Sources say the two companies are part of a $30 million round that gives Los Angeles-based Fullscreen a pre-money valuation of $110 million.

I don’t know if any of the money is coming from secondary sales; I’m told the deal hasn’t closed yet but is supposed to soon.

No comment from Chernin Group, led by former News Corp. COO Peter Chernin, or Comcast, which is investing in the round via its Comcast Ventures arm. I haven’t heard back from Fullscreen CEO George Strompolos.

The round follows other recent Big/Old Media bets on YouTube startups, including Time Warner’s investment in Maker Studios and Bertelsmann’s investment in fashion network StyleHaul.

Like those two companies, Fullscreen generates revenue by representing a pool of semi-pro video makers on YouTube. Unlike those “multi channel networks,” though, it also has a software service it sells to content owners who want to navigate Google’s video site; customers include Disney Interactive, Comcast’s NBCUniversal and News Corp.’s Fox (News Corp. also owns this website).

Strompolos started Fullscreen a couple years ago; prior to that he had worked at Google and YouTube, where he worked with many of the YouTube content makers he represents now.

You can get a brief sense of what Fullscreen is up to in this video Strompolos made for how-to video maker Howcast; you can see the full series of his clips here.

Aspen Photo / Shutterstock.com

Heads up, cord-cutters: If you want to watch March Madness next year, you’re going to have to pay up.

The last two rounds of next year’s college basketball tournament, including the championship game, are likely to be broadcast on one of Time Warner’s Turner network channels — TBS or TNT — instead of CBS, according to Sports Business Daily and the New York Times.

CBS and Turner share coverage of the tournament, and the switch for the final games was already scheduled for 2016. No one has explained why the two companies are moving the date up by two years, but it fits a pattern we’ve seen for several years: Big-time sports events migrating from free TV to pay TV.

In 2006, Monday Night Football moved from ABC to Disney’s ESPN. If you wanted to watch much of last summer’s Olympics, you needed a pay TV subscription that gave you access to NBC Universal’s cable channels. And as SBJ’s John Ourand notes, the BCS college championships, the NBA conference finals and some baseball playoff games have all moved over to cable, as well.

The free-to-pay move serves the interests of the TV Industrial Complex in several ways: The cable networks, flush with cash from subscriber fees, can afford to pay big bucks for the rights to what is must-see TV for many people. And because it’s must-see TV for many people, it helps raise the overall value of the cable networks (Rupert Murdoch used the same strategy to turn Fox into a legitimate broadcast operation two decades ago).

And moving big-time sports to pay TV helps pay TV, period. Nielsen figures there are five million cord-cutters, or cord-nevers, and that number would presumably be much bigger if you could get sports online without paying for TV.

Which is why I’ve been waiting for Google, or Apple, or Intel, or some other TV outsider to pony up for the rights to a slate of NFL games, or some other sports franchise that millions of people have to watch, no matter where they are. Hasn’t happened yet.

(Note that if Aereo, which distributes broadcast TV over the Web without paying programmers a penny, wins its court case, then expect just about every big broadcast show — not just sports, but everything — to move from broadcast to cable networks owned by the broadcasters. Big if, though.)

Meantime, if you’re serious about college hoops and you’re serious about not paying for TV, you might still have a legal option next year.

Last year, CBS and Turner offered a $4 package that let you watch the games live on Android and iOS devices, and that option has gone away this year. This time around, you can only stream the Turner games if you’re an “authenticated” pay TV subscriber, though you can still stream the CBS games to your PC without registration.

But Turner/CBS are offering app users a free four-hour “preview” this time around. So if you’re willing to do a little planning — and if the option is still available — you could save up your preview time for the championship game, and at least watch that one for free.

That sounds like a lot of work, right? That’s what the pay TV guys are hoping you think …

Aspen Photo / Shutterstock.com

The company is on the block, and lots of folks think it is talking to Yahoo about a sale.

Five-year-old Grab Media makes its money by taking video from professional content makers like Reuters, NBC Universal and Hearst, and getting it embedded on thousands of other small sites. It’s very similar to 5Min, which AOL purchased in 2010, and has done very well with since then.

Grab has been able to grow into a decent-sized business. ComScore has it in 11th place in its U.S. “video content” rankings, with 29.9 million unique viewers. That puts it just behind Turner Digital and ahead of Amazon. Google/YouTube, of course, is way ahead of everyone, with 150 million uniques.

Grab CEO Alvin Bowles confirmed that his company has hired investment bank Mesa Global to look for potential buyers, but wouldn’t comment beyond that.

AOL video executive Greg Prosl laid out the case for a Yahoo deal earlier this week on his personal site, and I’m told that Yahoo has indeed talked to Grab about a deal; industry executives I’ve talked to think the company would sell for less than $50 million.

Grab, whose backers include SoftBank Capital, has gone through several incarnations. In 2011, it sold off an earlier version of itself, a unit that focused on video transcoding. Last year, Grab raised $5 million via a combination of internal financing and venture debt, according to a person familiar with the company.

Under the agreement, Comcast also will acquire from GE properties used by NBCUniversal at 30 Rockefeller Plaza and CNBC’s headquarters in Englewood Cliffs, N.J., for roughly $1.4 billion.

Read the rest of this post on the original site »

Mr. Zucker would succeed Jim Walton, who has run CNN for nearly a decade. Mr. Walton announced in July that he planned to leave at the end of the year. The management change follows years of ratings declines that often put CNN, a pioneer in cable news, in third place behind its more opinionated rivals, Fox News and MSNBC. Mr. Walton said when his departure was announced that “CNN needs new thinking.”

Read the rest of this post on the original site »

Zeebox, which has garnered a lot of attention, and some users, in the U.K., has landed in the U.S. And if you stop reading now but turn on an NBCUniversal channel later this year, you’re going to end up hearing more about it, anyway: The cable and broadcast programming giant, along with its corporate cousin Comcast Cable, has invested in the start-up, and says it will give it a huge marketing push.

That means you’ll see Zeebox ads and logos when you watch NBC, as well as Bravo, USA, SyFy, etc. And for some programs, you may see the app integrated directly into the shows themselves.

It’s hard to imagine a place for Zeebox in, say, “Animal Practice,” NBC’s vet-plus-monkey sitcom. But it could easily be integrated into reality shows like “The Voice.” The same for NBC’s Notre Dame football broadcasts this fall.

So what is Zeebox? If you’ve played with other social TV or “second screen” apps, you’ll find it familiar: It’s an ambitious mix of features, like an online program guide, links to and from social services like Facebook and Twitter, and all kinds of extra data about the shows you’re watching (which Zeebox will provide for non-NBC shows, as well). All of it is meant to be consumed while the shows are live, which NBCU hopes will encourage people to stick around longer and boost ratings.

The Zeebox folks ran me through a quick demo earlier this week, and I’ve poked around in the U.K. version.

All of it seems quite slick, presumably because of Anthony Rose, the Zeebox CTO who helped build the BBC’s well-regarded iPlayer video app/service. Presumably, Zeebox will also have some quirks and kinks to iron out as it launches, but right now you should be able to get it as an Android or iOS app, or via the Web.

So all of that is a big deal if you’re in the second-screen industry, because it means a very big TV player is trying to king-make a service, and that will end up freezing out other contenders, like GetGlue or Yahoo’s IntoNow (Time Warner’s HBO is also endorsing Zeebox, but it’s a much less robust tie-up, and the pay-cable company will simply use it along with other services it is experimenting with, says HBO digital head Alison Moore.)

And if you’re a consumer? Hard to say. You could probably find some value in Zeebox if you only used the channel guide (later this year, Comcast cable customers will  be able to use the app as an actual remote, too). But there are plenty of online channel guides.

The main point of Zeebox is to see what other people are saying about the show you’re watching, and to soak up other goodies while you watch. Like, say, an explainer for HBO’s byzantine “Game of Thrones.”

But the problem with Zeebox, like every other social TV app, is that it seems designed around a business problem — how can we get people to stay with our shows longer or hang out on our service? — instead of consumer problems.

Because lots of people actually do this stuff already: They blab about TV on Facebook and Twitter (especially when something nutso happens), and they hold their phones or tablets while they watch, and check out IMDB, Wikipedia, etc. So Zeebox’s challenge will be to convince anyone who is doing that already to do it with them. And to get people who aren’t doing any of it online, as well.

Tough sell. But they have a big partner to help them try.

So, here comes another option: M-Go, a cloud/locker app/service backed by DreamWorks Animation and Technicolor, that will be part digital storefront, part digital “discovery” service.

M-Go won’t launch until later this fall, but today the company is announcing that it has distribution deals with most of Hollywood’s biggest studios: Sony, NBCUniversal, Paramount, Warner Bros. and 20th Century Fox (Fox is owned by News Corp, as is this Web site).

The pitch: Consumers will be able to use M-Go to purchase movies (and eventually TV shows, and perhaps, one day, music) and watch them wherever they’d like — on connected TVs, PCs and mobile phones.

M-Go will have dedicated apps for some TVs and PCs, like Intel Ultrabooks; for other platforms, like Apple’s iOS, the movies will be available on a Web browser. M-Go will also link consumers to other digital storefronts, like Apple’s iTunes, though movies purchased there won’t work on M-Go.

Nothing wrong with that, in concept. The question is whether consumers aren’t buying movies because they’re worried that they won’t work on multiple devices, or because they’ve concluded that they really don’t need to own most movies.

Studios are hoping it’s the former, which is why they’ve already backed UltraViolet, a consortium of tech and media companies that’s trying to solve the same problem. M-Go will be compatible with UltraViolet titles, so that’s good.

Less good is the fact that Disney, which isn’t part of the UltraViolet coalition, isn’t a part of M-Go, either. And Disney/Pixar’s kids’ movies are the kind of movies consumers are most likely to decide they need to own — which may be why Disney is approaching the cloud/locker question with its own Keystone technology.

In a blog post, Twitter General Counsel Alex Macgillivray confirmed that Twitter personnel working in partnership with NBC flagged a Twitter post Friday from Mr. Adams that contained a corporate email account for Gary Zenkel, president of NBC Olympics.

Read the rest of this post on the original site »

Oh. My Twitter account appears to have been un-suspended. Did I miss much while I was away?

— Internet Olympics cause celebre Guy Adams, who will presumably have much more to say, right away

The pay-TV part, though, is going to seem very familiar: They’ll pay Google $120 a month, and they’ll get a bunch of TV channels, whether they want all of them or not.

Which isn’t to say it won’t be cool. The TV service should offer a bunch of nifty features that will make it easier to find and watch what you want.* And it comes with a free Nexus 7 tablet. And unlike the cable box you have now, it should get better with some frequency, via software updates. Etc.**

But if you were hoping that Google was going to use its fiber project to reorder the TV landscape, you’re going to be disappointed. At least in this incarnation, Google is playing by the TV establishment’s rules.

That is, if you want to get stuff from the cable guys, you have to buy everything they bundle. Discovery’s TLC comes with Animal Planet and the Science Channel. NBCUniversal’s CNBC comes with Bravo, Oxygen and the USA Network. Etc.

And the cable guys are happy to sell Google their shows, because they love having more buyers for their stuff, as long as they don’t break the bundle model they love so much.

Just like they were happy to sell TV to the satellite guys and telco guys. “We view them the way we view [Verizon’s] Fios,” says one programmer who’s working with Google.

Not everyone is in, yet. Time Warner (TNT, TBS, HBO), Disney (ESPN, Disney Channel), News Corp. (Fox News, FX) and AMC Networks (AMC, IFC) don’t have deals with Google. And if Google launches without all of them, the service will look crippled. But the Google folks are saying positive things about getting deals done, and I’ve heard similar murmurs from some of the TV guys.

One exception to the happy talk: News Corp., which owns this Web site, has butted heads with Google repeatedly. The two sides had a particularly unsuccessful discussion about Google TV at CES in January, which led to a Twitter outburst from Rupert Murdoch. So that deal could be extra-hard to nail down.

Then again, Viacom also has problems with Google — you may recall they are still suing them over YouTube. And Viacom has signed on for Google Fiber, too.***

Money solves all sorts of problems, especially when it comes with a promise not to screw up the ecosystem that makes the cable guys fat and happy. Right now, Google’s willing to offer both.

*A lot of these features, by the way, are similar to features Google has been showing off with its latest version of its Google TV software. But this being Google, the Google Fiber service is completely separate from Google TV — they’re handled by different teams, using different hardware, different software. So odd. So Googley.

**You can watch the Google guys pitch this themselves, by checking out yesterday’s demo video, starting at the 25-minute mark.

***Boy, did this dummy get that one wrong. Sorry!

(Image courtesy of Shutterstock/BortN66)

There, a handful of people will spend 20 hours a day to help corral millions of Twitter messages from Olympic athletes, their families, fans and NBC television personalities into a single page on Twitter.com.

Twitter’s Olympics hub, part of a partnership between the San Francisco company and Comcast Corp.’s NBCUniversal that will be announced as early as Monday, is one of the first times Twitter will serve as an official narrator for a live event. NBC will tout the website with on-air promotions and links to athlete interviews or video clips.

Read the rest of this post on the original site »

Its basic pitch is to make the ubiquitous Web videos we encounter every day a lot more navigable. The basic problem it solves is the one where users stop watching a video because in their mind it’s going on too long, or because they wanted to get to a particular highlight point in the video and don’t have the patience to wait for it.

FlixMaster’s offering is a software-as-service video technology that makes Web video a lot more interactive than it generally is today. Customers are more likely to get engaged with a video you’re using to hook them, if you can increase viewing time by making the video more readily navigable. The resulting clips are HTML5 compatible, meaning they can play on the iPad and all the other tablets and smartphones that support it.

When I last saw the demo at a venture capital conference in Beaver Creek, it wasn’t a fully available service. Today at Fortune Magazine’s Brainstorm Tech conference in Aspen, FlixMaster demonstrated an updated version of the service that includes a full-service Web-based video editor, an API to its video player, and other features. It’s available today in a freemium service that anyone can try, with unlimited access to its features. Upgrades from there include scaled pricing and an enterprise version that includes access to the player API. One customer is NBC/Universal, which has used FlixMaster to create Web videos to promote extra online episodes of its show “Covert Affairs,” in which the viewer can affect the outcome by making choices along the way.

Well-known Silicon Valley entrepreneur and Amazon board member Blake Krikorian is joining the board of directors of FreeWheel, the video tech start-up that helps entertainment companies manage content across digital platforms.

FreeWheel’s customers include NBC Universal, Vevo, Fox, Turner and ABC. It has raised close to $29 million in funding from a number of venture firms, such as Battery Ventures and Foundation Capital.

The San Mateo, Calif.-based company said Krikorian will help with corporate strategy and partnerships.

Krikorian was founder and CEO of Sling Media, the device maker which was acquired by EchoStar in 2007. He’s been an angel investor since then, and became an Amazon director last fall.

In an interview, Krikorian said that monetization and rights management have held back innovation in online video, but that content owners have recently released some promising products, such as Disney’s new Apple iOS apps for watching linear television programming.

“FreeWheel has built a trusted technology platform to manage the money flow for video content providers and distributors as their content is delivered across the Web and on mobile,” said Krikorian. “With these business and technology foundations in place, I can finally see the day coming when every media company will deliver all their programming online, in all of its forms including live linear TV.”

The search giant announced at its Google I/O conference that it is adding movie purchases, TV shows and magazines to its Google Play store.

Previously, you could only rent movies from the storefront, but now you can buy them, as well. Google has also worked with such studios as ABC, NBC Universal and Sony Pictures to bring “thousands of episodes” of broadcast and cable TV shows, including hits like “Breaking Bad” and “30 Rock.”

Users will be able to play back movies and TV shows on all Android devices, with support for Google TV coming soon.

In addition to reading books, Android users can peruse their favorite magazines; some sample titles include Bon Appetit, Esquire, Conde Nast Traveler and Popular Science. But the magazines are not interactive like the digital editions found on the iPad. Instead, they are stripped down PDF versions like those you find on the Kindle Fire and Barnes & Noble Nook.

The new content is available today through the Web-based store, and will roll out to Google Play on devices over the coming days.

RELATED POSTS:

• Taking on Amazon, Google Announces Compute Engine
• Google: Chromebooks Coming to Best Buy, Dixons
• Google’s Chrome Browser Coming to iPhone and iPad
• Liveblogging Google I/O, Day 2: Maps, Cloud and More
• Google Nexus 7, Nexus Q First Impressions
• More Details on Google’s Project Glass General Availability, Pricing and Features
• How Google’s Project Glass Might Avoid Disrupting Its Users’ Lives
• Google I/O Attendees Get First Crack at Buying Google Glass — But Not Till Next Year
• Google+ Now Counts 150M Actives, Releases Tablet Apps and Events Tool
• Made in the U.S.A.: With Nexus Q, Google Brings Manufacturing Back to the States
• Google’s Nexus 7 Tablet Finally Revealed
• Google Now Might Be Google’s Most Personalized Feature Yet
• Google: Android Jelly Bean 4.1 Is Like “Butter”
• With Sights Dead Set on the Living Room, Google Debuts A Streaming Media Device
• Live From Google I/O: A Tablet, a Streaming Media Player and Google Glasses Descend From the Sky
• Google Is Doing Android Tablets, but What Is It Doing to Make Tablets Better?
• What Google Promised Last Year at I/O and What the Heck Happened
• I/O Preview: Google Set This Week to Challenge Amazon, Sonos, Apple and … Oh, Just Fill in the Blank Here

On another level, however, I understand the motivation. When it comes to delivering audio-visual content to a wide audience, the Internet has lowered the barriers to entry so far that anyone with even the dinkiest camera can become a major broadcaster. The television industry may face a crisis of overhead when a large number of scrappy upstarts deliver comparable value with almost no fixed costs. Also, there are some aspects of the television business that the Internet simply does better, specifically when it comes to reaching an audience.

So there is the scent of blood in the water, and out of the resulting frenzy a few lessons have appeared. Here are four of them.

There doesn’t have to be a difference between a “channel” and a “show.”

You probably have a clear understanding about what a television channel is. Comedy Central is a channel. Your local CBS affiliate is a channel. A channel is the thing you tune in to at a specific time to watch a particular show. A channel runs a lot of shows on it. Time Warner Cable offers 900 channels. This seems like too many. Bruce Springsteen wrote “57 channels and nothing on.” That sounds so quaint now.

But if you have a conversation about YouTube channels with this concept of a “channel” in your head you may experience some cognitive dissonance. There are “tens of millions” of channels on YouTube. One company, Machinima, operates 3,380 of them. That’s literally 100 times as many channels as are owned by NBC Universal, and it’s not enough. YouTube just launched 100 more channels with premium content. YouTube must be using the word “channel” differently. Except they’re not.

Both a YouTube channel and a television channel deliver a stream of content from a transmitting device to a receiving one. Viewers tune in to a television channel by selecting its number; they reach a YouTube channel via its URL. The main difference is that the cost of creating a television channel from scratch is incredibly high, while on YouTube it’s pretty close to zero. Unlike television, a YouTube channel can turn a profit with very little programming. The comedian Ray William Johnson, for example, has one of the most lucrative channels on YouTube. It plays one show. That show adds 12 minutes of new programming per week.

If a channel online costs next to nothing, and you can build one around a single show, then why do television shows need television channels at all? Every once in a while there’s a lot of fuss about getting cable channels à la carte. But who cares about that when you can have à la carte programming?

I like to think about this in the context of “The Daily Show.” On cable, you’re limited to 30 minutes of “The Daily Show” per day, and you have to tune in at 11 pm or set your DVR to watch it. There could easily just be a “Daily Show” channel, with all the extra programming that Comedy Central now reserves for the Web site, plus spinoffs for the various “Daily Show” correspondents. More content means more places to sell advertising, which means more profit. One challenge, of course, would be getting the audience to modify its behavior, but new technology seems to be inspiring this already.

Programming can now be delivered to your television set through a remote control.

Let’s define “remote control” as a handheld piece of electronics that tells your television set what to do while you’re sitting on the couch. Smartphones and tablets fit into this category, and before you argue that this definition is too broad, I submit that an iPhone is no less a remote control than it is a camera. It commands your television set far more profoundly than your traditional remote control. At least, if you have an Apple TV. Which you should.

The Apple TV comes with a technology called AirPlay, which allows you to throw videos wirelessly from your phone or tablet to your television set. Got a movie sitting in iTunes on your computer? You can watch it on TV via AirPlay. Find a video you want to watch embedded on a Web site you read? If AirPlay is available, a little button will pop up and you can stream the video to your TV. Need some good recommendations? Try one of the many “discovery” apps out there, like Shelby.tv or ShowYou or VHX. They skim your Twitter and Facebook feeds looking for videos your friends have posted. And you can throw those to your TV.

There are apps for ESPN and Discovery Channel and PBS and other traditional channels that allow you watch their shows, on demand, on your TV, via AirPlay. There are also a growing number of apps for channels that have never been included in a traditional cable provider’s lineup. The Wall Street Journal’s news channel, WSJ Live, is one of them. Time Warner Cable doesn’t carry it, but my iPad does.

I should note that WSJ Live is also available in the main Apple TV library, so you don’t actually need to use AirPlay to watch it. But the fact that you can illustrates my point. The remote control has become a very personal device, one that you carry around with you all day long, one that you use to store and index your favorite media. A viewer is just as likely to watch a channel she’s added to her home screen as anything available in the cable menu. The programming of her choice routes through her remote control.

Marketing and distribution are often the same thing.

Last month, IFC released the entire first episode of the second season of “Portlandia” online a week before its airdate. They used an embeddable video player, so that any online publication could feature the episode on its Web site. Individual sketches from the show were also made available in the same way. IFC didn’t just tease the show or talk it up, they let people actually see it for themselves. The result was an 81 percent increase in viewership among 18-49 year olds when the show returned to the network.

There are few examples of this sort of thing happening before the Internet. A movie poster hanging in a theater where that movie is playing, perhaps, or a DVD insert in a magazine ad. But this is something the Internet does really well. A single sentence can promote a film and deliver it to your computer at the same time. Allow me to demonstrate: “This video is amazing.”

That, of course, is the lifeblood of online publishing. Here’s something that resonated with me, I’m recommending it to you, my audience. They call it “curating” now. Somehow that word got separated from “blogging” recently, and I’m not entirely sure how or why. I think Tumblr and Pinterest had something to do with it. But curating, which is a thing bloggers do, is a distinct talent. It’s highly respected in other manifestations, such as museum curators or fashion buyers or television programmers. It was curators who spread that “Portlandia” preview around. And when you factor in the marketing power they brought to that show, and you consider how much a network pays to advertise a program in general, there’s only one conclusion to draw. Online curators are the most undervalued talent in the television industry.

A few of those new YouTube channels seem to recognize the power of the curatorial voice. Vice, Pitchfork, SB Nation and the Bleacher Report all received funding to create new YouTube programming. Presumably their editors will create shows that they’d want to watch themselves, and with that level of personal investment, they’d vouch for those shows to their readers.

Television is no longer that different from publishing.

Just last week, the Gawker Media site Kotaku announced a programming schedule similar to that of a television network. This strategy was conceived well over a year ago, and is designed to sell audience size to advertisers, the way television does, rather than pageviews, which have been dropping in value for years.

This is only the latest example of conceptual overlap. Video embedding took off after the launch of YouTube, turning online publications into versions of The Daily Prophet, that newspaper from Harry Potter with the magical moving pictures on the front page. Some Internet video hosting and streaming services are built on content management systems designed for online publishing. When you upload a video to Blip, the last thing you click to make it go live is “publish.” Awl Music, the music video channel launched by The Awl in January, is run entirely on Tumblr. You can watch it on a television set connected to Google TV.

Both traditional and online publishers are producing original video series with increasing frequency. Reuters, Slate and The Wall Street Journal all have news and documentary programming on the new YouTube channel lineup. The New York Times and New York Magazine have been doing their own video programming for years. It’s only a matter of time before some of these compete with the cable news channels.

Eric Spiegelman produces the Web series “Old Jews Telling Jokes,” which is about to launch its fifth season. He helped bring the hit Japanese television show “Retro Game Master” to Kotaku.com, and he helped launch AwlMusic.tv in partnership with TheAwl.com.

If you’re reading this site, you know who all of these folks are. But just for formality’s sake:

Jason Kilar is CEO of Hulu, the video joint venture co-owned by Comcast, Disney and News Corp.’s broadcast TV units. The site has been a huge hit with viewers and subscribers, who have put it on pace to generate $500 million in revenue this year. But its owners aren’t quite sure what to do with it: They put it up for sale this summer, then decided to hang on to it after all. This will be Kilar’s first major public appearance since that tumult, so we’ll have plenty of questions.

Dick Costolo is CEO of Twitter, which has moved from Web oddity to a service used by more than 100 million people a month. Twitter’s founders didn’t like the notion of turning their baby into a media company, but that’s exactly what Costolo is trying to do now; he is ramping up efforts to attract more eyeballs and sell more ads. And he’s leaning heavily on big media companies — especially TV networks and movie distributors — to make that happen.

Martha Stewart is the founder of Martha Stewart Living, the multimedia empire she built from scratch, which now includes magazines, TV shows, a Web site and multiple lines of branded goods; her newest coup is a big-dollar deal with J.C. Penney. She’ll be joined onstage by Lisa Gersh, the president and chief operating officer Stewart brought in from NBC Universal nearly a year ago. At NBC U, Gersh had overseen the acquisition of the Weather Channel, among other duties; she had previously been chief operating officer at Oxygen Media.

They’ll join a lineup that includes ESPN President John Skipper, YouTube CEO Salar Kamangar, Viacom CEO Philippe Dauman, New Yorker editor David Remnick, Warner Music Chairman Edgar Bronfman Jr., News Corp. Chief Operating Officer Chase Carey, Clear Channel CEO Bob Pittman, Legendary Pictures head Thomas Tull and Vevo CEO Rio Caraeff. And we may still have a surprise or two between now and the end of January.

All Things Digital’s first-ever media conference runs Jan. 30 and 31 at the Ritz-Carlton in Laguna Niguel, an hour south of Los Angeles. See you there.

So is this a good time to be in media? Or a terrifying one? Both? Yes!

AllThingsD covers the media business and the way it responds to technology, every day. But in January we’re going to go really deep into this stuff, at our first D: Dive Into Media event, where we’ll focus on the people who create, finance and distribute what we listen to, read and watch. (Facebook is on to something!)

We’ll gather the most powerful, interesting and innovative leaders from a wide range of media and entertainment companies, and sit down with them for one-on-one interviews.

And just like our flagship D: All Things Digital event, we’ll also be able to give you peeks at the future, by focusing on new voices and new technology you’ll be hearing from in the months and years to come. You won’t see panel discussions with middling players here: Just deep, smart talks with the people who matter.

We’ll be announcing our speakers throughout the fall, but here’s a starter list to give you a sense of what we’ve got planned:

Philippe Dauman is CEO of Viacom, which runs one of the world’s dominant cable networks. We’ll talk to him about what that means in a universe where cord-cutting could become a reality — if it’s not already. We’ll also pick his brain about the future of his Paramount studio, and Hollywood in general.

New Yorker editor David Remnick runs one of the world’s best, most storied magazines. Coincidentally or not, it also happens to be a rarity in the iPad world — a successful magazine app. We’ll talk to the Pulitzer Prize winner about the challenge of making long, immersive content in a fast-twitch world.

Edgar Bronfman Jr. ran Warner Music Group from 2004 until earlier this summer; he’s now the company’s chairman at a pivotal time in its history. Since his resume also includes a stint running what’s now called NBCUniversal, he’ll also be able to give us an interesting perspective on the evolution of the TV and movie business.

News Corp. COO Chase Carey can talk to us about his company’s take on the movie business, the TV business, the cable business, the newspaper business and the Internet. News Corp. also owns this Web site, but that won’t prevent us from having a frank discussion about the company’s challenges and opportunities.

D: Dive Into Media will be held at the stunning Ritz-Carlton in Laguna Niguel, a little more than an hour south of Los Angeles. On behalf of Walt Mossberg, Kara Swisher and the rest of the AllThingsD staff, I’d like to invite you to join us Jan. 30 and 31.

But let’s be very clear about this: The “Amazon Instant Video” service referenced above is the equivalent of the one that outlets like Apple’s iTunes offers. It’s not the equivalent of the subscription streaming service that Netflix offers.

Amazon does have a Netflix-like offering, which it gives free to customers who are paying for or trying out its Prime shipping service. That catalog is now at 9,000 titles, or about half of what Netflix offers to its digital subscribers.

The distinctions are a bit confusing, and Amazon could make them clearer, but perhaps it has a reason for keeping it that way. It’s also possible that Amazon will try to make some significant changes before it rolls out its new tablet device, slated for October. But no need to mix apples and oranges and grapes just yet.

Sassy women-focused content site, Sugar Inc., has raised another $15 million in late-stage venture funding from new investor Institutional Venture Partners, as well as its original one, Sequoia Capital.

The San Francisco-based site, which has now raised a total of $46 million, said it would “use the funds for brand extensions, acquisitions, and international growth…”

Sugar, which runs the flagship PopSugar.com site, is in a media space that is both competitive and fast-growing.

Several bigger sites, such as Yahoo, have been interested in acquiring it, but its husband-and-wife co-founders Brian and Lisa Sugar have wanted to remain independent.

In 2009, the company broke off ties with NBC Universal by buying back its shares and got a Series C funding of $16 million from Sequoia.

Sequoia was an earlier venture investor, having put $5 million into the start-up in late 2006.

NBC invested $10 million in 2007. The media giant had been selling online advertising for the site, an arrangement that had previously ended.

Onward and upward, apparently!

Here’s the official press release:

Sugar Inc. Closes Investment from Institutional Venture Partners and Sequoia Capital

San Francisco, CA, April 13, 2011–Sugar Inc., a fast-growing global media company for women, announced today that it has completed a $15 million later-stage round of financing led by Institutional Venture Partners (IVP), one of the premier later-stage venture capital and growth equity firms. The Company’s original and consistent partner Sequoia Capital also participated in the round.

Sugar intends to use the funds for brand extensions, acquisitions, and international growth in pursuit of its goal of becoming the world’s largest media company focusing exclusively on women’s lifestyle. This round brings Sugar’s total funding to $46 million.

Sugar is the online leader in original content, social media, and commerce targeting trendsetting women, with a global audience of more than 20 million. The company has two business segments focusing on original content and commerce with a portfolio of brands including PopSugar.com, ShopStyle.com, PopSugarCity.com, and Fashionologie.com. Sugar has 190 employees and operations in the U.S., Europe, Japan, and Australia.

“On the eve of our five-year anniversary, Lisa and I are proud of the success and rapid growth we have demonstrated to date,” said Brian Sugar, founder and CEO of Sugar. “In the last year we achieved significant milestones, including growing our audience to over 20 million unique visitors per month, driving over $250 million in commerce to our partners, and reaching profitability for the full year. We are excited with the opportunities ahead of us as we continue to pioneer the combination of content and commerce.”

“Sugar is led by an outstanding management team that has driven impressive growth in a diverse set of complementary revenue streams,” said Dennis Phelps, General Partner of IVP. “We see an enormous market opportunity and are excited about Sugar’s ability to execute in a world of slower-moving incumbents.”

“Brian and Lisa Sugar are entertaining a new generation of women. They do so around the clock and on hundreds of millions of mobile and web devices. But Sugar Inc. is still at the beginning of what is possible,” said Michael Moritz, General Partner of Sequoia.

In a bold and definitive move, AOL is paying $315 million, mostly in cash, to buy the Huffington Post, one of the Web’s most prominent news and opinion sites.

As part of the deal, Huffington Post co-founder Arianna Huffington (pictured here)–who was derided by some when she co-founded the left-leaning site in 2005 with investor and well-known communications exec Kenneth Lerer–will become president and editor in chief of the Huffington Post Media Group within AOL.

The deal was signed late this afternoon, and the board of directors of each company and shareholders of the privately held Huffington Post have approved the transaction.

In an exclusive video interview BoomTown conducted earlier today in Dallas, just before Super Bowl XLV, both Armstrong and Huffington were jovial that the whirlwind deal, begun in November, actually worked out so quickly.

Perhaps giddy, they hit upon a common motto:

“One plus one equals 11.”

Get it? One and one next to each other is the number 11!

Let’s move on, shall we?

AOL said it is expected to close in the late-first or early-second quarter of 2011.

Once culminated, it will put Huffington in charge of all AOL content and other properties, including well-known names such as Engadget, Moviefone, MapQuest and TechCrunch.

She said she plans to move to New York from Los Angeles, although she will also maintain her longtime Brentwood home there.

And content for all these sites will be integrated deeply into the Huffington Post, giving it a huge new infusion of editorial material.

More to the point, the flashy acquisition–which essentially came together in less than two weeks in January–will become the linchpin of AOL CEO Tim Armstrong’s aggressive, if risky, strategy to focus the long-troubled company as a content and advertising powerhouse.

For AOL, the deal gives it a popular branded site that is very good at generating lots of page views and impressions very efficiently–which is the company’s whole thrust these days.

That means lots more ad inventory to sell and an injection of content talent, giving AOL the scale it desperately needs.

The move also obviously gives AOL a much-needed editorial identity and cohesion, which it doesn’t really have.

In fact, many think AOL needs a rallying point to bring clarity to its hodgepodge of recent acquisitions that all center on the notion that a strong company has yet to emerge in the premium content space.

Here is a mock-up of the front page of AOL tonight (click on it to make it larger):

While it all makes for a riveting narrative by the charming Armstrong, AOL still has not delivered the business turnaround promised after its spinoff from Time Warner in 2009.

Wall Street, which has given Armstrong a lot of rope, has become more impatient of late to see results–especially more robust increases in its display advertising business, as its access business dies off–after AOL spun off from Time Warner in 2009.

In its quarterly report last week, AOL reported earnings of 61 cents a share on revenue of $596 million.

But, as MediaMemo’s Peter Kafka wrote:

The bigger picture is that Armstrong’s turnaround is still in progress. Ad revenue was down 29 percent in the last quarter, although that number is worse than it looks. A big chunk of the decline comes from moves AOL has intentionally made that will cut revenue in the short run in return for more profitable sales down the road.

A more representative data set for Armstrong are his display ad sales, which are down 14 percent overall and eight percent in the U.S..

The bad news is that the rest of the Web ad industry is well into rebound mode; the good news is that AOL has trained Wall Street to expect numbers like these. If you’re waiting to see positive sales numbers, Armstrong said during AOL’s earnings call this morning, wait until the second half of this year.

In any case, the move is a good one for the Huffington Post since it will vault it to the next level of growth.

Other companies, such as Yahoo and NBC Universal, had looked at the company as a purchase target, and many expected it to eventually sell out to a larger company.

Sources close to the Huffington Post said that that outcome seemed the most likely, and the recent expansion of the site and its audience made it a good time to do a deal now.

Talks with Yahoo last year went nowhere, sources said, but Armstrong was not as slow to act.

Indeed, the actual deal happened quickly, said Armstrong and Huffington in a video interview with BoomTown earlier today (which you can see here).

The pair started talking in early November of last year at the Quadrangle Conference in New York and continued their discussions through the holidays.

Armstrong made the official offer to Huffington by phone in January, while she was at the World Economic Forum in Davos, Switzerland, and he was snowed in in New York.

Five time multiple to the Huffington Post’s upward of $60 million in expected revenue for the coming year, and nearly 10 times the $31 million for 2010, the offer was accepted quickly.

AOL used cash for $300 million of the purchase and $15 million in stock for the rest.

“The idea of turning a fire hose of traffic onto our content made enormous sense,” said one person close to the situation. “Everything is changing so fast, it seemed like the time was right.”

An IPO was also considered for the Huffington Post, sources said. But since the site only recently moved into profitability–although barely–such an event would have been farther out.

That’s despite the fact that the Huffington Post has seen fast-growing traffic and influence, spurred in part by Huffington’s larger-than-life persona in both the mainstream media and blogosphere.

The wide-ranging site–which has added a number of content areas in recent years beyond its flagship political offering–currently has almost 26 million unique monthly visitors, according to recent stats, moving in close range to established news organizations such as the New York Times.

That kind of success seemed unlikely when the Huffington Post launched on May 9, 2005, positioning itself as as a liberal counterweight to the popular right-leaning Drudge Report.

But the Huffington Post’s heady mix of celebrity bloggers, personality and voice, as well as aggressive curation of links from other sites, quickly caught on.

To fund its efforts, the New York-based online media company has raised $37 million from angel investors such as Lerer–the largest individual shareholder, followed closely by Huffington–and venture firms such as Greycroft Partners, Softbank Capital and Oak Investment Partners.

The growth has not been without controversy around issues such as lack of payments to bloggers who contribute and accusations that the site uses too much content from other Web sources when linking.

And Huffington herself has also been a lightning rod, which has been both positive and negative for the site.

But, there is no question she is one of the Web’s most prominent players, along with writing books, appearing on television frequently and being a fixture at high-profile events in New York, Los Angeles and Washington, D.C.

That includes a never-ending panoply of parties that feature a potent mix of movie stars, corporate poo-bahs, glad-handing politicians and lots of journalists from all over the media.

In fact, full disclosure, I was at one of those parties this past weekend for actor Colin Firth and others involved in the making of the Oscar-nominated film “The King’s Speech.” (Apropos of nothing, actor Helena Bonham Carter is as smart as you would expect, but much more delicate.)

As part of the AOL deal, CEO Eric Hippeau–who has been integral to professionalizing the business and will be joining Lerer Ventures–and Chief Revenue Officer Greg Coleman will leave the Huffington Post.

Ironically, Coleman was replaced by Armstrong as head of ad sales at AOL after he took over as CEO. Coleman got a big payout and will now apparently get another.

But the rest of the 200 Huffington Post employees are moving over to AOL with Huffington, who Armstrong hopes will be the company’s ace in the content hole going forward.

There are likely to be changes to come too at AOL, within weeks, especially in its content-side management and site staffs.

AOL provided some quotes in support of the deal from prominent Internet figures who know Huffington well.

“Arianna is one of the preeminent authors and editors of our time, and Tim has a remarkable track record of business success,” said Facebook COO Sheryl Sandberg. “Bringing them together creates tremendous potential for AOL.”

And Twitter co-founder Biz Stone said:

“Editorial vision and leadership are essential in order to transmute our shared cacophony of voices into a valuable dialogue. Arianna’s expertise, empathy, and entrepreneurial enthusiasm forms a kind of alchemy turning mere words and phrases into powerful expressions of humanity.”

Inter-Internet harmony: How sweet!

Here is the official press release, with all the details, but there is also an 8 am ET AOL conference call tomorrow:

AOL AGREES TO ACQUIRE THE HUFFINGTON POST

Acquisition Will Solidify AOL’s Strategy of Creating a Premier Content Network With Local, National and International Reach

Arianna Huffington To Lead Newly Formed The Huffington Post Media Group Which Will Integrate All Huffington Post and AOL Content, Including News, Tech, Women, Local, Multicultural, Entertainment, Video, Community, and More

The New Combined Media Group Will Reach 117 Million Americans and 270 Million Globally

Group Uniquely Positioned To Redefine the Future of Brand Advertising and Marketing For an Engaged and Influential Audience

New York, NY–February 7, 2011–AOL Inc. [NYSE:AOL] announced today that it has entered into a definitive agreement to acquire The Huffington Post, the influential and rapidly growing news, analysis, and lifestyle website founded in 2005, which now counts nearly 25 million unique monthly visitors*.

The transaction will create a premier global, national, local, and hyper-local content group for the digital age–leveraged across online, mobile, tablet, and video platforms. The combination of AOL’s infrastructure and scale with The Huffington Post’s pioneering approach to news and innovative community building among a broad and sophisticated audience will mark a seminal moment in the evolution of digital journalism and online engagement.

The new group will have a combined base of 117 million unique visitors a month in the United States and 270 million around the world**. Following the close of this transaction, AOL will accelerate its strategy to deliver a scaled and differentiated array of premium news, analysis, and entertainment produced by thousands of writers, editors, reporters, and videographers around the globe.

As part of the transaction, Arianna Huffington, The Huffington Post’s co-founder and editor-in-chief, will be named president and editor-in-chief of The Huffington Post Media Group, which will include all Huffington Post and AOL content, including Engadget, TechCrunch, Moviefone, MapQuest, Black Voices, PopEater, AOL Music, AOL Latino, AutoBlog, Patch, StyleList, and more.

“The acquisition of The Huffington Post will create a next-generation American media company with global reach that combines content, community, and social experiences for consumers,” said Tim Armstrong, Chairman and CEO of AOL. “Together, our companies will embrace the digital future and become a digital destination that delivers unmatched experiences for both consumers and advertisers.”

Armstrong continued, “Arianna is a singularly passionate and dedicated champion of innovative journalistic engagement, and a master of the art of using new media to illuminate, entertain and enhance the national conversation. Arianna is a remarkable person and she will continue to create remarkable outcomes for the combined company.”

“This is truly a merger of visions and a perfect fit for us,” said Huffington. “The Huffington Post will continue on the same path we have been on for the last six years–though now at light speed–by combining with AOL. Our readers will still be able to come to the Huffington Post at the same URL, and find all the same content they’ve grown to love, plus a lot more–more local, more tech, more entertainment, more finance, and lots more video. We are fusing a legendary and powerful new media brand with a vibrant, innovative news organization, known for its distinctive voice, a highly engaged audience, an expertise in community-building, and a track record for demystifying the news and putting flesh and blood on the data while drawing our audience into the conversation.”

Huffington continued, “By uniting AOL and The Huffington Post, we are creating one of the largest destinations for smart content and community on the Internet. And we intend to keep making it better and better.”

Kenneth Lerer, The Huffington Post’s Co-Founder and Chairman, said, “The Huffington Post team has created a potent brand with the proven track record of knowing how to grow traffic, inform and entertain its readers and build a one-of-a-kind online community. Add that to the powerful scale and resources of AOL and you have the perfect combination for today and the future. Together these two companies will be a premier online content provider. From local citizen reporting through AOL’s Patch, to The Huffington Post’s national reporting on politics, business and culture, consumers will have access to everything they want whenever they want it.”

AOL has agreed to purchase The Huffington Post for $315 million, approximately $300 million of which will be paid in cash funded from cash on hand. The Huffington Post is privately owned by its two cofounders, as well as a group of investors. The proposed transaction is subject to customary closing conditions, including receipt of government approvals. The boards of directors of each company and shareholders of The Huffington Post have approved the transaction. The transaction is expected to close in the late first- or early second-quarter 2011.

The Huffington Post over-indexes on educated, affluent users, reaching the key decision makers in C-suites around the globe. The Huffington Post speaks to this influential audience via a host of prominent voices on its group blog. Among those who have blogged on The Huffington Post are: President Barack Obama, Secretary of State Hillary Clinton, Mayor Michael Bloomberg, Larry Page, Diane Sawyer, Buzz Aldrin, Nora Ephron, Bill Maher, Madeleine Albright, Robert Redford, Katie Couric, Neil Young, Rahm Emanuel, Mia Farrow, Senator Russ Feingold, Senator Al Franken, Ari Emanuel, Harry Shearer, Senator John Kerry, Representative Nancy Pelosi, Madonna, Lawrence Summers, Jamie Lee Curtis, Ryan Reynolds, Craig Newmark, Alec Baldwin, Aaron Sorkin, Natalie Portman, Scarlett Johansson, Russell Simmons, Sean Penn, Bill Gates, Norman Lear, Charlie Rose, Elizabeth Warren, Tavis Smiley, Sheryl Sandberg, George Clooney, and former President Bill Clinton. And the audience speaks back, generating four million comments a month***.

The Huffington Post’s affluent, influential audience, that is growing at a rate of 22 percent (December 2009 vs. December 2010)****, when combined with AOL’s massive scale, video offerings and local expertise, will represent an incredibly desirable demographic for a broad range of advertising partners across the board.

And here is Armstrong’s internal memo to the AOL staff:

AOLers,

We are taking another major step in the comeback of AOL. Today we are announcing that we have agreed to acquire The Huffington Post, one of the most exciting, influential, and fastest growing properties on the Internet. We believe in brands, quality journalism, and the positive role of communities in the world–The Huffington Post shares our values and the combination of the two companies will create the premier global and local media company on the Internet.

Co-founded six years ago by Arianna Huffington and Ken Lerer, The Huffington Post has grown to become an industry leader–one of the Web’s most popular and innovative sources of online news, commentary, and information. Arianna and team have created a brand and a destination that focuses on the consumer experience. By combining The Huffington Post with AOL’s network of sites, thriving video offerings, local expertise and enormous reach, we will create a company that is laser-focused on serving our audiences across every platform imaginable–social, local, video, mobile and tablet.

The Huffington Post is core to our strategy and our 80:80:80 focus–80% of domestic spending is done by women, 80% of commerce happens locally and 80% of considered purchases are driven by influencers. The influencer part of the strategy is important and will be potent.

The Huffington Post is a strong influencer brand and it attracts a valuable audience, including a great focus on women’s content. In addition, Arianna Huffington is a world-renowned expert on women’s topics and issues, and has enabled The Huffington Post to grow rapidly by continually developing new audiences.

In the local area, the combination of the two companies will create a scaled connection between global and local communities on one platform. This will create a new way for people to get local and global information in a timely and entertaining way.

The Huffington Post will join the family of AOL Brands that are destinations for an influencer audience, brands like TechCrunch, Engadget, AutoBlog, and Moviefone. Uniquely, The Huffington Post is the platform for influential people–the people that drive trends, commerce, politics, entertainment, news, and information. Adding this strategic platform to our already strong network of sites, including the AOL homepage, has the potential to make AOL the most influential company in the content space.

Arianna Huffington is one of the most successful entrepreneurs in the Internet space and someone that is even more successful in building communities and relationships in every corner of the globe. The Huffington Post and Arianna have created a company that has partnered with the most successful and well-known leaders in all aspects of society that touch important topics to give consumers direct access to the most influential decision makers and community leaders.

This acquisition will create a high-quality and diverse digital ecosystem encompassing local, national and international news, politics, entertainment, technology, fashion, sports, health, personal finance, green, lifestyle, the arts and more. This deal will combine the amazing talent at AOL with the innovative and talented staff of The Huffington Post. Here are just a few high-level points around what this deal brings to market:

* Together, AOL and The Huffington Post will have 117MM unduplicated domestic monthly UVs, and ~270MM monthly UVs worldwide (according to comScore Dec 2010).

* The Huffington Post is one of the fastest growing web properties on the Internet. It grew 22% last year–that’s faster than Twitter, which grew 18% – and 15x as quickly as the Internet grew last year (comScore Dec ’09-’10).

* Both AOL and The Huffington Post count powerful, affluent users among their top loyal visitors, significantly over-indexing in $100K+ income users.

* AOL passed Hulu in unique viewers on video in the fourth quarter of 2010; video views on AOL are up 400 percent year-over-year.

* Between AOL’s innovative Project Devil ad unit, engaging users for 27 seconds longer than traditional display ads, and The Huffington Post’s highly-vocal community, with 4MM+ comments per month, we will marry attention-grabbing content and brand experiences for both advertisers and consumers.

In the local area, the combination of the two companies will create a premier global/local syndication network at scale. This will create a new way for people to get local and global information in a timely, informative and entertaining way.

To maximize the strategic advantage of this great deal, we will be creating a new group at AOL called The Huffington Post Media Group. Within this group will be AOL Media, AOL Local & Mapping, AOL Search and our new friends at The Huffington Post. We will continue operating the towns structure, AOL.com and HuffingtonPost.com.

I’m thrilled to announce that Arianna Huffington will join AOL’s executive team as President and Editor in Chief of The Huffington Post Media Group. We have asked Jon Brod to lead the overall operational integration on the AOL side of the combined entities. Jon will lead the local group integration and work closely with David Eun and the teams in AOL Media. We will work quickly with The Huffington Post to create a combined organizational design to coincide with the deal closing. While we wait for the required regulatory reviews to be completed and the transaction to close before implementing the design, we will move very quickly to plan the details of the integration of the two companies. To this end, we will announce the new organizational structure as soon as possible.

In the meantime, we will continue creating great content and products for our consumers within the town structure and stay laser-focused on the aggressive goals we have set for our winter luge. We are on the right track and will continue our weekly operating cadence and town structure to drive successful results against our company goals.

Here’s a special message for all of you we taped to welcome The Huffington Post and Arianna to our AOL Family:

http://today.office.aol.com/company-news/2011/02/aol-agrees-buy-huffington-post

And of course we wanted to welcome Arianna to our “You’ve Got” video of the day–check her out on AOL.com.

We will be holding a company all hands meeting to address your questions related to today’s exciting news. We will video conference from our New York office on the 6th Floor at 9:30 AM ET and will be joined by Arianna Huffington and key executives from her organization. We will also be holding a call for our west coast offices at 2:00 PM ET and for our Patch offices at 2:45 PM ET. See below for meeting info (conference rooms will be sent out shortly).

AOL is playing to win…and The Huffington Post and AOL will occupy a unique place in the future of the Internet. Let’s go get it done.

–TA

(More full disclosure: As has been previously reported by MediaMemo, All Things Digital had the briefest and most preliminary of discussions with Armstrong about moving to AOL last year, while exploring several other options. All’s well that ended well: We stayed at Dow Jones, which is owned by News Corp.)

The free online television service has become one of the most-watched online video properties in the U.S. and a top earner of web-video ad dollars since its 2008 launch.

But its owners–industry powerhouses NBC Universal, News Corp. and Walt Disney Co.–are increasingly at odds over Hulu’s business model. Worried that free Web versions of their biggest TV shows are eating into their traditional business, the owners disagree among themselves, and with Hulu management, on how much of their content should be free.

Read the rest of this post on the original site »

At a very first glance, some of the new rules imposed by the feds might seem like they require the new company to offer up programming to any online player that wants to pay up.

And technically, they do. But the new rules have plenty of conditions and limits. So the bottom line is you’re not much more likely to get access to “30 Rock” via YouTube, or CNBC via iTunes, then you were before.

The new FCC and DOJ rules do give, say, Google the ability to buy access to some of NBC U shows or channels. But it would require Comcast’s competitors to do the same thing, first.

That is: Unless the people who are reluctant to put their stuff online because they don’t want to upset Comcast go ahead and put their stuff online, Comcast doesn’t have to, either. So it’s theoretically possible, but not probable.

And if it happens, it will happen haltingly. If Viacom sells someone online access to its MTV lineup of reality shows, that might require Comcast to offer up its reality show lineup on Bravo. But it wouldn’t entitle an online outlet to the police procedurals on USA.

The government also gives the option to, say, Netflix, to set up shop as another cable operator, and buy access to all of NBC Universal’s programming. But it would have to buy all of it–just like Time Warner Cable and Cablevision do when they make a carriage deal for NBC U’s shows.

And again, Comcast wouldn’t have to do that unless its peers did. Which means that if Netflix really wanted to set up shop as a direct competitor of the cable guys, it can do so. But it would have to operate exactly like the cable guys, just like the satellite guys did when they entered the market a couple of decades ago.

So if Netflix, or Apple or whoever really wants to offer a full suite of cable programming, at cable prices, it could. But that would be very, very expensive: Analyst Rich Greenfield estimates that the bill for NBC U’s programming alone would run a new entrant $1 billion a year.

Just as, or even more, important, is that those kind of bundled, take-it-or-leave-it deals are exactly the kind of thing that the cord-cutting crowd complains about.

They don’t want to have to pay for USA and Bravo and Syfy and MSNBC–they want to pick and choose channels, or shows. And pay a lot less.

“I don’t think cord-cutting was a major focus” of negotiations, Comcast EVP David Cohen said during a press conference this afternoon. And that may be true!

But the net result reads very much as if Comcast wanted to make sure the government didn’t force it to break its business model. And if that was the case, it got what it wanted.

In a 4-1 vote–Commissioner Michael Copps dissented–the FCC is allowing the deal to go through, but with some conditions, most of them relating to the online video business. One key requirement that’s not happening: Comcast isn’t being required to divest itself of its equity in the Web video site Hulu, which a few lawmakers had called for. It will however be required to give up its role in managing Hulu. NBC U jointly owns it with the Walt Disney Co. and News Corp. (which also owns this Web site).

In a statement, FCC Chairman Julius Genachowski said the conditions imposed “include carefully considered steps to ensure that competition drives innovation in the emerging online video marketplace.”

Among those conditions, the FCC will also require Comcast to offer Web versions of its TV shows to what it calls “bona fide online distributors” under the same terms it offers them to cable and satellite providers. This would indicate that shows appearing on Hulu will probably end up on Apple TV or YouTube or elsewhere, meaning, as MediaMemo’s Peter Kafka suggested last month that Hulu’s exclusive rights to NBC content are over.

Comcast will also be required to offer broadband to some 2.5 million low-income households for less than $10 a month, and will be required to extend its network to reach 400,000 homes, build out service in six rural communities and provide free video and high-speed Internet access to 600 schools and libraries in underserved areas. This will allow Genachowski to claim some kind of victory on one of the Obama administration’s signature technology policy issues, which is spreading the availability of broadband.

In a dissenting statement, Copps called the merger “a transaction like no other that has come before this commission–ever,” and said “It confers too much power in one company’s hands.”

Harold Feld, legal director at Public Knowledge, a Washington, D.C.-based public interested group, said the organization was largely satisfied with the conditions except for one. It would have liked to see Comcast required to sell broadband service on a wholesale basis. “As longtime supporters of wholesale access, we believe such a condition would go a long way to help consumers by increasing broadband competition,” he said.

It’s not all departures!

Yahoo is hiring former News Corp. and Disney online exec Mickie Rosen (pictured here) to run its Audience unit, which includes the Silicon Valley Internet giant’s powerful content sites, sources said.

Starting next week, Rosen will report to Americas head Ross Levinsohn, who has worked with her before, at both News Corp. and Fuse Capital.

Her new title is SVP of the Yahoo Media Network, which is apparently a rebranding of Audience.

Previous to this job, Rosen was CEO of Tecca, a price-checking service Fuse created in partnership with Best Buy.

It’s likely she will remain based in the Los Angeles area, where Yahoo has a large office in Santa Monica, Calif.

The move is Levinsohn’s first management rejiggering since he took over last year, and there is likely to be more to come.

Rosen, who has also worked at the Fandango online movie ticketing site, will replace interim audience head Raymond Stern, who will be–as before–running partnerships and business development, as well as Yahoo’s listings business.

Rosen’s new job had actually been that of former Audience head David Ko, as well as former Media VP Jimmy Pitaro.

Ko left Yahoo and is now heading mobile games at Zynga, while Pitaro is a top digital exec at Disney.

More to come from Levinsohn, but here is Rosen’s bio from the Fuse Web site:

Mickie has over 20 years of operating, strategy and investing experience. For the past dozen years, she has been at the intersection of media and technology, in both large companies such as News Corporation and The Walt Disney Company and in small, early stage start-ups.

Prior to joining the firm, she was the head of entertainment for Fox Interactive Media where she was responsible for properties such as AmericanIdol.com, Rotten Tomatoes and the entertainment channels of MySpace. Mickie also led content acquisition across the Company, and was a lead in envisioning, structuring and negotiating Hulu, the premier video joint venture between News Corp. and NBC Universal.

Prior to Fox Interactive Media, Mickie was the head of product development, marketing and public relations for Fandango, where she helped lead the company from an early-stage start-up to profitability as it became a leader in its space (acquired by Comcast). Mickie was also a senior executive with an e-learning start-up, an Idealab! consumer robotics company and Disney’s Corporate Alliances group, where she negotiated deals and managed Disney’s top global partners such as Coca-Cola, American Express and AT&T.

Mickie built the foundation of her career with McKinsey & Company, where she spent seven years consulting with senior management on strategy, operational and organizational issues across a number of industries, including media and technology.
Mickie has an MBA from Harvard Business School, and a B.A. in Economics from UC San Diego, and is based in Los Angeles.