We’ll have a liveblog commenting on the game, the commercials, the apps and more, brought to you by tech-and-sports enthusiast Ina Fried, with possible contributions from other staffers, if they can be pried away from the game.

Our coverage will kick off just before the game does. In the meantime, check out our techie guide to the Super Bowl with info on apps, streaming and more.

2:17 pm: It’s still more than an hour to go until game time, but if you want to watch, NBC is streaming the pregame show. http://nflstream.nbcsports.com/

2:23 pm: Sharing a few of my friends’ comments re: The Super Bowl:

“The Super Bowl … keeping Roman numerals alive for 46 years.”

and

“so I heard there’s a Madonna concert on today, with some strange pre-show and post-show entertainment …”

Feel free to email me your observations on the game, the tech and more to ina@allthingsd.com, and I will add in some of them, as well.

2:32 pm: Here’s what NBC’s streaming of the pregame show looks like:

2:35 pm: The NBC app also allows, among other thing, reviewing the ads and switching of camera angles.

2:43 pm: Getting my gear all ready for the game, and to monitor the apps. So far, I have at the ready a MacBook Air for the blogging and, to see the coverage, a Verizon/Motorola Droid Razr Maxx with NFL Mobile. And an iPad. May dig out one or two more gadgets, as well.

2:46 pm: My colleagues at The Wall Street Journal note that there is a traffic jam with folks trying to get to the game — an air traffic jam. I hate when I can’t park my private jet:

3:07 pm: Another shot of my setup as we get ready for the big game.

Meanwhile, it’s time for the starting lineup. Some guy named Manning is starting for the Giants.

The Patriots have some guy named Brady.

3:11 pm: It’s time to meet the players for both teams. And/or heat up the five-layer dip.

3:12 pm: On the commercial front, meanwhile, it’s an ad for Hulu Plus. No Baldwins or aliens, though.

If you miss a commercial, by the way, NBC says you can rewatch it on their site.

Not sure if the same goes for key plays.

3:16 pm: “America the Beautiful,” with Miranda Lambert and Blake Shelton. I missed who was singing on the TV. Luckily, NFL Mobile on Verizon Droid Razr Maxx is running about 10 seconds behind. Homegrown instant replays.

3:18 pm: Meanwhile, “American Idol” alum Kelly Clarkson is singing the National Anthem. So far I’d put “Idol” up by a touchdown over “The Voice.”

3:20 pm: Cut to commercial for Sacha Baron Cohen’s new film “The Dictator,” followed by a Verizon Wireless add for the Droid Razr, which now comes in colors. AJ’s excited: “You know me, I love colors,” he said.

As for me, I’m more excited by the Maxx and its extra battery life. Should have charged it up ahead of time to see if it could make it through the whole game.

Twitter is doing an interesting special Super Bowl page, monitoring how both teams are doing, tweet-wise:

3:26 pm: Meanwhile, on the field, New England won the coin toss and deferred to get the ball in the second half.

3:29 pm: As a reminder to all those enjoying the free livestreaming of the game by NBC, be thankful they have the game rights and not ESPN.

ESPN boss John Skipper told me at our D: Dive Into Media conference that he totally would have charged fans if he had the game rights.

3:38 pm: Quick game update: Giants will have to punt. Patriots will get it back, but deep in their own zone.

3:39 pm: Nice spot for Audi, touting the vampire-crushing power of its headlights.

3:41 pm: Whoa, intentional grounding call. Since Brady was in the end zone, it’s a safety. For you techie, non-sports fans, that’s two points for the Giants, plus they get the ball.

3:45 pm: Twitter is taking note of the fact that hashtags are everywhere in the Super Bowl ads, so far. Hashtags are the new URLs, says Gartner’s Michael Gartenberg.

3:50 pm: It was a catch and a fumble, but more importantly, the Patriots had an extra player on the field, so it’s just a penalty.

3:52 pm: Touchdown Giants, meaning Team Mossberg is off to a rough start, now down 9-0. Sorry, Walt.

3:54 pm: Best Buy just showed their cellphone ad — featuring, among other tech folks, Philippe Kahn, talking about the first cellphone camera. Also featured: Ray Kurzweil, the creators of Shazam, Instagram, Words With Friends and more.

It’s a fun spot.

3:56 pm: Also fun: The spot with a Chevy truck surviving the 2012 Mayan-predicted apocalypse. A bunch of guys in their trucks reunite, along with the Twinkies, which also survived. Not so lucky: The guy driving a Ford.

4:02 pm: Oh boy. Go Daddy at it again.

4:06 pm: Patriots kick a field goal to make it 9-3.

Meanwhile, colleague Joe Brown has dug up some most excellent Super Bowl related tweets, I’ll sprinkle in here:

@TheTweetOfGod notes this will be the last Super Bowl before the Apocalypse; @AndyBorowitz notes that porn sites are seeing a drop in traffic; while @JimGaffigan aptly points out that “The Super Bowl is like the Super Bowl of Super Bowl references.”

Borowitz also hypothesizes that Madonna’s halftime show will provide “a sneak preview of Lady Gaga’s halftime show in 2032.”

See something you like, send it my way to ina@allthingsd.com.

4:15 pm: Nice Volkswagen commercial mixes cute dogs and “Star Wars” to capture two key demographics.

4:20 pm: Aiming for equal time after that Go Daddy ad, there’s one that consists of just David Beckham in his underwear for 30 seconds.

4:23 pm: Interesting playbook for the Patriots, so far. I think it is the BlackBerry PlayBook.

4:28 pm: There are all these apps for making a game out of watching the Super Bowl. Hopefully, there is one that makes the Patriots make a game out it.

4:30 pm: Giants have to punt again, but they pin the Patriots deep again. New England will have it on their own four-yard line.

4:32 pm: It’s retro time, with Lucasfilm touting the 3-D version of “Star Wars,” and NBC touting the 53-year-old version of Madonna.

4:37 pm: Breaking: Teleflora steals ad team from Go Daddy. Then a funny ad from Sketchers, with a dog in tennis shoes.

4:38 pm: Wow, that Cars.com ad was creepy. With a capital “C” and a capital “REEPY.”

4:41 pm: Another tech note: NBC’s livestreaming is being aided by Vertigo, whose CEO, Scott Stanfield, asks everyone to help make the game the biggest streaming event ever.

4:43 pm: Grandma in wheelchair steals back Doritos bag by slingshotting baby to get it. Now it’s Etrade baby and pal “speed dating” in a hospital nursery. Babies are taking over.

4:46 pm: As for that football game thing, it’s almost halftime, with the Patriots in striking distance at the three-yard line, with 18 seconds to go.

4:47 pm: And Mossberg scores. Well, technically speaking, it was one of the Patriots on the field. Anyhoo, touchdown Patriots.

4:51 pm: And it’s halftime.

Or “game time” for many of my friends, who don’t understand why they are playing football at a Madonna concert, anyway.

5:00 pm: Hulu Plus gets another plug. Touts the ability to watch shows on all kinds of devices. Now it’s an evil(er) plan to take over the world.

Meanwhile, Shazam gets a shout-out in a Bud Light ad.

5:01 pm: And now, the moment you have all been waiting for … 1982.

5:04 pm: On the plus side, the wardrobe is fully functional.

5:06 pm: Meanwhile, if you Shazam the halftime show, you get a free LMFAO remake of Madonna.

5:11 pm: Dude, Madonna just stole the football field. We’re going to want that thing back.

5:16 pm: Here’s the Shazam app in action during the halftime show:

5:17 pm: And here’s how Madonna wrapped up her act, as seen on the one screen I haven’t talked about. It’s called a TV — people used to watch stuff on them:

5:23 pm: And, with some final halftime ads from Betty White and Clint Eastwood, we’re back to football. Brady and the Patriots have it just past their own 20.

5:28 pm: Walt carries it in again, as the Mossbergs extend their lead to 17-9.

5:31 pm: Just checked. RIM hasn’t made any personnel moves during this game.

5:36 pm: Some more great tweets curated by our fabulous Joe Brown:

@michaelianblack: Joan Rivers did an amazing halftime show.

@PFTompkins: That oughtta do it. World peace should be here by the next GoDaddy commercial.

@TheTweetOfGod: Patriots 10. Giants 9. Madonna 53.

5:39 pm: Giants did a kick-y thing. Now 17-12 Patriots.

5:39 pm: Update: Fiat also knows how to use sex to sell.

5:42 pm: I want to grab a beer, but I am afraid I might miss a commercial. Or accidentally grab a Bud Light Platinum, whatever that is.

5:43 pm: Meanwhile, NBC is plugging an NBC Sports Talk app.

Madonna gets a shout-out from her peers:

5:52 pm: It’s easy to miss, in all the tweets and ads and Madonnas, but there is actually a pretty good football game going on.

5:56 pm: It’s almost the moment you have all been waiting for … Samsung’s Galaxy Note commercial. It’s kind of like a futchdown.

6:06 pm: Loving the “Ferris Bueller” revamp Honda CR-V commercial with Matthew Broderick. #bueller

First Madonna, now Ferris Bueller. Glad my generation now runs all the companies. Or at least their ad agencies.

6:13 pm: Bud Light gets some “awww” points with its last ad, promoting the beer-fetching rescue dog, “Weego.”

6:21 pm: Woo Hoo. Careerbuilder monkeys. I’ve missed those guys.

6:21 pm: Fourth quarter, 9:24 left to go. You can text your vote to for Super Bowl MVP. Personally, I’ll need another 9:24 to give you my answer.

6:25 pm: Futchdown! Goofy ad for Samsung’s Galaxy Note phablet now on.

Not a lot of stylus fans on Twitter, as Samsung ad is getting roundly panned, as is the product.

6:29 pm: Dow Jones colleague Ian Sherr reports his stream of the Super Bowl is decidedly subpar. “None of the TV ads, and it doesn’t even break at the same time as TV.”

Of course, only at the Super Bowl does one complain there are not enough ads in Internet streams.

“I’ve missed several plays, and they keep playing the same ads with Dwight from The Office and “Act of Valor” over and over again,” Sherr said in a Twitter post.

6:32 pm: Meanwhile, it’s a two-point game, with 3:46 to play.

Giants have the ball, down two on their own 12.

6:34 pm: Throw to the sideline at 50-yard line ruled a catch. Patriots challenge, but looks pretty good. First key use of instant replay this game.

Yep, ruling on field confirmed, and will cost the Patriots a time-out.

6:37 pm: As for that Samsung ad, it was a first-ever commercial for director Bobby Farrelly, who is known for “There’s Something About Mary,” “Dumb & Dumber” and “Kingpin.”

If you need to re-watch it, it’s here.

I recommend doing so now, as there is another Go Daddy.com ad playing.

6:44 pm: Giants score, but likely would have rather used a little more clock.

New England will still need a touchdown, and have less than a minute to get it.

It’s now 21-17, Giants.

Sorry, was watching the game. First down, but clock clicking. Just 17 seconds left, though.

6:51 pm: Just nine seconds left now, with Patriots near midfield.

6:52 pm: Okay. Five ticks left, so this is probably it for both the Patriots and this liveblog. Hope you were at least entertained!

Incomplete. Giants win, 21-17.

6:55 pm: Disneyland or Disney World? That’s the only question that remains.

But for those more interested in the postgame highlights and analysis, the inaugural Super Bowl XLVI app from NFL Magazine might do the trick.

The tablet app is meant to be more commemorative than anything else — think of those dust-gathering magazines you collect each year — and it won’t stream the game live.

The app will offer image-rich season recaps for both teams, player highlight reels, polls and Super Bowl history. (No word on whether it includes a slide show of Tom Brady’s hairstyles throughout the years.)

After the game, the app will be updated with 15 to 20 minutes of highlight clips, breakdowns of key plays, interviews with players, NFL.com articles on the game and 360-degree photos.

The video available on the app during and after the game will be “clean” game highlights from NFL Network. Later on, extended highlights from NFL Films, with NBC logos and graphics, will be made available through the app.

The app, which is available on the iPad and on Android tablets, is selling at a pregame discount of $2.99 — which is less than half of the postgame price.

“We’ve seen a lot of fan demand for this,” said Jeff Berman, general manager of NFL Digital Media. “We plan to keep the app fresh for several weeks as we introduce new content, and ultimately provide a kind of lifetime digital keepsake.”

Nielsen data shows that 70 percent of tablet owners and 68 percent of smartphone owners use their devices while watching TV, while a poll conducted by Velti and Harris Interactive shows that nearly 60 percent of mobile users plan to look at or use their mobile device during the game. We’ll likely see some interesting data after Sunday, as well, about mobile usage during the Super Bowl. These metrics are key for advertisers as they try to gauge how many eyeballs are on second — and third, and fourth — screens during big television events.

And what about those Super Bowl ads, you ask? NFL Magazine’s Super Bowl app won’t feature any third-party ads this year, but it will include NFL promotions, as well as ads for The Daily, the tablet newspaper owned by News Corp. (which also owns this site), since the NFL is using The Daily’s technology platform to power the app.

Berman said that since this is the first time NFL Digital has done a commemorative Super Bowl app — it’s the NFL’s first tablet-only app, as well — they’re not focused on signing up a bunch of ad partners to start, though it’s a possibility for future versions of the app.

Revenue generation aside, the app means something else for rabid sports fans: The ability to call up key plays on your tablet whenever you feel like watching them. And rewatching them. And showing them to your friends. And discussing the nuances of the plays.

And unlike a commemorative magazine — which, by the way, the NFL will be producing, as well — the app provides an interactive and updatable experience. Look, Ma, moving pictures!

That is, ESPN thinks it can preserve its traditional premium fees from paid TV distributors, while also making money from online offerings.

Where some in television have worried about “turning analog dollars into digital dimes” (I believe that originated with former NBC CEO Jeff Zucker), Skipper said of ESPN, “We take the dollar and we take the dime, as well.”

ESPN viewership is 99 percent live, Skipper said, and it fights cord-cutters by not giving its content away for free. That’s in contrast to NBC, which will be livestreaming this weekend’s Super Bowl online.

“We have a different philosophy,” Skipper said. “We believe that the content we sell to distributors for a lot of money, that we should not distribute it for free to someone else.”

By contrast, Skipper said, “The Rose Bowl is not available for free. You have to have a paid television subscription, and then you can watch it wherever you want.”

Since 2005, ESPN has made sure that all its content deals include rights for every device. As Skipper put it, “We don’t cannibalize ourself, we use those platforms to cross-promote.”

Further, Skipper says ESPN is well worth the money distributors pay (something that draws a lot of grumbles from others in the industry). It brings in strong local ad sales, and has pioneered 3-D and HD content on television.

“The rates we get from distributors are directly correlated to the value we provide,” Skipper said.

Asked about last year’s failed Hulu sales effort and expectations he would move on, Kilar said he sees “many winners” among Hulu and competitors like YouTube, Netflix, Amazon and Apple. “Online video and online video advertising are enormous,” he said.

Last year’s aborted sales effort, Kilar said, was “far more public than I would have liked. I’m a private guy.” Is he surprised he’s still at Hulu? “I’m not.”

Will he be leaving Hulu any time soon? Kilar urged watchers to look at his history, which includes two employers — Amazon and Hulu — since graduating school. “I’m not the kind of guy who dabbles in a lot of things,” he said. “Just judge me on my history, and the team on the history.”

As for the economics of Hulu, Kilar noted (as he has before) that the company made $420 million last year, which was 60 percent more than 2010, but less than the company had expected after a “soft” third quarter.

Hulu Plus, which Kilar described as being in “investment mode,” pays content owners more per user per month than any of its competitors, Kilar said. “The dollars going back to content owners on Hulu Plus are extremely generous.”

Kilar downplayed content negotiations with News Corp., NBC and Disney, the large media companies who own significant parts of Hulu. “Keep in mind we have 330 content partners, three of which we have an equity relationship with,” he said. (News Corp. also owns this Web site.)

But if you watch the game on the Web, your eyeballs are worth a whole lot less. NBC, which is streaming the entire thing for the first time ever, will be lucky to get anything near a million dollars for that same ad when it runs online.

So why is Comcast’s broadcast network putting the game on the Web, period? Isn’t this the classic analog-dollars-to-digital-dimes trade that Big Media strives so hard to avoid?

Nope, says Rick Cordella, who runs digital for NBC Sports. The network assumes that nearly every eyeball — and every ad dollar — that it gets from the Web this week will be a bonus, because whoever watches online is simultaneously watching on a big TV, the way football is supposed to be watched.

This is supposed to be the classic “second screen” experience that Twitter’s Dick Costolo and so many other digital folks are excited about.

And that makes plenty of sense to me. Many TV guys have gotten plenty comfortable with the idea of streaming their most valuable live sports events online, for free. In most of those cases, the general assumption is that anyone who’s watching on the Web is someone who can’t watch the game on a TV to begin with — see the CBS/Turner Sports livestreams of the NCAA March Madness tournament.

And in NBC’s case, it is packing the Webcast full of extra camera angles and other goodies, including a feature that will let you rewatch every Super Bowl commercial once it’s aired. The assumption is that you’re holding the TV remote in one hand, and controlling your laptop with another.

NBC already does a version of this with its Sunday Night Football broadcasts during the regular season, and the network says it draws between 200,000 and 300,000 unique viewers per game (that’s the source of that Vikings-Saints screenshot, above).

Meanwhile, those broadcasts are the networks’ best-performing shows by a long shot, so it doesn’t seem to have slowed them down. The NFL, meanwhile, reports that Web companion streams of the Thursday night games it shows on its own channel averaged 450,000 uniques.

So Cordella argues that putting the biggest TV show of the year online, for free, is really no big deal. But I’m pretty sure that this attitude isn’t shared by everyone in the TV business, and we might hear a bit about that today at the D: Dive Into Media conference. Curious to see what ESPN boss John Skipper thinks, for starters.

Can you please have the post of Brian Williams’ email to Nick Denton taken down immediately? That was sent in confidence as friends and absolutely never intended to be public. A speedy removal would go a long way in maintaining the trust and respect we have for your site.

– An email from NBC’s PR department requesting that Gawker take down its posting of an email from Brian Williams to Nick Denton, criticizing, among other things, the site’s recently reduced postings on the weekends; the request was added to the original post

In a blog post, CEO Jason Kilar blames the shortfall on a “soft advertising market (economy) in the second half of 2011.”

The numbers: Hulu did $420 million last year, via a combination of ad sales and revenue from its Hulu Plus subscription service. But during the first half of 2011, it had told the world — several times — that it was “on pace to approach” $500 million.

In retrospect, it’s easy to see when sales started softening. In July, when Kilar reported his company’s Q2 numbers, he was still offering the same $500 million revenue guidance. But in early October, when he reported Q3 numbers, the guidance had disappeared from his update.

There are a whole lot of people who would like to report 60 percent annual growth. And the fact that Hulu revenue missed earlier projections by 16 percent  – “overall the Hulu ad business grew aggressively and Hulu Plus materially exceeded our plan,” Kilar notes in his post — isn’t going to be the biggest issue for the service by a long shot.

Hulu’s management and its owners — Providence Equity, Comcast, Disney and News Corp. — need to reach a fundamental agreement about the video site’s direction, and how the site fits into today’s entertainment landscape. (News Corp. also owns this Web site.)

But it’s still worth noting the miss, because Hulu is both a digital ad business and a digital ad business that sells very premium video.

It’s an article of faith among digital ad bulls that the industry will keep growing even if the larger economy takes a hit, because ad dollars will shift from old media, anyway. And advertisers are supposed to be clamoring for the tv shows and movies that Hulu sells — which is one of the reasons Google is trying to shift upmarket from dogs on skateboards, with its “channels” strategy.

We’ll start hearing other reports on the state of last fall’s ad market, and the outlook for the future, over the next couple weeks, when public companies start reporting their Q4 numbers.

And we’ll hear a lot more from Kilar himself, who will be appearing at our D: Dive into Media conference at the end of this month. If you want to see him in person, grab a seat.

Instead, I’m focusing on the ones that promise to bring me the TV I want to see, when I want to see it, without charging me a fortune. And without making me pay for stuff I don’t care about.

Try it yourself. See? Things get quiet in a hurry.

All that other stuff that everyone is talking about right now — new ways to get Web video onto your TV set, new ways to chat up your friends while you watch TV, etc. — is sort of interesting. Maybe it eventually turns into something really interesting.

But none of it solves the problem that regular people have with TV right now. Because they actually like TV quite a bit, and watch tons of it every week, and they’re okay paying for it, too, even if they say they’re not. They just want to pay less for the stuff they want.

Making that happen will require a lot more than using AirPlay to throw video from your iPad to your LCD, or making it easier to search the Web via a Google TV. It means fundamentally overhauling the TV business.

And while it can look like the TV business is loosening up dramatically — look at all those shows the networks are putting on the Web, for free! — it’s actually tightening up considerably — it’s getting harder and harder to watch that stuff, it turns out, without paying for cable, or going rogue.

Even the most interesting stuff I’ve heard about — selling TV “over the top,” via the Web — still contemplates buying bundles of channels from the programmers, which means that over-the-top TV will look just like cable TV. Just like satellite TV and fiber TV do.

“I think there’s not a lot wrong with the business models,” says Myspace owner Tim Vanderhook, who wants to launch his own over-the-top service this year. I’m not at all confident that he’s going to pull it off, but I’m sure the programmers are happy to have a chat. They love the idea of more buyers ponying up for their stuff.

One interesting variant you’re hearing more about right now involves keeping bundles intact, but buying less of them. If you don’t pay for ESPN, then you’re not going to get anything from Disney, including ABC Family and the Disney Channel. But if you can live with sports or kids stuff, you could save an awful lot — or put the money into other programming you do care about.

That’s not nearly as sexy as The End Of TV As We Know It, but it is doable. And I’ll definitely holler about that one, if and when we see it.

Per earlier reports, Dish Networks’s big rollout at the Consumer Electronics Show today is focused on “The Hopper,” a supersized video recorder that lets users store two terabytes of data. In English, that means about 250 hours of high-def shows, or 1,000 hours of regular shows.

There are a slew of other bells and whistles, and Dish had other stuff to announce, too, like an expanded deal with Time Warner’s HBO to offer more programming to Dish customers who also pay for the premium TV service, more programing for its Blockbuster movie service, and a broadband Internet via satellite option.

Oh, and a kangaroo, which did duty as both mascot and onstage prop.

But if you were looking for an “over the top” service that lets you get pay television over the Web without getting the standard pay TV bundles, this isn’t it. It’s possible that Dish CEO Joe Clayton will offer that one day, but it’s not here now.

The chief focus here is on the DVR, which doesn’t seem like it’s the kind of thing that will attract new customers, but might keep existing ones happier. Nothing wrong with that.

The most interesting wrinkle here is the Hopper feature that will let customers automatically record the primetime lineup of the four broadcast networks — News Corp.’s Fox, Disney’s ABC, Comcast’s NBC and CBS — and store the shows for up to eight days.

Anyone with a DVR is already able to record any show they want, and keep it as long as they have space, so this isn’t an earth-shifter. But it seems clearly designed to poke a bit at other playback options, like the video-on-demand offerings that many broadcasters offer for free, or the Hulu/Hulu Plus service co-owned by Disney, Comcast and News Corp. (News Corp. also owns this Web site).

All of those options, for instance, make you wait at least a day after a program airs before they let you see it. And the networks only offer some of their shows through those options (and CBS doesn’t work with Hulu at all).

My understanding is that Dish didn’t ask the broadcasters for permission on this one, and the way it’s constructed — broadcast-only, with a time limit, etc. — make me think it believes it has created something that doesn’t require a signoff, at least legally speaking. But since all of the big pay TV providers — Dish included — are signing “retrans” deals with the broadcasters and their owners, and those deals include restrictions on how the broadcast shows can be used, it seems like Dish would want to make sure its partners are okay with this.

And they might be! As a network executive pointed out to me this afternoon, this doesn’t have to be negative for the broadcasters. If Dish, for example, can get Nielsen to give the programmers full credit for the shows stored on the Hopper, then that’s a good thing — they’d rather get paid for that eyeball, for instance, than one they sell on the Web.

But it still seems like Dish is playing this one deliberately close to the line.

[Shutterstock/Anna Jurkovska]

We saw the first signs of that last year, when Clayton bought Blockbuster out of bankruptcy, then used the video company to create a kind of Netflix challenger. Tomorrow we should see the next steps, when the company rolls out a big announcement at the Consumer Electronics Show.

Here’s a good bet on what that will be: A new broadband Internet service, along with a super-sized DVR.

Trade pub Multichannel News has the details, gleaned from a report that went up briefly on Dealerscope, then went away, presumably because it violated a pre-briefing embargo. (Thanks to Jason Hirschhorn’s very useful Media Redfined feed for flagging.)

Since we never agreed to the embargo, happy to summarize here (not surprisingly, Dish declined to comment):

• The Internet service will be marketed to 8 million customers, most of whom can’t get fiber or cable broadband.
• The giant DVR will be called “The Hopper” and is designed to save and transmit shows in different parts of your house, and presumably outside of it, via Slingbox. You can see a teaser page for that one here, or look at the screenshot at the bottom of this post.
• There’s a cool feature that looks like it will automatically record the primetime lineups for the four broadcast networks (News Corp.’s Fox, Comcast’s NBC, Disney’s ABC and CBS).

All of which sounds interesting, and useful for existing Dish customers. But it doesn’t sound like Dish is ready to try a true “over the top” Web-based pay TV service that would rival traditional cable.

A lot of people think someone, or many people — could be Dish, could be Apple, could be Verizon, etc., etc., etc — is trying to line up one of those. But figuring out how to do that involves lots of deals with TV studios and programmers, and I don’t get the sense that anyone has those pacts yet. If Dish does, and announces it tomorrow, then it will truly be a press conference worth tuning into. If not, no worries — I’ll be watching anyway and will report back.

MORE CES NEWS:

• Complete coverage
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[Shutterstock/Marko Cerovac]

The carrier is partnering with a consortium of TV stations and broadcasters to be the first to offer Dyle — their live TV application. The initial phone running Dyle will be an Android device from Samsung, MetroPCS said.

Of course, this is hardly the first stab at mobile TV. Although very popular in Korea, such service has not really taken hold. Some of the major carriers offer a limited lineup from MobiTV. Qualcomm had bigger visions with its FLO service, but shuttered the mobile TV offering and sold the spectrum to AT&T.

“We’re excited to be the first mobile service provider to deliver a unique entertainment offering like Dyle, but more important than being first is our belief that this service will meet the needs of our customers and deliver an exceptional mobile experience,” MetroPCS President Tom Keys said in a statement.

Dyle Mobile TV is the brand chosen by a consortium of content providers and broadcasters including NBC, Fox, ION Television, Univision, Hearst, Belo, Cox, E.W. Scripps and Gannett. At launch, the group plans to offer more than 72 stations in 32 TV markets.

For its part, MetroPCS plans to offer Dyle in Atlanta; Boston; Dallas-Fort Worth; Detroit; Jacksonville, Fla.; Las Vegas; Los Angeles; Miami; New York; Orlando; Philadelphia; Sacramento, Calif.; San Francisco; and Tampa, Fla.