That’s good for Sony, the people who paid the bill for “Dragon Tattoo,” right? Nope. Terrible, says Sony.

The studio is livid that the New Yorker is running Denby’s review today, more than a week ahead of a Dec. 13 embargo. Why does the studio care? If you want a good explanation of modern-day movie marketing and the push-pull between filmmakers and film reviewers, check out this lucid explainer from NPR’s Linda Holmes.

But for everyone else, this won’t matter at all. New Yorker readers (and now, drive-by visitors as well, since the review has been placed in front of  the magazine’s online paywall) will see the review, and a larger group of people will have a vague idea that the New Yorker likes it. That’s about it.

And that’s the moral for folks like myself in the technology-news-industrial complex, who spend way too much time thinking about, fighting with and cursing embargoes. This stuff can matter a lot (sometimes) to us, but that’s really only because we decide to agree that it matters. Readers don’t care at all.

I’d spend more time explaining this, except that if you care about this at all, you’ve already read many boring essays about it — perhaps even today! And I can’t tell you that I’m swearing off embargoes, because I can’t — I worked with three of them last week, have probably at least one more embargoed story coming this week and, I’m sure, many more down the road.

But this is a nice reminder that every time I do deal with one of these, it almost always means I’m not spending time on something geniunely interesting. Like news no one else is writing about, or a fresh take on something everyone else has already written about. Or even seeing a good movie.

Disney CEO Bob Iger tapped Skipper to take over his company’s most important asset just a week ago. But Skipper, who had been ESPN’s content boss, has been a rising star there for years, hopping from print (!) to the Web to TV programming. We’ll have his first onstage interview in his new role.

At a time when the value of Big Media’s content is in flux, ESPN’s lock on sports — DVR-proof, pirate-resistant programming that draws mass eyeballs in a niche age — is more valuable than ever. Can Skipper keep it that way?

We’ll ask him in January, as he joins a lineup that includes: YouTube CEO Salar Kamangar, Viacom CEO Philippe Dauman, New Yorker editor David Remnick, Warner Music Chairman Edgar Bronfman Jr., News Corp. Chief Operating Officer Chase Carey, Clear Channel CEO Bob Pittman, Legendary Pictures head Thomas Tull and Vevo CEO Rio Caraeff.

All Things Digital’s first-ever media conference runs Jan. 30 and 31 at the Ritz-Carlton in Laguna Niguel, an hour south of Los Angeles. See you there.

There is a very cathartic crisis that’s gone on, and it’s not clear where it’s going to go. But at least everyone knows things are rotten. We’re in a much better place than when things were rotten and everyone thought things were great.

Facebook investor and futurist Peter Thiel, profiled in the New Yorker (article only available online to subscribers)

Hollywood and Google have been circling each other for years, as each side tries to figure out what to make of the other. Now they’re finally starting to link up in a serious way, via YouTube’s new “channels” strategy.

Which means it’s a perfect time to hear from YouTube CEO Salar Kamangar. And if you’re at D: Dive into Media in January, that’s what you’ll be able to do, as one of the world’s most important Googlers joins us onstage.

Getting Kamangar out of Mountain View and into the public eye would be a big deal under any circumstances, because — while he keeps a very low profile — he has enormous clout: He’s one of Larry Page’s most trusted lieutenants, a position he has earned by joining the company as hire No. 9 in 1999, then helping to build the AdWords product that has generated a vast majority of Google’s revenue.

Kamangar has been formally running YouTube for the past year, but in reality he had been overseeing the world’s largest video site for some time. Kamangar is also in charge of Google’s broader video plans, including Google TV, which is now making a second stab at inserting itself into the world’s living rooms.

So there’s going to be plenty to talk about when Kamangar joins a lineup of media heavyweights Jan. 30 and 31 at the Ritz-Carlton in Laguna Niguel, an hour south of Los Angeles. Previously announced speakers include Viacom CEO Philippe Dauman, New Yorker editor David Remnick, Warner Music Chairman Edgar Bronfman Jr., News Corp. Chief Operating Officer Chase Carey, Clear Channel CEO Bob Pittman, Legendary Pictures head Thomas Tull, and VEVO CEO Rio Caraeff.

We’ll announce more in the weeks to come. If you want to make sure you get a seat, you should sign up now.

So is this a good time to be in media? Or a terrifying one? Both? Yes!

AllThingsD covers the media business and the way it responds to technology, every day. But in January we’re going to go really deep into this stuff, at our first D: Dive Into Media event, where we’ll focus on the people who create, finance and distribute what we listen to, read and watch. (Facebook is on to something!)

We’ll gather the most powerful, interesting and innovative leaders from a wide range of media and entertainment companies, and sit down with them for one-on-one interviews.

And just like our flagship D: All Things Digital event, we’ll also be able to give you peeks at the future, by focusing on new voices and new technology you’ll be hearing from in the months and years to come. You won’t see panel discussions with middling players here: Just deep, smart talks with the people who matter.

We’ll be announcing our speakers throughout the fall, but here’s a starter list to give you a sense of what we’ve got planned:

Philippe Dauman is CEO of Viacom, which runs one of the world’s dominant cable networks. We’ll talk to him about what that means in a universe where cord-cutting could become a reality — if it’s not already. We’ll also pick his brain about the future of his Paramount studio, and Hollywood in general.

New Yorker editor David Remnick runs one of the world’s best, most storied magazines. Coincidentally or not, it also happens to be a rarity in the iPad world — a successful magazine app. We’ll talk to the Pulitzer Prize winner about the challenge of making long, immersive content in a fast-twitch world.

Edgar Bronfman Jr. ran Warner Music Group from 2004 until earlier this summer; he’s now the company’s chairman at a pivotal time in its history. Since his resume also includes a stint running what’s now called NBCUniversal, he’ll also be able to give us an interesting perspective on the evolution of the TV and movie business.

News Corp. COO Chase Carey can talk to us about his company’s take on the movie business, the TV business, the cable business, the newspaper business and the Internet. News Corp. also owns this Web site, but that won’t prevent us from having a frank discussion about the company’s challenges and opportunities.

D: Dive Into Media will be held at the stunning Ritz-Carlton in Laguna Niguel, a little more than an hour south of Los Angeles. On behalf of Walt Mossberg, Kara Swisher and the rest of the AllThingsD staff, I’d like to invite you to join us Jan. 30 and 31.

It’s not the New Yorker, but it’s built using the magazine’s intellectual DNA. And instead of the $60 a year the magazine charges for its primary app, this one is 100 percent free.

The “Goings On” app, which will work on both iPhone and Android handsets, is pretty much exactly what you’d expect: The magazine’s weekly listings of New York art exhibits, concerts, etc., tethered to an interactive map.

There are a few extra goodies, too, like audio recordings from New Yorker authors that will work as walking tours: Food writer Calvin Trillin will lead listeners through his favorite eateries and stores, and architecture critic Paul Goldberger navigates the city’s amazing elevated High Line park.

All of which sounds cool, if not groundbreaking. I got a very brief demo last week, but have no idea how it will work in the real world.

It’s worth noting that this is another example of a magazine publisher experimenting with an app that isn’t a straightforward replica of one of its titles. Instead, the app leverages the New Yorker’s brand and its intellectual property to create a new standalone product.

In this case, the magazine is turning that into revenue via an ad deal — MasterCard will be the app’s sole sponsor, via a package deal that also gets the brand into the print magazine — but Conde and other publishers have tried charging customers for standalones, too.

Very good bet that we’ll see more of these from Conde and its competitors, and that they’ll continue to play around with price points. Encouraging experiments.

Well-known New Yorker writer Ken Auletta has taken on Facebook COO Sheryl Sandberg in the magazine, with a largely glowing profile provocatively titled: “A Woman’s Place: Can Sheryl Sandberg Upend Silicon Valley’s Male-Dominated Culture?”

My short answer is: No, she can’t. But Auletta does yeoman’s work explaining the irksome issue by using Sandberg as his metaphor.

Sandberg has been very vocal about the issue of women in the workplace over the last year, in a series of speeches she has made.

But, actually, the Auletta piece is mostly a full-on Sandberg profile, hitting all the obvious stops in her life and in that of Google — her previous employer — and Facebook, her current one. Also, of course, we can’t leave out the fight between those two tech behemoths.

No news is committed, but it is a very good read (and the second big piece — the other was the cover of Bloomberg Businessweek — Sandberg has been the subject of of late.)

I was also interviewed for the piece, which started out as a larger one on women in Silicon Valley. No surprise, it quickly became largely about one of its most interesting ones.

Oddly, in a section about women in tech, I am quoted saying that I scare men. To be fair: I am an equal opportunity terrifier.

Sandberg, who comes off as quite a deft smoothie (which she is) in the New Yorker piece, is clearly not a terrifier and it seems to be working out well for her so far.

Starting Wednesday, some Samsung Galaxy tablet users will be able to buy app versions of seven magazines, as single copies or monthly subscriptions. The deal comes via Next Issue Media, the “Hulu for Magazines” consortium five big publishers put together to build their own digital newsstand.

This is a cautious first step, with lots of caveats, and Next Issue is taking pains to play down expectations, calling it an “early preview.”

And by my calendar, it’s a bit behind Next Issue’s previously announced plans to have something in the market early this year.

But it’s still something. And you could argue that while the digital magazine market formally kicked off last year when Apple introduced the iPad, it’s been moving pretty slowly since then. So Next Issue really hasn’t missed that much.

Details:

• Four of the consortium’s partners are selling titles: Esquire and Popular Mechanics from Hearst; Fitness and Parents from Meredith; the New Yorker from Conde Nast; and Fortune and Time from Time Warner’s Time Inc. News Corp., the other partner, doesn’t publish any print magazines (they do own this Web site, though).
• Prices are set by publishers, who will be able to offer existing print subscribers free digital editions. For now, though, they can’t offer new subscribers print + digital bundles like the ones that Conde Nast has started selling via iTunes. Next Issue CEO Morgan Guenther says that’s coming, along with the possibility of more interesting offers, like Netflix-style subscriptions that let customers swap titles in and out.
• The titles are only available to Galaxy owners who have bought a model with wireless service from Verizon, which sells the titles through a single app available in its Vcast app store.
• Next Issue plans to offer more magazines, on more devices, in the fall. CEO Morgan Guenther says that by the end of the year the consortium will be selling at least 40 titles, and should also have a version of its app available for HP’s WebOS.
• Apple gives publishers 70 percent of each transaction, and Guenther says magazine publishers will get “at least” that much; device-makers or carriers will split the rest with the consortium.
• Crucially, the publishers will get full access to all subscriber information, including credit card numbers. Apple won’t do that.

Again, these magazines will only be available to a subset of a subset of Android tablet owners, which isn’t that big a market to begin with, for now.

But it is a working demonstration of the concept the consortium promised way back in 2009: A single place to get magazines from multiple publishers, controlled by the publishers themselves.

And theoretically, selling magazines on the terms they want on Android will give the publishers more leverage to get what they want from Apple. But they’re a long way from getting Steve Jobs to back down from his terms–let’s see how sales play out on the two different platforms first.

The poem is behind a paywall, so we’ll just give you the closing couplet, but it’s been screenshotted elsewhere.

Let’s sign up, sign in and confess
Here at the altar of loneliness.

Alexie is best known for his short story collection “The Lone Ranger and Tonto Fistfight in Heaven” and the movie based on one of the stories, “Smoke Signals.”

For another less classy–but amusingly so–sendup of Facebook’s awkwardness, see the Australian comedy group Hungry Beast’s recent video, “The Offline Social Network.”

Please see the disclosure about Facebook in my ethics statement.

Or, if you prefer, you can think of them as very long magazine articles. Here’s the company’s description of the new program:

Today, Amazon is announcing that it will launch “Kindle Singles”—Kindle books that are twice the length of a New Yorker feature or as much as a few chapters of a typical book. Kindle Singles will have their own section in the Kindle Store and be priced much less than a typical book. Today’s announcement is a call to serious writers, thinkers, scientists, business leaders, historians, politicians and publishers to join Amazon in making such works available to readers around the world.

Amazon being Amazon (AMZN), there’s nothing else of substance in its press release, but I have asked the company to answer some basic questions. From my email to Amazon PR:

1) Please provide an anticipated pricing range
2) Please explain how wholesale pricing will work
3) Is this program directed at conventional publishers, or does Amazon anticipate that most of the Singles will be self-published by the authors themselves?

UPDATE: Here’s Amazon’s response. Apologies for not getting these up sooner: Amazon sent them along shortly after I posted my story Tuesday morning, but somehow they were swallowed up in an email vortex–some sort of recurring problem I have with Apple Mail client and Google App email.

Anyway:

1) Prices will be less than a typical book.

2) With any particular publisher, pricing and terms will be consistent with our general terms with that publisher.

3) We expect to work directly with publishers and also for writers themselves to publish Kindle Singles.

If you’re in a hurry, though, you can get a good sense of Denton, at least in present tense, via this clip. It’s an abridged version of my onstage chat with the Gawker Media founder at an Interactive Advertising Bureau event last month, and the editors have done a nice job of distilling it down to seven minutes. Bonus for you guys: This thing is so well-edited that I don’t appear in a single frame.

And if you’re in a real hurry, here’s the money quote, which I extracted from Denton by asking him if he thinks what Gawker does is “journalism”:

In the U.S., traditional media has killed itself. And it’s provided a great opportunity for organizations like us, because they have cared too much about the journalism, about the Pulitzers, about the respect of their peers–and too little about the entertainment of their readers.”

If you’re looking for more detail from our talk, which included Denton lavishing praise on Apple (AAPL) CEO Steve Jobs but refusing to shed any light on the Gizmodo/iPhone 4 case, check out David Kaplan’s summary at PaidContent.

Malcolm Gladwell pees in the social media punch bowl today, with an essay designed to humiliate and/or enrage anyone who thinks that Twitter, Facebook et al can be used to do really significant things.

It’s a bit of a hammer to a fly, really. Because everyone knows, intuitively, that Twitter can’t overthrow governments and that Facebook can’t stop genocide.

But Gladwell spells it out for us, anyway:

The evangelists of social media…seem to believe that a Facebook friend is the same as a real friend and that signing up for a donor registry in Silicon Valley today is activism in the same sense as sitting at a segregated lunch counter in Greensboro in 1960…In other words, Facebook activism succeeds not by motivating people to make a real sacrifice but by motivating them to do the things that people do when they are not motivated enough to make a real sacrifice. We are a long way from the lunch counters of Greensboro.

Gladwell doesn’t argue with the idea that Facebook and Twitter are good communication platforms, mind you. But he argues that communication alone doesn’t do anything–getting stuff done takes hard work, structure and person-to-person contact. And in the case of really big things, like the civil rights movement, it takes personal risk.

And social networks can make all of that stuff harder to achieve, he says:

It makes it easier for activists to express themselves, and harder for that expression to have any impact. The instruments of social media are well suited to making the existing social order more efficient. They are not a natural enemy of the status quo. If you are of the opinion that all the world needs is a little buffing around the edges, this should not trouble you. But if you think that there are still lunch counters out there that need integrating it ought to give you pause.

Gladwell–or someone using his name and image–does have a Twitter account, by the way. He joined in December 2008, and now has 60,661 followers. He has used the service to send out a grand total of 22 messages. (He does have an interesting blog, although he hasn’t done much with it lately…)

Also: The New Yorker is now available as an iPad app–publisher Condé Nast used the Wired/Adobe (ADBE) template for this one. So, if you feel like shelling out $4.99 for an issue, head to the Apple (AAPL) iTunes store.

The New Yorker finally came out with its profile of Facebook CEO Mark Zuckerberg today, titled “The Face of Facebook.”

And while the magazine piece by Jose Antonio Vargas reads well, there is not much new in it for those who have followed the career of the innovative young wunderkind of social networking.

Exeter computer prodigy, Harvard computer prodigy, Silicon Valley computer prodigy. Throw in the Winklevii’s ceaseless quest to say they could have been somebody (they couldn’t have been), mix in Sean Parker and set to bake to billions.

Vargas did score a few interviews with Zuckerberg, including a visit to his current home and a short glimpse of him interacting with his longtime girlfriend Priscilla Chan.

But, like Zuckerberg himself, it’s kind of all gray T-shirt and hoodie and working at Facebook.

The best part is Hollywood writer Aaron Sorkin, who penned the upcoming Zuckerberg-slasher, “The Social Network,” finding out his subject loves his television classic “The West Wing.”

“I wish you hadn’t told me that,” he responded to Vargas.

Oh, suck it up, Aaron, as Mark surely will have to when the movie comes out October 1.

Until then and as usual: Gray T-shirt, hood and, of course, Facebook.

Within the next several weeks, the New Yorker magazine will be publishing big pieces about a pair of digital icons located on the East and West coasts–an assessment of the turnaround at AOL by staff writer Ken Auletta and a profile of Facebook co-founder and CEO Mark Zuckerberg by Huffington Post senior contributing editor Jose Antonio Vargas.

For the Zuckerberg piece, Vargas was given a lot of access by the Silicon Valley social networking kingpin, including rare interviews with Zuckerberg’s inner circle and also longtime girlfriend and full-time med student Priscilla Chan.

And Auletta–whose big New Yorker takeout on Google (GOOG) turned into a book that is now being turned into a movie–will be assessing the turnaround efforts at AOL (AOL), which is now being led by former Google exec Tim Armstrong.

The Internet icon has seen troubled times in recent years, including a spinoff from Time Warner (TWX), which should make for interesting fodder for Auletta.

Also in the tech-topic kitty at the New Yorker, sources said: A profile of troublemaking Gawker Media impresario Nick Denton by Ben McGrath, which I am hoping will include his terrific tour of Chinese markets near where he lives in Manhattan’s SoHo.

The piece seems to have been primarily reported this winter, just as Chatroulette was becoming a phenomenon and shortly before Ternovsky lit out for the United States. If you’re interested in digital media investing, there are a few tasty tidbits, like Union Square Ventures partner Fred Wilson’s assistance in arranging a visa for Ternovskiy, and the programmer’s disdain for Digital Sky Technologies’ Yuri Milner.

And there’s a tiny bit about Chatroulette’s finances, at least as of a couple months ago: Since Google (GOOG) wouldn’t get cut him an AdWords check, Ternovsky’s sole source of revenue was Mamba, a Russian dating service. But that was enough: He was generating $1,500 in advertising a day, which he said covered his costs. Still, there’s not much in the way of “news” here.

But make a point of reading Julia Ioffe’s story, which paints a compelling portrait of Ternovsky’s Moscow childhood. It’s going to seem both familiar and alien to a lot of you.

He was born on April 22, 1992, less than four months after the collapse of the Soviet Union, and grew up in a tidy apartment in a typically dingy Moscow high-rise. His mother, Elena, is a talented mathematician who works on differential equations at the élite Moscow State University. His father, Vladimir, is an associate professor of mathematics at the same university, and dabbles in cybernetics. Their household was loving but turbulent. The couple fought and frequently separated, and Vladimir started a parallel family, an issue that was never openly discussed. (“It’s a little game we play,” Elena said of the arrangement.) Andrey retreated to his room, where, thanks to Vladimir’s belief that “the future would have something to do with computers,” there was always a machine, as up to date as the family could afford. Vladimir invested great effort in Andrey’s upbringing, engaging a Chinese tutor, a weight-lifting coach, and a chess teacher. But most of Andrey’s learning occurred alone, with his computer. He started with games, usually of the reality-simulating variety. By fourth grade, he was writing code.

Like many young Russians with programming skills, Ternovskiy turned to hacking. When he was eleven, he came upon zloy.org (which translates as angry.org), a hacker forum led by a young man named Sergey (a.k.a. Terminator), who trained his followers in cyber warfare. Using the handle Flashboy, Ternovskiy soon mastered the art of the denial-of-service attack, wherein a target system is paralyzed by a mass of incoming communication requests. Next came Web-site and e-mail hacking, a service he gladly performed for girls who asked nicely. By 2007, at the age of fifteen, Ternovskiy had learned about what hackers call “social engineering”–getting what one wants through deceit or manipulation. Posing as a teacher, Ternovskiy got access to some practice tests before they were delivered to his school.

You can, and should, read the rest here.

Advertisers’ exposure in the iPad editions of Condé Nast titles will reflect the level of their investment in the print edition.

All advertisers in the print edition will appear similarly in the iPad’s “landscape” format, which is a replica of the print edition. A select group of advertisers who buy the most pages in that issue of the magazine will get “premium” placement in the iPad edition, meaning their ads will have added features like video and links to the Web. Those ads will appear in the apps’ “portrait” mode, the version of the magazine that includes extra functions like video and slideshows.

Read the rest of this post on the original site

First, CBS (CBS) digital dealmaker Quincy Smith and crew formally unveiled Code Advisors, the M&A shop they’ve been assembling for nearly a year. Now comes Michael Wolf, last seen in the halls of MTV Networks, where he was COO for a bit more than a year.

That was all the way back in 2007, but Wolf’s contract with Viacom (VIA) kept him more or less tied up until 2010. Now he’s opening up his own shop: Activate, a boutique media and tech consulting firm.

That’s a return to form for Wolf, who made his reputation as a tech-savvy media consultant at both Booz Allen and McKinsey (for a time capsule that’s also 100 percent up to date, see Kurt Andersen’s 1997 New Yorker profile of Wolf). He says he’s self-funding the operation, and won’t need to take on investors, as he already has paying clients (whom he won’t name).

He also has a co-worker: Anil Dash, the longtime veteran of blogging software pioneer Six Apart, who is now a director at Expert Labs. Dash says he’ll keep his job at the nonprofit, which is a sort of tech/good government mashup, and split his time between that and Wolf’s shop.

And yes, just because people still mix them up–Wolf is not Michael Wolff, the bomb-throwing media agitator/aggregator. That’s this guy.

Liveblog

9:13 am PT: Quite a scene here this morning; the queue for media credentials is nearly as long as some of the iPhone 3G launch lines I saw a few years back. Moments ago, an Apple PR rep slipped through the doors of the Yerba Buena Center to ask that the press waiting outside take two big steps back. The last time that happened to me, I was at a Jesus Lizard show.

9:54 am: The doors open and the press enters the event hall. Initially, at least, the scene is pretty crazy. “This is like the subway in New York,” an attendee behind me jokes. More like the subway in Tokyo, I think to myself.

A Bob Dylan soundtrack plays as media and guests file in. It’s momentarily interrupted by a “please take your seats, our event is about to begin” announcement.

10:00 am: Interesting stage set-up today: Instead of an empty stage or a simple table, there are a black leather chair and side-table. Lights are dimming….

And Steve Jobs takes the stage to a standing ovation.

“We want to kick off 2010 by introducing a truly magical product, but first a few updates….A few weeks ago we sold our 250 millionth iPod…I didn’t want to let that moment pass without recognizing it.”

10:05 am: Jobs offers a quick overview of Apple’s retail operations and some of the new stores it has opened recently before moving on to the iTunes App Store. “A few weeks ago we announced that three billion applications had been downloaded from the App Store–that’s in 18 months…amazing.”
He notes, as he did in the company’s earnings release the other day, that Apple is now a $50 billion company.

Apple is a mobile devices company, says Jobs, “the largest mobile devices company in the world now. Larger than Sony’s mobile device business, larger than Samsung’s and, astonishingly, Nokia’s as well.”

10:07 am: A quick historical overview now. Jobs touches on the first PowerBook, introduced in 1991. He moves on to the MacBook and then the iPhone.

“All of us use laptops and smartphones, now. And the question has arisen lately: Is there room for a device in the middle?…We’ve pondered this question as well.”

This “middle” device, says Jobs, must be better at doing certain tasks than either the laptop or smartphone. If there’s going to be a third-device category, it must be better at browsing the Web, video, photos, music, etc.

“Some folks say this device is a netbook…. The problem is, netbooks aren’t better at anything.”

10:10 am: But we have something that is, says Jobs, “and it’s called the iPad.”

Photos of the device appear on the giant screens. Very thin. Very slick. “IPad offers the best Web browsing experience there is–way better than laptops.” There is no camera that I can see. That’s not going to go over well with folks hoping for a device that supports video iChat.

10:13 am: Further details: The “iPad is a dream to type on,” Jobs says, pointing out its life-sized onscreen keyboard. It’s also an awesome way to enjoy media. iTunes, iTunes University and YouTube HD support are built in.

10:14 am: Jobs sits down to demo the device: “Using this thing is remarkable. It’s so much more intimate and capable than the laptop.” He loads Safari and surfs over to the New York Times (NYT). The iPad loads quickly and Jobs is able to easily navigate the page, loading stories and zooming in on articles.

10:15 am: Demonstrating landscape and portrait now. “This device adapts to the way I want to use it.”

Definitely an impressive browsing experience. Fast and elegant.

Now, an overview of Mail. Also elegant. Nice split-screen presentation. Hit compose, and a nice onscreen keyboard pops up. Jobs types out a message to his colleagues at Apple. Seems relatively easy.

10:19 am: Moving on to iPad’s photo capabilities. It supports iPhoto’s Events, Faces and Places features. It also offers built-in slideshows complete with soundtracks and transitions.

Running a slideshow demo, Jobs pauses and looks out at the audience with a Chesire Cat-wide grin. He’s clearly relishing this moment.

10:22 am:: The iTunes experience on iPad is much as you would expect. Similar, if not identical, to what the software currently offers. Calendar and Contacts apps are also nice and, again, similar to what you’d find on a MacBook or iPhone.

10:24 am: Demoing Google Maps now. The iPad supports Google Street View and the implementation is very slick.

10:25 am: Moving on to video. Jobs calls up an HD clip from Google’s (GOOG) YouTube and displays it in both portrait and landscape. That finished, he fires up iTunes and loads “Star Trek” to demo the device’s video features, scrubbing, etc. Then he shows us a clip from Pixar’s “Up.” Tap to go full-screen. “Isn’t that wonderful?”

10:27 am: Watching that is nothing like actually having one in your hands, says Jobs.

• iPad is one-half-inch thick, weighs 1.5 pounds, and comes with 9.7 inch IPS display–“very high-quality display”
• Full capacitive multitouch
• 16GB-64GB flash storage
• iPad is powered by our Apple’s custom silicon–“We did it inhouse and it just screams,” says Jobs.
• Wi-Fi, Bluetooth, accelerometer, compass.
• Battery life: 10 hours.

“And in addition to 10 hours of battery life, iPad offers a full month of standby time,” Jobs notes. “It’s also a good environmental citizen,” he adds, noting that it’s a very green device.

10:31 am: Jobs invites Scott Forestall to the stage to talk about apps on the device.

“We built the iPad to run virtually every app in the App Store right out of the box,” Forestall says.

Evidently, a built-in pixel-doubling feature automatically scales iPhone apps to full-screen iPad apps.

10:35 am: Forestall runs an unmodified racing game from the App Store. He first demos it in the screen size of an iPhone. Then, using the pixel-doubling feature, he blows it out to full screen. Very slick.

“So you can buy the iPad, take it home, hook it up and download all your iPhone apps and run them with no problem at all,” he says.

Forestall announces a new iPhone software development kit specifically geared to the iPad. He notes that iPad-specific applications will be featured “front and center” in the App Store.
He then invites Gameloft’s Mark Hickey to the stage to demo some new games the company has developed using the new SDK.

Hickey notes that the iPad’s additional screen space is a boon for developers, particularly those building games. He demos a first-person shooter that showcases this. “We’re now able to interact with the game world in ways that we weren’t able to before.”

10:40 am: Next up, the New York Times. Martin Nisenholtz takes the stage to talk about its iPad effort.

After talking up the Times iPhone app, Nisenholtz segues to the the paper’s new iPad app: “We think we’ve captured the experience and essence of reading the newspaper.”

The app is largely what you’d expect. Tap to resize text, zoom, breaking news updates, video. “This is everything you love about the paper and everything you love about the Web.”

10:44 am: Now, a painting application called Brushes that was famously used to create a New Yorker cover.
The app is impressive enough on iPhone; it’s even more so on the iPad. It supports “playback” of paintings, and as the presenter notes, brings us one step closer to a real virtual painting studio.

10:46 am: EA’s Travis Boatman take’s the stage. The topic of his presentation: Need For Speed.

“Building for the iPad is a little bit like holding a high-def TV screen a few inches from your face,” he says.

The iPad version of Need for Speed boasts a number of touch-activated enhancements: Tap on the car to view its interior, tap on the rear-view mirror to look behind you.

10:52 am: Up next: MLB.com’s Chad Evans. He demos the outfit’s iPad-optimized app, which uses the device’s additional screen space to display video excerpts and MLB TV.

MLB TV can be streamed like and enhanced with onscreen stats and data. “This big display really allows us to create a much more immersive experience,” Evans says.

10:52 am: Forestall returns to the stage to make another brief plug for the SDK before Jobs takes over for him.
“Let me show you another one of our apps that we’re very excited about,” Jobs says. “An e-book reader.”

Behind him a photo of Amazon’s (AMZN) Kindle appears. “Amazon did a great job with their reader and we’re standing on their shoulders here….Today we’re announcing the iBooks store,” says Jobs, adding that it will be supported initially by Penguin, Simon & Schuster and a number of other big publishers.

The iBooks Store interface begins with a simple bookshelf view. Tap the screen and it loads a more iTunes-like view. Purchase a book and it’s added to your bookshelf with a slick little animation.

The reading experience seems very appealing. Much more book-like. From where I sit, the pages look like they’re written on paper.

“We use the e-pub format, the most popular open-book format in the world,” says Jobs. “We think iPad is going to be a very popular e-reader not just for bestsellers, but for textbooks as well.”

10:58 am: And here’s another new product announcement: A new version of iWork tweaked for use on the iPad. Jobs invites Phil Schiller on stage to demo it.

“We have a completely new version of Keynote, a completely new version of Pages and a completely new version of Numbers–all optimized for multitouch.

Schiller demos Keynote first. Creating presentations appears intuitive and simple–a slide navigator on the left, tap to load individual slides in the main window, drag to rearrange.

Nice use of multitouch gestures to enhance the app. Pinch to resize photos, tap to insert animations and transitions. These are all fairly advanced techniques and the device seems to handle them well.

11:05 am: Moving on to Pages now. Also impressive, though creating a written document on a tablet device like the iPad seems like it might be a drag. A nice tool for editing, though. Simple controls.

11:07 am: Moving on to Numbers. This application also makes good use of multitouch gestures and boasts a data-entry keyboard along with some 250 built-in functions. The software’s gesture capabilities makes Excel look antediluvian.
Powerful and fast.

So what’s Apple going to charge for iWork? $9.99 each, says Schiller, who notes that all three applications are compatible with their Mac versions.

Jobs returns to the stage, grinning. “Isn’t that great?” he asks for what’s easily the 10th time. iPad, he says, will synch to Mac or PC via USB.

11:14 am: Evidently, there will be two iPad models–one with Wi-Fi-only and one with Wi-Fi and 3G. The 3G device will come with two plans: 250 MB per month for $14.99, unlimited data for $29.99.

And who’s the carrier? AT&T.

A small groan ripples through the audience.

Jobs allows that AT&T is also throwing in free Wi-Fi at its hotspots. He follows that up by noting that there are no contracts for the iPad. You can cancel at anytime.

All iPad 3G models are unlocked and they use new GSM micro SIMS, so chances are they will just work, Jobs says, after noting that Apple hasn’t yet worked out international carrier deals.

11:16 am: Now a quick overview as a wrap-up. Jobs touts the overall tablet experience along with the new iBook app and iBook Store. “This is an amazing product with tremendous breadth. What should we charge for it?…When we set out to develop the iPad we not only had aggressive UI goals, we had aggressive price goals, because we wanted to put this in the hands of as many people as possible….IPad pricing starts not at $999, but $499,” Jobs says to a huge round of applause.

$499 for 16GB base model.
32GB for $599.
64GB for $699.
Adding 3G requires an additional fee.

Apple will ship Wi-Fi models in 60 days and 3G models in 90.

11:20 am: Apple has created new accessories for the iPad: A standard dock and a second dock with a keyboard attached to it. “Keep one of these in your den and you can write the next “War and Peace” on it.” The final accessory, a new case that doubles as a stand.

Running a video now. It features a number of Apple execs enthusiastically talking up the iPad.

11:25 am: Let me circle back here for a moment to pricing. Adding 3G to iPad requires an additional $130. So we’re talking $629 for the 16GB model, $729 for the 32GB and $829 for the 64GB version.

Designer Jon Ives on the iPad: “In many ways iPad defines our vision, our sense of what’s next.”

11:32 am: Jobs returns to the stage and recalls the “middle device” scenario he mentioned earlier today. “Can we create this new category? The bar is set pretty high, but we think we’ve got the goods.”

“This is our most advanced technology in a magical and revolutionary device at an unbelievable price,” he adds. “The reason the iPad is going to be so great is because Apple has always strived to be at the junction of technology and liberal arts.”

And with that he concludes. Lights go up and Dylan begins playing over the speakers again.

View the slideshow

PREVIOUSLY:

• Apple’s Tablet: A $2.8 Billion Business?
• Apple’s Tablet: MacBook Airbus?
• Apple Announces Jan. 27 Special Event: “Come See Our Latest Creation”
• Major Apple Product Announcement Set for Wednesday, Jan. 27
• Apple Pitching Tablet to Publishing Industry; Spring Launch Expected
• Time (Finally) for the Tablet? Apple Developers Supersizing Their Apps for January Event.
• The Apple Tablet Is Delayed? So What?
• $1.9 Billion in Capex? What’s Apple Planning?
• Apple’s Tablet: Read Different?
• Imaginary Demand for Mythical Apple Tablet Exceeds All Estimates
• Apple Tablet Coming to AT&T?
• New From Piper Jaffray Analyst Gene Munster: The Apple iPad
• Rumored Apple Netbook Actually an E-Book?
• iTablet: Apple’s Killer App for Higher Ed
• iFugly

Last week, New Yorker writer Ken Auletta launched his new book on the search giant: “Googled: The End of the World as We Know It.”

But one final chapter was actually cut from the book, which Auletta posted this past weekend on his Web site.

Auletta emailed BoomTown, explaining that he killed it because it was “not organic to the book’s narrative, and because I feared it [would] muddy the books purpose, casting it as a How-To book.”

The chapter contains 25 media maxims or things Auletta learned from covering the media and Google (GOOG), kicking off by recounting Apple (AAPL) CEO Steve Jobs’s famous “Stay Hungry, Stay Foolish” commencement speech at Stanford University in 2005 (see video below).

Included among Auletta’s maxims: “Passion Is Required,” “Vision Is Required” and “Don’t Ignore the Human Factor.”

Here’s the chapter in its entirety:

And here is a video interview I did with Auletta at his book party in San Francisco last week, followed by the Jobs’s speech:

Please see this disclosure related to me and Google.

]]> http://allthingsd.com/20091116/the-missing-final-chapter-of-aulettas-google-book-25-media-maxims/feed/ 0 http://allthingsd.com/20091112/author-ken-auletta-talks-about-google-and-its-lack-of-emotional-intelligence/ http://allthingsd.com/20091112/author-ken-auletta-talks-about-google-and-its-lack-of-emotional-intelligence/#comments Thu, 12 Nov 2009 08:50:35 +0000 Kara Swisher http://kara.allthingsd.com/?p=20548

Guess what? Google has too many Spocks and not enough Captain Kirks.

This is one of the many interesting insights BoomTown gleaned from a video interview last night–which you can see below–with well-known New Yorker scribe Ken Auletta, who has just written a new book, “Googled: The End of the World as We Know It.”

This “lack of emotional intelligence” at the search giant, said Auletta, reminded him a lot of the subject of one of his previous books: Microsoft (MSFT).

Oh, the delicious irony!

Auletta was feted at a lovely party last night at the San Francisco house of Common Sense Media’s Jim Steyer, where a range of Google (GOOG) execs, Internet folks and fans gathered to talk about the book.

It’s all about Google, its history and, most important, its impact on the world. And how you look at the powerful search giant depends entirely on whether you are the changer or the changed, as Auletta stresses in multiple anecdotes in the book.

Traditional media, for example, have certainly been mucho irked of late about the impact of digital technologies on their businesses and have not been shy about casting blame most heapingly on Google’s Silicon Valley plate.

And government regulators are also giving the company the hairy eyeball, much as they had previously done to Microsoft.

Auletta and I talked about all of this and more in the video interview below, in which he notes that he told Googlers at a talk at their adorkable Googleplex HQ in Mountain View, Calif., yesterday that they need to focus less on being engineering brainiacs and more on trying to understand how to deal with fears of their growing power.

Here’s my interview with Auletta about this, as well as what old media needs to do to deal with all the change Google has wrought. (And you can see interviews I did with guests at the party, too).

And below that is one of the disturbing number of mash-up music videos about “Star Trek” buddies, the highly illogical Kirk and the Vulcanish Spock, the geek bromance of all time.

Please see this disclosure related to me and Google.

]]> http://allthingsd.com/20091112/author-ken-auletta-talks-about-google-and-its-lack-of-emotional-intelligence/feed/ 3 http://allthingsd.com/20091005/new-yorker-bezos-initial-google-investment-was-250000-in-1998-because-i-just-fell-in-love-with-larry-and-sergey/ http://allthingsd.com/20091005/new-yorker-bezos-initial-google-investment-was-250000-in-1998-because-i-just-fell-in-love-with-larry-and-sergey/#comments Tue, 06 Oct 2009 04:30:36 +0000 Kara Swisher http://kara.allthingsd.com/?p=19130

Considering the ongoing skirmishes going on right now between Amazon and Google over digital book publishing, it’s more than ironic that Amazon CEO and founder Jeff Bezos was one of only a few initial investors in the search giant.

But–in one of the many interesting details in New Yorker author Ken Auletta’s new book, “Googled: The End Of The World As We Know It”–it was indeed Bezos who invested $250,000 in the start-up in 1998 at four cents a share.

(Some previous reports have had it at six cents a share and at a $100,000 level.)

Three of the others, according to Auletta, all of whom ponied up the same amount, were Stanford University computer science professor David Cheriton, entrepreneur Ram Shriram and Sun Microsystems (JAVA) co-founder Andy Bechtolsheim.

Later, more angels invested in Google (GOOG), followed by the big $25 million venture round by Kleiner Perkins and Sequoia Capital in mid-1999.

While it was known back when Google went public in 2004 that Bezos held about three million shares in the IPO (Auletta said it was precisely 3.3 million shares), the book has a lot of the details about the meeting between him and Google co-founders Larry Page and Sergey Brin in the Menlo Park, Calif., garage of current Google exec Susan Wojcicki.

He had been brought there, according to the book, by Shriram, who had sold his company, Junglee, to Amazon (AMZN) in 1998.

“I just fell in love with Larry and Sergey,” Bezos told Auletta in an interview–not that there’s anything wrong with that considering the flip-flop relationships of Silicon Valley.

He’d presumably be more in love–and less inclined to be fighting Google, first in search with A9 and now in online publishing–if he had held onto those shares.

That stock would be worth $1.6 billion today.

But a spokesman for Amazon declined to comment on what Bezos did with his Google stake, noting it was a personal investment.

Interestingly, Bezos is also an early investor in the current hotsy-totsy microblogging start-up, Twitter.

A part of Auletta’s book, which is slated to come out Nov. 3, is in this week’s New Yorker in an excerpt called “Searching for Trouble.” It is, oddly, not available online.

In any case, the piece is mostly about the various ways Brin and Page dissed big media moguls, figuratively (destroying old media advertising business models) and literally (showing up at meetings sweaty and wearing skates and gym shorts).

Good thing they never did that to Bezos.

Please see this disclosure related to me and Google.

]]> http://allthingsd.com/20091005/new-yorker-bezos-initial-google-investment-was-250000-in-1998-because-i-just-fell-in-love-with-larry-and-sergey/feed/ 1 http://allthingsd.com/20090727/the-new-yorker-reviews-the-kindle-buy-an-ipod-touch/ http://allthingsd.com/20090727/the-new-yorker-reviews-the-kindle-buy-an-ipod-touch/#comments Mon, 27 Jul 2009 17:14:02 +0000 Peter Kafka http://mediamemo.allthingsd.com/?p=9718 Novelist Nicholson Baker, whose first book was about a man riding an escalator, and who spends a lot of time thinking and writing about the future of reading, tackles the Kindle in this week’s New Yorker. He devotes 6,219 words to the subject, and if you’ve got the time (it’s summer!), they’re worth reading.

If you’re in a rush, the takeaway is that he’s not very impressed with Amazon’s (AMZN) device, and that all things being equal, he thinks Apple’s e-reader is at least as good. He’s not talking about the yet-to-appear iTablet, of course. Like a lot of other people, he’s fond of  Apple’s (AAPL) current iPhone/iPod touch line:

Amazon, with its listmania lists and its sometimes inspired recommendations and its innumerable fascinating reviews, is very good at selling things. It isn’t so good, to date anyway, at making things. But, fortunately, if you want to read electronic books there’s another way to go. Here’s what you do. Buy an iPod Touch (it costs seventy dollars less than the Kindle 2, even after the Kindle’s price was recently cut), or buy an iPhone, and load the free “Kindle for iPod” application onto it.

Oddly, Baker doesn’t make a reference to Kindlegate, even though the story broke a couple of weeks ago. If you’re looking for a summary of where things stand on that one and have five minutes to spare, you can listen in to the chat I had with NPR’s “On the Media,” which aired over the weekend. You can hear the full show here.

One last note: I’m stepping out for a couple weeks and going semi-off the grid, so if all goes well you won’t be hearing from me till the second week of August. If all goes really well, I may even read an ink-and-paper book. Meantime there will be plenty of fresh new stuff from Walt, Kara, John and Katie over at the mothership. See you soonish.

]]> http://allthingsd.com/20090727/the-new-yorker-reviews-the-kindle-buy-an-ipod-touch/feed/ 0 http://allthingsd.com/20090724/walt-mossberg-interview-on-c-span/ http://allthingsd.com/20090724/walt-mossberg-interview-on-c-span/#comments Sat, 25 Jul 2009 00:02:03 +0000 Walt Mossberg http://mossblog.allthingsd.com/?p=334 Walt Mossberg discusses his Personal Technology column for The Wall Street Journal with C-SPAN’s Brian Lamb on Sunday, July 19, 2009.

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