Here’s a very cute video trailer, titled “Off the Grid,” for the upcoming Academy Awards, the annual movie award show that will feature the return of host Billy Crystal.

It features cameos from a few well-known celebrities. Enjoy:

A new deal between Time Warner’s movie studio and Netflix, Redbox and Blockbuster will double the “window” for new releases. That means the services will now have to wait 56 days after the discs first go on sale to offer them to their customers, instead of 28 days. [UPDATE: Redbox parent Coinstar now says they haven't agreed to a new deal; see below]

The move is part of Hollywood’s ongoing campaign to bolster flagging DVD sales, and sources tell me the new deal is supposed to be announced at next week’s Consumer Electronics Show in Las Vegas. Warner Brothers executives have already talked publicly about extending the current window.

This is the second time that Warner has been able to get the rental services to wait before distributing its movies.

In 2010, it struck deals with Netflix, and later Coinstar’s Redbox, to wait 28 days before renting its new discs. Coinstar and Netflix later landed similar pacts with most of the other big studios. (Coinstar did up end up in legal battles with Universal Studios and 20th Century Fox, which like this Web site is owned by News Corp.)

Two years ago, Netflix was able to argue that by delaying access to DVDs, it was able to get its hands on more streaming content, and lower prices for the discs it did buy. This time around, though, Warner won’t be granting any additional digital rights to the studios. It will simply be offering them the ability to buy discs in bulk, at a significant discount to retail pricing, like they already do.

Earlier today, news broke that HBO, another Time Warner unit, would stop selling its DVDs to Netflix altogether, but sources tell me the two moves aren’t directly related. Next week’s planned announcement is supposed to be tied to Warner Brothers’ continuing push for Ultraviolet, an industry consortium that’s supposed to allow home video buyers to watch their purchases on multiple machines, in multiple formats.

Reps for Time Warner, Coinstar, Netflix and Blockbuster parent company Dish Network declined to comment.

UPDATE: Coinstar is now commenting, via email. “The current agreement Coinstar has with Warner Bros. is to receive movie titles 28 days after their release. No revised agreements are in place.” The company’s current deal with Warner Bros. expires at the end of January; PR chief Marci Maule referred me to comments CEO Paul Davis made last fall about pursuing “workarounds” if studios try to extend their windows.

Today’s underscore opportunity: A press release announcing that Netflix customers streamed “more than 2 billion hours” of video during the last three months of 2011. CEO Reed Hastings telegraphed this one in December, when he told an investor conference that the company was set to stream “well over” a billion hours for the quarter.

But beyond a boilerplate reference to “more than 20 million streaming members,” Netflix isn’t saying how many customers were watching that video. And it’s not providing any other meaningful metrics until it announces Q4 earnings in about a month. So no need to spend any more time on this one.

According to sources close to the situation, Apple is planning an important — but not large-scale — event to be held in New York at the end of this month that will focus on a media-related announcement.

Per the usual caveat, the tech giant is well known for moving around their public show-and-tells, so this could certainly change at any moment.

But, for sure, several sources underscored that the event is not related to an upcoming version of the iPad 3, the next iteration of the popular tablet device that many expect to be available in 2012.

Also unlikely, the rollout of Apple’s large-scale rethinking of the interactive television initiative that it has been working on. While the company is expected to launch a new Apple TV product later in 2012, such an event would almost certainly be held in the heart of the industry in Hollywood or at least in Silicon Valley.

That leaves some kind of advertising or even publishing announcement, which might be the case, since Apple SVP of Internet Software and Services Eddy Cue is reportedly involved.

Cue is in charge of a large swath of Apple’s media units, including the iTunes Store, App Store, iBookstore, as well as iAd and its iCloud services.

It’s well known in the ad industry that Apple has been searching for a new head of its mobile advertising unit, since Andy Miller left last summer.

But such an appointment has not been made as yet, said sources.

The last time Cue was in New York for an event, by the way, was nearly a year ago, when Apple helped launch News Corp.’s online magazine, The Daily.

And Apple also recently opened a splashy new retail store in Manhattan’s Grand Central Terminal, and has been refurbishing its flagship glass cube on Fifth Avenue, too.

The holiday-having Apple PR team declined comment, but wished me a “happy, happy new year.”

According to the expected year-end box-office data figures compiled by Hollywood.com, the industry raked in $10.1 billion for 2011 in North America.

While that seems like a nice haul, it’s 4.5 percent less than in 2010. While not enough to result a major downturn in limo-riding and Botox, the results are likely to cause entertainment moguls some worry, since they are accompanied by continuing trends, including another year of lower attendance.

And given that the revenue was unusually bolstered by more higher-priced 3-D movie-ticket prices — Hollywood released several dozen 3-D films in 2011, double the previous year’s amount — the latest numbers are even more disappointing.

While some holiday movies did well — namely “Mission: Impossible — Ghost Protocol,” which has taken in about $70 million domestically since its opening less than two weeks ago — it pales in comparison to such digital hits as Activision’s Call of Duty: Modern Warfare 3 videogame, which pulled in $400 million in one day from the much-desired youth market.

It surpassed $1 billion in sales in 16 days, eclipsing the box office of the blockbuster movie “Avatar,” which took 17 days to gross seven figures.

Does that mean that the continued competition for the leisure time of pretty much everyone between digital and analog has gotten worse — an epic battle of the movie industry versus game players, tablets and smartphones?

Or is it because so many movies made in 2011 turned out to be just awful? (If you saw “New Year’s Eve,” you’ll know exactly what I mean.)

One thing is clear: No one is going to pay for poor-quality content, no matter the screen size.

More number-crunching to come, as the industry debates the issue into 2012 (coincidentally, the title of a movie I happened to like, as you can see below!), and at the upcoming D: Dive Into Media at the end of the month, down near Los Angeles, in the belly of the Web-smacked beast.

Until then, let’s hope it does not come to this next year:

Streaming is the future. We’re focused on it. DVD will do whatever it’s going to do. We’re not — we’re going to try to not hurt it, but we’re not putting a lot of time and energy into doing anything particular around it and then we’re focused on, how do we take advantage of this incredible global streaming opportunity.

That was Netflix CEO Reed Hastings, at the UBS media conference earlier this month, reiterating the point that Netflix has been making over and over again for some time: They want out of the DVD business, even though it is generating more than $1 billion a year for them.

Hastings and his team are convinced that even though consumers say that discs are important to them, their usage data shows that few people … use them. “Old fogey discs,” Hastings calls them.

Netflix tried very hard to accelerate the decline of DVDs with the Qwikster fiasco. Since then, Netflix has been careful to tell its subscribers who are still paying for DVDs that it is happy to have them around.

New subscribers are a different story, though. Netflix exclusively pushes its $8-a-month unlimited-streaming option, on its site and in its promotional materials. You have to work very hard to discover that the company still rents DVDs, and that’s by design.

Same deal for former subscribers that Netflix is trying to woo back: Even if you used to get both DVDs and streaming videos from Netflix, the company will only tell you about its streaming plan in its “come back!” emails. (See the screenshot of an email my colleague Tricia Duryee, who quit her hybrid plan this fall, got recently, at the bottom of this post.)

But the message is most clear for people who want to give someone a Netflix subscription as a present: The company no longer allows you to gift a subscription that includes a DVD plan, period.

Go ahead and see for yourself — there’s no way to give Reed Hastings and company an extra $8 a month for a service they’re still providing to some 11 million subscribers.

The one tiny workaround that the company offers (if you look very, very hard — or do what I did, and call up Netflix PR and ask) is the ability to let current subscribers extend their current deal. So, for instance, if you’re currently getting the equivalent of a $16-a-month hybrid disc-and-streaming option, and someone gives you a year-long $8-a-month streaming gift, you can convert that into a six-month hybrid plan.

But, boy, that’s complicated. Easier to just give someone a year of streaming, and then send them a check so they can add the DVD portion on their own. Which is what we just did this morning, here at the AllThingsD Brooklyn outpost.

So to repeat: If you work very, very hard, Netflix will let you give it money, and will let you rent DVDs in return. But it would really prefer that you didn’t.

In a deal that was struck some time ago and is close to fruition, BermanBraun is prepping three major Web properties for AOL that will focus on pets, men and, interestingly, the weather.

After I inquired, AOL confirmed that the Hollywood production company — headed by former Yahoo and ABC exec Lloyd Braun and former Paramount exec Gail Berman — will debut the trio of sites around March. The new sites will use rich features and a slick design to attract premium advertisers.

The pair will jointly sell the advertising, but the sites themselves will be operated by BermanBraun in cooperation with AOL’s media unit, the Huffington Post Media Group. The deal was struck in late 2010, before AOL bought the Huffington Post for $300 million in January of this year.

While AOL has partnered with many outside sites, this will be the most prominent one since that acquisition.

Since then, much of the new content development on AOL has been aimed at drastically increasing the number of sites with that brand. There have been more than two dozen of those since March.

In this case, the Huffington Post Media Group, run by Arianna Huffington, has typically either created new topic sites or relaunched old AOL ones.

This week, for example, the company rejiggered AOL TV as HuffPost TV, as well as announcing El Huffington Post, an international Spanish-language version of the Huffington Post that will debut in early 2012, in partnership with El País.

The BermanBraun effort, though, is more independent and large-scale. It will feature extensive video and heavy use of imagery. Huffington Post will be involved in editorial selection, and has been working closely with the firm on incorporating social elements.

“It’s been a very dynamic and collaborative partnership — we’ve worked together on everything from design to picking the editors,” said Roy Sekoff, founding editor of the Huffington Post Media Group, about the arrangement. “BermanBraun brings a distinctive approach to their sites, and we’ve helped infuse that with our focus on real-time, social, and building community.”

Sekoff declined to give more details, such as the names of the sites. (They won’t be HuffPost Pets, HuffPost Weather and HuffPost Dudes, though!)

Pets could be a strong category if done in a new way, especially if designed with new tablet devices in mind. And weather, to my mind, is a sleeper category if reimagined freshly.

BermanBraun — which also develops television shows and movies — has a lot of experience in the online content arena. It has previously created Web sites for Microsoft’s MSN unit, including the high-profile celebrity site Wonderwall.

It will be interesting to see how the collaboration turns out. In the meantime, here’s my favorite weather song — Lena Horne rules! — to enjoy until the three sites launch:

South Korean consumer electronics giant Samsung Electronics has hired former AOL and Google exec David Eun to lead a new push to create more media offerings, the company said.

In a press release, the maker of a wide range of devices — from televisions to tablets to smartphones and more — said Eun would serve as executive vice president of its media-related units.

About Eun’s role, Samsung said: “He will play a key role in developing a global media strategy and driving new business opportunities to take advantage of Samsung’s growing number of digital televisions and displays, mobile phones, tablets and other connected devices.”

It’s not clear what that means, but presumably it could spell more investments and acquisitions in digital media, and even in the social space.

The move is part of a larger reorganization at Samsung Electronics, which it also announced has divided into two parts, digital media and communications and device solutions.

Samsung’s deepening of its media efforts — it has previously launched various smaller content initiatives — is an interesting one, especially in light of the fast-changing market it now competes in, in which partners like Apple and Google have also become intense rivals.

Google bought Motorola recently and has been increasing its media offerings, as has Apple. Samsung and Apple are also engaged in a series of global legal battles over devices.

In turn, companies like Amazon — which recently released the Kindle Fire tablet — have upped their efforts in the consumer electronics area.

In addition, Japan’s Sony — which already owns a major Hollywood studio — now owns all its handset business and has recently added tablets to its lineup.

Eun is an interesting choice, having been part of Google’s earliest efforts to move beyond its core search business into media, such as its acquisition of YouTube.

He left his most recent job at AOL, where he had headed its content unit, earlier this year. Eun has also previously worked at both Time Warner and NBC.

Here’s the official press release about his hiring:

Samsung Electronics Appoints David Eun as Executive Vice President

Eun to Enhance Samsung’s Global Media and Content Efforts

SEOUL, Korea — December 14, 2011 –Samsung Electronics Co., the technology leader and innovator in consumer electronics and telecommunications, proudly announces the appointment of David Eun as Executive Vice President.

Eun joins Samsung after an accomplished career in media and content. He was most recently President of AOL Media and Studios, where he oversaw AOL’s efforts to become a leading provider of premium content, spanning over 100 different websites and production studios in NY and LA. Before that, he formed a global Content Partnerships group at Google with oversight for media strategy, partnerships and strategic alliances spanning over 30 different Google products including Google Books, Maps and YouTube. He also has a deep knowledge of traditional media businesses from working at Time Warner and NBC.

He will play a key role in developing a global media strategy and driving new business opportunities to take advantage of Samsung’s growing number of digital televisions and displays, mobile phones, tablets and other connected devices.

“Samsung Electronics has an unparalleled footprint across multiple devices and platforms that provides a unique experience to consumers around the world. The competition for prominence in the living room has already begun, and Samsung Electronics is ideally situated to extend beyond that to connect the entire home and the lives of consumers,” stated Eun. “I’m looking forward to joining the impressive leadership already in place and to building a new presence in media for Samsung Electronics.”

Eun received a J.D. from Harvard Law School, where he was a Teaching Fellow for the Harvard Negotiation Project, and an A.B., magna cum laude in Government, from Harvard College. He was selected “Digital Power Player of the Year” by the Hollywood Reporter in 2010, is an Advisory Board Member for the Harvard School of Engineering and Applied Sciences, and sits on the Board of the Television Academy of the Arts and Sciences Foundation.

Simply put, it doesn’t matter how great a piece of technology you have invented, or how innovative a distribution platform you have created. You must have content.

– Former senator and current MPAA president Chris Dodd, in a speech Tuesday in which he stressed that Hollywood and Silicon Valley are in the content (and content protection) business together

That’s good for Sony, the people who paid the bill for “Dragon Tattoo,” right? Nope. Terrible, says Sony.

The studio is livid that the New Yorker is running Denby’s review today, more than a week ahead of a Dec. 13 embargo. Why does the studio care? If you want a good explanation of modern-day movie marketing and the push-pull between filmmakers and film reviewers, check out this lucid explainer from NPR’s Linda Holmes.

But for everyone else, this won’t matter at all. New Yorker readers (and now, drive-by visitors as well, since the review has been placed in front of  the magazine’s online paywall) will see the review, and a larger group of people will have a vague idea that the New Yorker likes it. That’s about it.

And that’s the moral for folks like myself in the technology-news-industrial complex, who spend way too much time thinking about, fighting with and cursing embargoes. This stuff can matter a lot (sometimes) to us, but that’s really only because we decide to agree that it matters. Readers don’t care at all.

I’d spend more time explaining this, except that if you care about this at all, you’ve already read many boring essays about it — perhaps even today! And I can’t tell you that I’m swearing off embargoes, because I can’t — I worked with three of them last week, have probably at least one more embargoed story coming this week and, I’m sure, many more down the road.

But this is a nice reminder that every time I do deal with one of these, it almost always means I’m not spending time on something geniunely interesting. Like news no one else is writing about, or a fresh take on something everyone else has already written about. Or even seeing a good movie.

And if you didn’t understand that one, he offered another metaphor: A “200-pound chimp.”

In the following months, Bewkes cut back on his rhetoric, which may or may not have had anything to do with a lucrative deal to sell reruns of “Gossip Girl” to Netflix. But now that deal has been inked, Netflix stock has been crushed and lots of smart people think the video service may be on a permanent spiral.

So here’s Bewkes again, damning his new partners with very faint praise, this time in the Financial Times instead of the New York Times: Netflix and similar services (read: Hulu and Amazon, for now) can’t get the best stuff anymore, he says, and are stuck showing “archival content that nobody would want in Blockbuster.”

Not that there’s anything wrong with that! Bewkes adds. “It can do certain things and not other things. It can fly, it’s not a submarine. Don’t turn a hamburger into a cow.”

And that is how a pro mixes metaphors and backhanded compliments.

Again, remember that the real purpose of this stuff isn’t to hurt Netflix CEO Reed Hastings’s feelings — Hastings can probably take it — but to make Time Warner shareholders feel better about the company’s cable holdings. Because Time Warner’s cable channels — like TBS and TNT, and its HBO premium channel — are absolutely competing with Netflix for viewer time and dollars, no matter how much either company tries to insist otherwise.

Does this sort of semi-smack-talk entertain you? (It’s okay to admit it. Me, too.) Then you’ll want to check back on Tuesday: Both Bewkes and Hastings are scheduled to present that day at the annual UBS Media/Telecom conference. I’ll be there to record the slings and arrows, and I’ll report back.

Sony tried doing this with “Bad Teacher” last month, and the results sound encouraging for the studio. It says its “windowing” experiment boosted digital unit sales by 60 percent, and overall digital revenue by 24 percent.

That is: Most people prefer to rent a movie than buy it outright. But when offered the chance to pay for a download or wait a couple weeks to rent the movie, some folks paid up.

Digital sales of “Bad Teacher” make up a small percentage of the movie’s overall digital revenue (Sony won’t release actual sales numbers), but there’s a lot more profit in each transaction for the studio. Rentals via iTunes run from $3.99 to $4.99 for the Cameron Diaz vehicle, but sales run from $14.99 to $19.99 a pop.

More good news for Sony: It says demand for digital rentals didn’t seem to drop once they became available two weeks after digital sales started. And physical sales — still the most important source of income for the studio — don’t seem to have suffered, either.

That last point is crucial for Sony’s relationships with the retailers it counts on to move old-fashioned discs while stepping into digital at the same time. Retailers like Wal-Mart and Best Buy are selling Sony’s movies via digital outlets, like Wal-Mart’s Vudu, but they won’t do it at the expense of their brick-and-mortar business (yet.)

“The good news that encourages us is that the physical retailers, those are the guys that are playing well and getting good results out of this,” says John Calkins, who heads up digital for Sony’s home video unit. Calkins figures that the promotion for the early digital sales ended up working as marketing for all of the movie’s sales, and thinks that will work with other films, too.

Calkins just tried the experiment again, with “30 Minutes Or Less,” and says that comedy saw similar results. Calkins says he’ll try it one more time in 2011, with a movie he won’t disclose.

That’s when the streaming video company authorized a $300 million stock buyback plan. Netflix has since spent $259 million of that, all of it on shares priced well above the company’s current $75 level. Ouch.

In the first nine months of this year, Netflix spent $200 million buying back its own shares, at an average price of $222. Almost $40 million of those buys came in August and September, when Netflix shares were headed down on a very steep plunge from $300 this summer. The average price for those purchases was $217 a share.

The company’s last quarterly filing spells it out, if you like rubbing salt in wounds. Here’s the receipt for this year’s first nine months of stock buybacks (click image to enlarge):

And here’s the company’s summer spending spree:

It’s easy to ask: “What were Reed Hastings and company thinking?” And it’s easy to answer: “The same thing they’ve been thinking for years.”

Netflix has consistently been a buyer of its own shares, dating back at least to 2007. The details, via last year’s 10-K:
2007: Netflix bought $100 million worth of shares at an average price of $21.
2008: $100 million at a $26 average, followed by another $100 million at an average of $29.
2009: $175 million at $42, followed by another $149 million at $47.

Map those buys out against most of the NFLX chart for those years, and the Netflix management looks great — just like anyone else who bought NFLX in that time. But that’s the problem with crystal balls — they really tend to work best with hindsight.

Well-known tech entrepreneur Peter Pham will be joining the Los Angeles-based start-ups lab that was just launched by former Myspace CEO Mike Jones.

Pham, who was recently helming the high-profile and controversial Color photo-sharing start-up in Silicon Valley, will be moving south again to join Jones at the Santa Monica, Calif.-based “technology studio,” called Science.

As Liz Gannes reported last week, the goal — with $10 million in funding and private equity partners at the ready for more — is to “incubate ideas in-house, invest in other people’s start-ups, advise Silicon Valley companies on breaking into Hollywood, and maybe even look into reworking later-stage Internet companies like Yahoo.”

Pham and Jones will aim at three verticals: The intersection of content and commerce, social systems, and mobile and location.

That’s an area that Pham knows well, with stints at both BillShrink and Photobucket (also a former News Corp. property, as was MySpace), as well as active angel investing.

In an interview yesterday, Pham said he hopes to bridge the Silicon Valley-L.A. delta more, since there is an increasing amount of promising tech taking place there, too.

“There is a lot going on in L.A., and a lot of tech talent that still sometimes get less attention up in Silicon Valley,” said Pham. “I hope to be part of bringing the communities a little closer together.”

In addition, he said that the focus of Science would not necessarily be on online entertainment start-ups, as might be expected, given the proximity to Hollywood.

“We really want to shine a light on the innovation taking place in Los Angeles beyond the obvious,” said Pham.

It’s a good idea, given how navel-gazing Northern California geeks can be.

Also in the L.A. start-up scene of late is a new accelerator called Start Engine, which debuted recently with a focus on mentorship on 120 start-ups per year.

You can see Pham featured in this video that Gannes did about Color:

And here’s the official press release about Pham joining Science:

Peter Pham press release.FINAL11-21-11

]]> http://allthingsd.com/20111121/former-color-co-founder-peter-pham-heads-to-former-myspace-ceos-l-a-tech-studio/feed/ 0 http://allthingsd.com/20111118/netflix-reboots-arrested-development-with-an-exclusive-streaming-deal/ http://allthingsd.com/20111118/netflix-reboots-arrested-development-with-an-exclusive-streaming-deal/#comments Sat, 19 Nov 2011 02:49:20 +0000 Peter Kafka http://allthingsd.com/?p=145892 Yes, Netflix is still writing checks for new content deals: The video service is reviving “Arrested Development,” a canceled-but-beloved Fox comedy, confirming rumors that have circulated for the past few months.

Netflix will foot at least part of the bill for an unspecified number of new episodes, which will be produced by News Corp.’s 20th Century Fox studio (News Corp. also owns this Web site) and will start running in 2013. The new shows will be exclusive to Netflix streaming video subscribers, at least for its initial “window.”

That fits the content strategy CEO Reed Hastings has been laying out for a while: He wants to create an $8-a-month version of HBO, delivered over the Web, stocked with stuff you can’t get anywhere else.

That’s why Hastings has spent the last year or so cobbling together a slate of exclusive movie deals (like a recent DreamWorks pact) and TV shows (like a recent deal with CW), and that’s why he’s already committed to a deal to produce “House of Cards,” a new Kevin Spacey/David Fincher miniseries next year. At the same time, he is losing a Starz deal that gave him access to movies from Sony and Disney.

Netflix has been noodling with the notion of using digital distribution to revive dormant TV shows or extend the life of ones that are about to be canceled, for some time.

Others are contemplating the same thing: Producer Jeff Kwatinetz, for instance, is trying to get financing to film new episodes of two ABC soaps — “All My Children,” which went off the air in September; and “One Life to Live,” which goes off the air in January.

Saving old shows that couldn’t generate enough viewers to justify a broadcast network’s support, but which still have a loyal following, has particular appeal to Netflix. The company’s executives believe they can “algorithmically bring an audience to a show,” using recommendation engines, over an extended period of time.

In this case, the company is bringing back a show that’s been off the air for five years, but which still has a very vocal fan base. In October, show creator Mitchell Hurwitz said that “nine or 10″ new episodes of “Arrested Development” were in the works, which would function as a prelude to a to-be-filmed movie.

]]> http://allthingsd.com/20111118/netflix-reboots-arrested-development-with-an-exclusive-streaming-deal/feed/ 0 http://allthingsd.com/20111118/viral-video-titanic-in-3d-gets-facebook-lift/ http://allthingsd.com/20111118/viral-video-titanic-in-3d-gets-facebook-lift/#comments Fri, 18 Nov 2011 08:15:37 +0000 Kara Swisher http://allthingsd.com/?p=145593

Hollywood director James Cameron debuted the trailer for the upcoming 3-D version of the huge movie hit, “Titanic,” on Facebook earlier this week, where he also delivered an intro.

Why? Perhaps it’s the movie’s nearly 10.5 million fans on the social networking site, which Cameron referenced.

You can only see those remarks on Facebook, but here’s the trailer for the rerelease, coming out next April, as well as a video of Cameron at the eighth D: All Things Digital conference in 2010, where he first revealed that “Titanic” would come out in 3-D:

]]> http://allthingsd.com/20111118/viral-video-titanic-in-3d-gets-facebook-lift/feed/ 0 http://allthingsd.com/20111117/peter-chernin-on-hollywood-asia-growth-and-not-yahoo-the-full-asiad-interview-video/ http://allthingsd.com/20111117/peter-chernin-on-hollywood-asia-growth-and-not-yahoo-the-full-asiad-interview-video/#comments Thu, 17 Nov 2011 22:34:20 +0000 Kara Swisher http://allthingsd.com/?p=145420

We are now posting the full videos from the recent AsiaD conference, which took place in Hong Kong in October.

We’re following the schedule of the actual event. Up now: Hollywood mogul Peter Chernin.

The much-respected entertainment exec, who was the longtime president of News Corp. (which owns this Web site), now runs his own production company in Santa Monica, Calif.

Chernin Entertainment has had some big early successes, including the hit movie “Rise of the Planet of the Apes,” and the adorkable television show “New Girl.”

But Chernin has always been much more Internet-curious than the average Hollywood mogul. He was deeply involved in the creation of the Hulu premium video service, and now serves on the board of the Pandora online music site. He’s also been giving the troubled situation at Yahoo a look-see with some private equity firms.

Chernin declined to talk about this deal in an onstage interview with Peter Kafka, but he does discuss the prospects for the old media world in the digital age, and the giant opportunities in Asia:

]]> http://allthingsd.com/20111117/peter-chernin-on-hollywood-asia-growth-and-not-yahoo-the-full-asiad-interview-video/feed/ 0 http://allthingsd.com/20111117/viral-video-mirror-mirror-on-the-wall-which-snow-white-film-is-going-to-fall/ http://allthingsd.com/20111117/viral-video-mirror-mirror-on-the-wall-which-snow-white-film-is-going-to-fall/#comments Thu, 17 Nov 2011 08:27:31 +0000 Kara Swisher http://allthingsd.com/?p=145103

And here’s the CGI-rich trailer for the second “Snow White” movie that Hollywood will be pumping out.

First there was “Snow White & the Huntsman,” which is all angsty and dark, and stars the ever-glowering Kristen Stewart as Snowie, and Charlize Theron as the Evil Queen.

This one, called “Mirror Mirror,” is funny, and stars Julia Roberts as the wise-cracking baddie, with an ingenue in the role of Ms. White.

Enjoy:

]]> http://allthingsd.com/20111117/viral-video-mirror-mirror-on-the-wall-which-snow-white-film-is-going-to-fall/feed/ 0 http://allthingsd.com/20111116/miramax-signs-on-for-netflix-uk-launch/ http://allthingsd.com/20111116/miramax-signs-on-for-netflix-uk-launch/#comments Wed, 16 Nov 2011 08:01:05 +0000 Peter Kafka http://allthingsd.com/?p=144622 Miramax will distribute its movies, like “Good Will Hunting” and “Pulp Fiction,” in the U.K. via Netflix when the streaming service opens up there next year. Netflix has also recently announced U.K. content deals with Lionsgate Entertainment and MGM. Miramax, which spun out from Disney a year ago, has signed Netflix distribution pacts for the U.S. and Latin America, as well.

]]> http://allthingsd.com/20111116/miramax-signs-on-for-netflix-uk-launch/feed/ 0