, Rich Calacci, Jaci Hays, Kevin Menard, Felix Miller, Doug Schmidt and others will report to Steve and to Tom.

Entertainment & Lifestyle

We are also moving our Lifestyle properties, CHOW and UrbanBaby, to the Entertainment group (TV.com, CBS.com, The CBS Audience Network and TheInsider.com) to capitalize on the similarities in audience and advertisers. This group will continue to be led by Anthony Soohoo with sales led by Ken Lagana. We’re excited to see the innovation that will come from this group in 2009.

Technology & News

Under the continued leadership of Joe Gillespie, our Technology & News division will bring CBSNews.com and CNET News.com into a single CBS Interactive News Group. Each site will maintain its own brand identity, while benefiting from shared resources in design, product and engineering to deliver deeper and more comprehensive coverage of major stories and events. Led by Mark Larkin, with Dan Farber as Editor-in-Chief, CBS News.com and CNET News.com will also have the opportunity to share content and collaborate on stories for the benefit of their unique audiences.

CBS Interactive Marketing

We are bringing together our key marketing functions into a new group called CBS Interactive Marketing led by Mickey Wilson. The group brings together expertise from across the organization so that we can capitalize on our biggest opportunities, and elevate the company to be a strategic marketing partner whose products, consumer insights, and ad innovations are critical to our clients’ long-term success. They will establish the company as the standard for premium content online, and define and evolve brand strategies to capture the biggest opportunities for audience and revenue growth through market planning, insights and execution.

CBS Interactive Business Development

We are also bringing together all of our business development activities. This group will be led by Mike Marquez. Mike and his team will be responsible for the development of all new partnerships, investments, and acquisitions. They will be charged with taking advantage of knowledge sharing across the whole company to ensure that we are the strategic partner of choice for the industry.

Market Conditions

As you know the general economic environment continues to be a challenge. We have always been very aggressive about managing our costs, and that requirement is even more critical now than it has ever been. We believe this new, more efficient organizational structure will produce better results for CBS Interactive, and also result in lower operating costs. It is always very difficult to make these kinds of reductions, but they come after a thorough review of how we are organized and how we operate, and what best serves our many users, advertisers and employees.

CBS Interactive is a special place because of you, and we thank each of you for what you have done, are doing, and will do to exceed the expectations of the tens of millions of people who come to our properties every day.

Today, we sit in a great position. People seek out our brands because we provide them with the information and entertainment they want and need, and marketers seek us out because of the powerful audiences we attract. We are positioned to grow in 2009 and beyond.

Best,
-q, NA