Snow kiting is the winter and land equivalent of kite surfing (which has been the hot new thing for some five years or so), and it looks insanely fun. Forbes video anchor Kym McNicholas got to go along last weekend, and posted this video report:

CRV partner Bill Tai (pictured) is well known in Silicon Valley as a kiting ambassador and enthusiast, and has been organizing such trips for the past four years, with the group size growing each time. Many of the invite-only Utah participants, including McNicholas, had been to previous editions in Maui, though many were snow kiting for the first time.

This year’s snow-kiting participants included Dropbox CEO Drew Houston, Tango CTO Eric Setton, Twitter Director of Search and Geo Othman Laraki, Apple Engineering Director Andy Belk, Speechpad CEO Konstantin Othmer, Triggit COO Susan Coelius Keplinger and Threadsy founder Rob Goldman. Co-organizer and CRV partner Saar Gur said via email that CRV “picked friends and techies who bring an awesome attitude to try the sport.”

The trip seems to function as a marketing event for CRV and a fun boondoggle for everyone involved. One repeat participant told me the trip only increased his positive impressions of Charles River Ventures, but that it didn’t necessarily mean he would take its money. He did say he’d be less likely to go to events that made him pay to attend.

One of the more interesting movies at the 11th Sundance Film Festival, which opens today in Park City, Utah, will be “Page One: A Year Inside the New York Times.”

The documentary is by Andrew Rossi, who spent a year following reporters and editors at the famed newspaper, even as the media landscape shifted dramatically due to the impact of digital technologies.

Here’s the program description from Sundance:

With the Internet surpassing print as our main news source, newspapers going bankrupt, and outlets focusing on content they claim audiences (or is it advertisers?) want, PAGE ONE chronicles the media industry’s transformation and assesses the high stakes for democracy if in-depth investigative reporting becomes extinct.

The film deftly makes a beeline for the eye of the storm or, depending on how you look at it, the inner sanctum of the media, gaining unprecedented access to the New York Times newsroom for a year. At the media desk, a dialectical play-within-a-play transpires as writers like salty David Carr track print journalism’s metamorphosis even as their own paper struggles to stay vital and solvent. Meanwhile, rigorous journalism–including vibrant cross-cubicle debate and collaboration, tenacious jockeying for on-record quotes, and skillful page-one pitching–is alive and well. The resources, intellectual capital, stamina, and self-awareness mobilized when it counts attest there are no shortcuts when analyzing and reporting complex truths.

What is probably most interesting is that many of the stories covered by the Times in the film are about the technological forces that have put it and other traditional media organizations through the digital ringer in recent years.

And, as someone who made the move away from a big mainstream newspaper to an online-only publication, I experienced some significant déjà vu watching clips in this interview with Rossi below, especially of the editor-centric tone of the newsroom and the franticness of reporters to get a story on the front page.

Which these days feels like such an odd and ancient way to think of journalism and which I also don’t miss for a second. (By the way, you can do “rigorous” journalism online too and without all the endless meetings.)

Check out Rossi (and that’s the very funny NYT media columnist David Carr in the photo below):

SnagFilms, the online video distribution site for professional documentaries, has nabbed $10 million in funding from Comcast’s investment arm and New Enterprise Associates, and will also now be distributing fictional independent film releases.

That and the new investment giving SnagFilms a valuation of $50 million should be big news at the 11th Sundance Film Festival, the famous independent film gathering opening in Park City, Utah, on Thursday.

And SnagFilms also announced that well-known industry exec Bingham Ray is joining the start-up to spearhead its distribution of fictional narrative and foreign-produced independent films.

The service, unlike the subscription-based video giant Netflix, currently distributes free non-fiction documentary films with advertising, as well as offers rental streaming and purchase options.

And it is profitable, said Ted Leonsis, the former AOL exec who is the founder and has been the driving investor in SnagFilms.

“It was always my personal frustration as a backer of documentaries that you could not get distribution far and wide,” he said in an interview earlier today.

He noted that while Netflix is really now focused on big studio fare, “what we’ve discovered is a big supply of independent video that has never seen light of day, but that has a big audience.”

SnagFilms’ strategy is to give broader reach to these films, which often don’t even have a theatrical opening–or, if they do, are very small.

Along with its site, which digitizes the films and adds advertising to them, SnagFilms also encourages Web sites and others to grab films and create a “virtual movie theater.” (You can see my effort below.)

It also has video-on-demand deals with Comcast, Verizon and more, as well as purchase options with Apple’s iTunes and others.

Earlier this month, SnagFilms also launched an impressive and free iPad full-movie-watching app.

SnagFilms also owns a popular news site called indieWIRE, which covers the independent film market, and the new funding will also be used to expand it.

That market has been in need of a boost of some kind, since it has been struggling as financing has dried up for the production of quality documentaries and outside-the-Hollywood-machine movies.

It has long been hoped that the Internet would perhaps save and strengthen the genre, with its supposed long-tail magic.

But the going has been slow. Currently, SnagFilms has 2,000 films in its online library, although Leonsis said the aim is to use the new funds to get 10,000 films on the service as soon as possible.

“We’re trying to build a beachhead in the independent film world,” he said of SnagFilms, which currently has about 40 employees in Washington, D.C., and New York. “We think we have a niche and video is the killer app on Web now.”

Leonsis, who has backed such notable documentaries as “The Rape of Nanking,” said NEA’s Peter Barris will join the board, along with existing investor Steve Case.

Case and Leonsis, of course, were the dynamic duo of AOL’s glory days.

So, I am rooting for another win in an arena that needs it.

Thus, here’s my own movie palace online and also the official press release from SnagFilms:

Watch more free documentaries

Industry Powerhouses NEA and Comcast Invest in SnagFilms

$10 million in new funding to distribute documentaries and fictional independent films on all digital platforms and devices, globally

Washington D.C.–January 17, 2011 – SnagFilms announced today it has received $10 million in growth capital from new investors New Enterprise Associates (NEA) and Comcast Interactive Capital (CIC). Existing investors, including Ted Leonsis (SnagFilms’ Founder) and Steve Case, also participated. The financing will be used to expand its distribution of independent films–including, for the first time, fictional independent releases–across all digital platforms and devices, and on a global basis.

SnagFilms is a leader in distributing free, ad-supported titles from a library of over 2,000 non-fiction films. Last year, SnagFilms entered the transactional world with launches of video on demand channels on Comcast and Verizon FiOS, as well as titles for sale through the Apple’s iTunes store. Earlier this month, SnagFilms debuted its iPad application with the largest collection of award-winning U.S. films offered free to iPad users.

“As a profitable company with substantial private investors, SnagFilms didn’t need to raise outside capital,” said company founder Ted Leonsis. “However, we saw overwhelming strategic value in involving NEA, a pioneer and leading venture capital firm, and CIC, the investment arm of Comcast. SnagFilms is very well-financed and uniquely positioned now to bring the full array of independent films–fiction and non-fiction, U.S. and foreign–to global audiences on all platforms and devices. We’ve amassed a library of 2,000 documentaries since our launch, and we’re now building distribution opportunities for tens of thousands of independent films in both categories. That’s great news for film fans and for filmmakers.”

“SnagFilms is perfectly positioned to fuse technology and content in a manner that has marked many of the transformational industry leaders we have helped build in the past,” said NEA Managing General Partner Peter Barris, who joins the Company’s Board of Directors. “New devices and digital platforms will allow consumers unprecedented access to quality content, and SnagFilms will be there to delight them. We are pleased to be able to invest in SnagFilms at this time, and to help them add fictional indie films to their expertise with documentaries–and to take both genres to the full swath of digital platforms and devices.” Among many other investments, Barris serves on the board of Groupon as its first VC investor.

“We are excited about the new opportunities SnagFilms creates, especially for independent filmmakers who historically could not get distribution,” said David Horowitz, Managing Director of Comcast Interactive Capital. “This investment reflects our view that consumers are demanding a diverse selection of high-quality content that can be watched on any platform or device.”

SnagFilms also announced that industry veteran Bingham Ray will join the Company to help guide its entry into distribution of fictional narrative and foreign-produced independent films. Ray, former President of United Artists, October Films and Kimmel Entertainment, and honored for Lifetime Achievement by the Gotham Awards, has deep experience in the acquisition, marketing and distribution of motion pictures, including “Hotel Rwanda,” “Bowling for Columbine,” “Secrets & Lies,” “War Room,” “High Art,” “Last Days” and “Breaking the Waves.”

“Bingham has been an advocate for filmmakers throughout his career,” noted Rick Allen, SnagFilms CEO. “His record of successful distribution on traditional platforms provides a strategic sense and depth of relationships that will be invaluable as we extend our model into a broader array of films. Bingham will be a key member of our large presence at the Sundance Film Festival this week and beyond.”

“I’ve been a big fan of SnagFilms from their earliest days, and am truly thrilled to be part of the team as they expand the service, bringing more filmmakers to bigger audiences on a wider array of platforms,” said Ray. “This is the future of our business.”

“SnagFilms plus Bingham Ray is a great combination,” said Tom Bernard, co-president and co-founder of Sony Pictures Classics. “Bingham knows the indie world as well as anyone alive and is admired for his experience and for always delivering for filmmakers. He’ll be a big asset to SnagFilms’ expansion.”

In addition, SnagFilms intends to use its new growth capital to expand its indieWIRE unit, now in its 15th year as the leading web source of news, reviews and analysis of independent film.

“indieWIRE’s traffic is now ten times what it was when we purchased it two and a half years ago,” Allen said. “Before the Academy Awards are announced later this month, you’ll see new editor-in-chief Dana Harris add ongoing features to our coverage of the indie world, and exciting new blogs to our Network, like the recently-added blog The Playlist.”

About SnagFilms

SnagFilms features free ad-supported viewing of more than 2,000 award-winning titles from some of the greatest names in documentary film. All films are shareable across the web. Since its launch in July 2008, SnagFilms’ library has been featured on over 2 billion web pageviews, with more than 325 million minutes of SnagFilms titles streamed across over more than 100,000 affiliated sites and webpages, including through partners such as Aol, Comcast, Hulu, the Starbucks Digital Network, IMDb, the Miami Herald, hundreds of non-profits, special interest sites and blogs. SnagFilms also offers selected titles via VOD (with Comcast and FiOS), on iTunes and through a new free application for the iPad.

OVGuide has twice named SnagFilms a Top Site and MovieMaker Magazine named SnagFilms to its annual list of “50 Best Websites for Moviemakers.”

Like BoomTown, Bill Gates was at the Sundance Film Festival this weekend–not just to sample some of the fare at the well-known independent film festival, held annually in Park City, Utah, but also to appear at the screening of a documentary about the crisis in public education in which he appears and that scored the first distribution deal at the event.

The worldwide rights for “Waiting for Superman,” directed by Davis Guggenheim and produced by Participant Media, were sold to Paramount Vantage, a unit of the Viacom (VIA) movie studio.

The film premiered Friday at Sundance, with Gates in attendance. The Microsoft (MSFT) co-founder took questions at the screening and made it to several Sundance events, surprising several film types.

“I couldn’t believe it was him,” said one participant at a filmmakers’ gathering.

Yes, it was him, especially since issues in public education have been a big focus of the Bill & Melinda Gates Foundation, where he has been spending most of his time since leaving day-to-day work at the software giant in 2008.

Interestingly, Participant Media–along with Guggenheim–put out “An Inconvenient Truth,” the global-warming doc starring former VP Al Gore, which was a huge success.

And in yet another Silicon Valley connection, Los Angeles-based Participant was founded by former eBay (EBAY) exec Jeff Skoll.

Here are highlights from a terrific interview Walt Mossberg did with Melinda Gates at the sixth D: All Things Digital conference in 2008, where she talked eloquently about the problems faced by U.S. schoolchildren:

And here’s the press release from Participant on the “Superman” deal:

HOLLYWOOD, CA (January 21, 2010)–Worldwide rights for the new documentary from Oscar®-winning director Davis Guggenheim (AN INCONVENIENT TRUTH) and Participant Media have been acquired by Paramount Vantage, it was announced today by Adam Goodman, Paramount Film Group President and by Participant Media’s CEO Jim Berk.

The documentary will have its world premiere tomorrow, January 22, at the Sundance Film Festival. Paramount Vantage will release the movie in the fall of 2010 in the U.S. with international release dates not yet determined.

The studio’s specialty division Paramount Classics released Guggenheim’s acclaimed AN INCONVENIENT TRUTH in 2006. The influential documentary, financed and executive produced by Participant Media, received two Academy Awards®, and was a worldwide box office hit, grossing more than $24 million in the U.S. and nearly $50 million worldwide.

The new film, developed, financed and executive produced by Participant Media, examines the crisis of public education in the United States through multiple interlocking stories–from a handful of students and their families whose futures hang in the balance, to the educators and reformers trying to find real and lasting solutions within a dysfunctional system.

The documentary features several leaders in the field of education, including philanthropist Bill Gates of The Bill and Melinda Gates Foundation; President and CEO of the Harlem Children’s Zone in Harlem, New York Geoffrey Canada; Chancellor of the Washington, D.C. public schools Michelle Rhee; Knowledge is Power Program Founders (KIPP) David Levin and Mike Feinberg; and President and CEO of Manchester Bidwell Corporation Bill Strickland.

Six-time Grammy Award-winning recording artist, concert performer and philanthropist John Legend composed the end title song “Shine.” Legend’s own Show Me campaign uses education to break the cycle of poverty through sustainable development at the individual, family, and community levels.

Said Paramount’s Goodman: “Our commitment to this movie and the issue of education is urgently important to all of us at Paramount. In collaboration with our partners, we hope to bring about a real solution.”

Said Davis Guggenheim: “With these two great partners, Participant Media and Paramount Pictures, we have a chance to create public awareness around this issue, and this is the only way we can make real change in our children’s schools.”

Said Jim Berk, CEO, Participant Media: “The movie creates an emotional personal connection to an issue which underpins the very future of our country. By reuniting with our good friends at Paramount, we have the chance to build on our ground breaking partnership on AN INCONVENIENT TRUTH to launch a national conversation from movie theaters, to kitchen tables all across the country.”

“It’s wonderful to have Paramount as partners on this film,” says the film’s producer, Lesley Chilcott, who was also a producer on AN INCONVENIENT TRUTH. “It’s crucial to have experts like Paramount and Participant that understand the power of a film to create urgency about an important issue. We need to get the message out there. Millions of kids are waiting.”

The film is directed and produced by Davis Guggenheim. Lesley Chilcott is the producer, with Jeff Skoll and Diane Weyermann serving as executive producers. Written by Davis Guggenheim and Billy Kimball. The cinematographers are Erich Roland and Bob Richman. Greg Finton, Jay Cassidy, and Kim Roberts served as the editors.

]]> http://allthingsd.com/20100125/education-documentary-featuring-bill-gates-gets-first-distribution-deal-at-sundance/feed/ 4 http://allthingsd.com/20100121/boomtown-heads-to-sundance-film-festival-in-the-fifth-annual-meet-the-geeks-pilgrimage/ http://allthingsd.com/20100121/boomtown-heads-to-sundance-film-festival-in-the-fifth-annual-meet-the-geeks-pilgrimage/#comments Thu, 21 Jan 2010 13:19:53 +0000 Kara Swisher http://kara.allthingsd.com/?p=23327

Today, BoomTown is loading the wife and kids, along with mom, into our tricked-out All Things Digital Winnebago and heading to Park City, Utah, for the 26th Sundance Film Festival.

Now, what I know about independent filmmaking could fit neatly into a thimble, with room to spare.

But what has brought me back there for five years running is the chance to introduce those auteurs gathered on the frozen tundra to a slice of what’s to come from the digital world–for Sundance’s terrific New Frontier on Main series.

Increasingly, that matters a lot to those who make movies, especially those associated with smaller film efforts that might never see the light of a theater projector.

Thus, the tech sessions at Sundance are packed to the gills, with huge crowds turned away, because Hollywood knows what’s coming, and it has increasingly less control over it.

Imagine, for example, what the Apple (AAPL) tablet will mean to media giants in relation to entertainment distribution. And exactly how might you tell a story on a smartphone? Or not!

They can’t say they were not warned.

Last year, I interviewed a trio panelists: Chad Hurley, co-founder and CEO of the Google (GOOG) video service YouTube; Jason Kilar, CEO of Hulu, the premium online video service and joint venture among News Corp. (NWS), Disney (DIS) and GE’s (GE) NBC Universal; and Reed Hastings, founder and CEO of Netflix (NFLX), the largest online DVD rental service, which has been moving into an ever wider range of movie distribution on the Web.

This year, my panel–which takes place Friday at noon and runs 90 minutes–is titled: “Spotlight on Social Media: Successful Strategies for Storytellers.”

Here’s the description:

“Today’s social media sites have the potential to bring content creators closer to audiences than ever before–creating new marketing opportunities for independents. But what more can be achieved? Can we create meaningful experiences through our profiles pages, or is it all just self-promotional clutter? Are the popular sites we use today the end of the line, or just a peek into the future?”

In other words: Will Twitter’s 140-character influence murder all creativity? Or just bruise it a little bit?

The subjects of my prying interview questions on this important issue include Robert Tercek, president of digital media for OWN: The Oprah Winfrey Network; filmmaker Ondi Timoner; Chris Gebhardt, head of Participant Media’s TakePart social media platform; David Eun, head of film partnerships for YouTube; MySpace’s Chief Product Officer Jason Hirschhorn; and Matt Jacobson, Facebook’s market development dude.

Whatever that means, since the hot Silicon Valley social networking site has done little in the way of storytelling as yet and much more in the way of pokes!

But, as ever, I shall strive to drag answers about innovation and more out of the lot of them.

Video to come, of course!

So, until I get there and thaw out the Flip digital video camera, here is my longish video from last year with the panelists, as well as cameos from my kids and once-indie film star and now TV hit queen Jane Lynch.

And below that, my 2008 Sundance video featuring Lynch and MySpace co-founder and former CEO Chris DeWolfe.

[ See post to watch video ]

And if you want to know even more about Sundance, there is a new app on the iPhone for the festival. It costs $4.99, with the proceeds benefiting the not-for-profit Sundance Institute.

]]> http://allthingsd.com/20100121/boomtown-heads-to-sundance-film-festival-in-the-fifth-annual-meet-the-geeks-pilgrimage/feed/ 0 http://allthingsd.com/20090217/let-it-snow-let-it-snow-let-it-snow3d-digital-ski-slopes-even-cooler/ http://allthingsd.com/20090217/let-it-snow-let-it-snow-let-it-snow3d-digital-ski-slopes-even-cooler/#comments Tue, 17 Feb 2009 20:00:06 +0000 Kara Swisher http://kara.allthingsd.com/?p=9835 Wishing I had had the foresight to head up into the Sierras in California before they finally got a ton of snow dumped on them this past week, I was fiddling around the Web looking for various ski sites as a way to approximate being there.

And, like all things in mapping, the best way to see slopes is now in 3-D, the technology that is going to become more and more prevalent on the mostly flat Internet in the years ahead–and well beyond the more obvious applications.

Along with touchscreen technologies that will come much sooner to the general computing experience, 3-D is a feature that adds amazing depth and resonance to the online experience, especially as more information is added over time.

If you don’t think so, here are two of the 23 slopes that Ski.com has up now, for example. While they do not show falling snow (yet!), click on through for a very cool experience of looking at and manipulating a mountain before schussing down it–or, in my case, tumbling down it.

Park City, Utah:

Zermatt, Switzerland:

]]> http://allthingsd.com/20090217/let-it-snow-let-it-snow-let-it-snow3d-digital-ski-slopes-even-cooler/feed/ 0 http://allthingsd.com/20090120/kara-visits-sundance-and-interviews-hurley-hastings-and-kilar/ http://allthingsd.com/20090120/kara-visits-sundance-and-interviews-hurley-hastings-and-kilar/#comments Tue, 20 Jan 2009 10:29:06 +0000 Kara Swisher http://kara.allthingsd.com/?p=8712

Here’s a longish video BoomTown did over the weekend at the 2009 Sundance Film Festival, the famous annual independent film gathering now taking place in Park City, Utah.

I was there to moderate a panel on Saturday titled, “Where Do We Go From Here? Icons of the Digital Age.”

It was a great session, with a lot of insights as to where things are headed in the online video space and how that would impact the movie industry. Main conclusion: Significantly.

The trio of panelists were: Chad Hurley, the co-founder and CEO of the Google (GOOG) video service, YouTube; Jason Kilar, CEO of Hulu, the premium online video service that is a joint venture of News Corp. (NWS) and GE (GE) unit NBC Universal; and Reed Hastings, founder and CEO of Netflix (NFLX), the largest online DVD rental service, which has been moving into an ever wider range of distribution of movies on the Web. (News Corp. is the owner of Dow Jones and this Web site.)

I did interviews with each of them, as well as a chat with my only indie celebrity friend, Jane Lynch, some scenes from the festival and an intro and outro from my own little stars, Louie and Alex Swisher.

Here’s the video:

[ See post to watch video ]

]]> http://allthingsd.com/20090120/kara-visits-sundance-and-interviews-hurley-hastings-and-kilar/feed/ 0 http://allthingsd.com/20090116/sundancing-with-the-tech-stars/ http://allthingsd.com/20090116/sundancing-with-the-tech-stars/#comments Fri, 16 Jan 2009 15:00:50 +0000 Kara Swisher http://kara.allthingsd.com/?p=8655

BoomTown is headed to the 2009 Sundance Film Festival today, an annual journey I make to moderate panels about the tech industry.

The festival officially opened yesterday in Park City, Utah. And while still largely a confab of independent filmmakers, Hollywood deal types and various celebrities rifling though swag orgies, a lot of geeks are there too.

Since Sundance also has taken a keen interest in all things digital, ATD moves its HQ there for a few days every January, to the New Frontier on Main digs, to talk to those gathered–for what have become standing-room-only events–about whither tech and how and when it is eventually going to eat the entertainment industry’s lunch.

Oh yes, my friend: Silicon Valley will eat lunch in this snowy town again!

And for good reason, given that the entire movie industry has long worried about how digital distribution will impact its business, especially as every year, the encroachment continues at a relentless pace.

This year, we’re going even more futuristic, with a panel tomorrow at noon titled, “Where Do We Go From Here? Icons of the Digital Age.”

In fact, the panelists are that: Chad Hurley, the co-founder and CEO of the Google (GOOG) video service, YouTube; Jason Kilar, CEO of Hulu, the premium online video service that is a joint venture of News Corp. (NWS) and GE (GE) unit NBC Universal; and Reed Hastings, founder and CEO of Netflix (NFLX), the largest online DVD rental service, which has been moving into an ever wider range of distribution of movies on the Web. (News Corp. is the owner of Dow Jones and this Web site.)

Here’s the panel description:

“Remember the world before the Internet, email, and cell phones? Now we try and picture it 15 years from now. If we are currently in the greatest information revolution since the printing press, what can we expect next? How will media, entertainment, and our digital lifestyles change? This roundtable assembles visionaries of the digital revolution to discuss the limits of our imagination.”

It should be an interesting exercise in creative prognostication, although I for one cannot remember the world before the Internet, email and cellphones.

I am also dragging my two young sons there, along with ATD majordomo Ed, so expect lots of filming of our own, with my shaky Flip Mino, to be posted all weekend.

Until then, here’s one of the two videos I did last year, including an interview with MySpace co-founder Chris DeWolfe and a visit to the trendy party he threw on Main Street with my celebrity friend Jane Lynch as tour guide (and she’ll be back this year for another special guest star appearance!):

]]> http://allthingsd.com/20090116/sundancing-with-the-tech-stars/feed/ 2 http://allthingsd.com/20080121/kara-visits-sundance-myspace-main-street-and-our-very-own-celeb-tour-guide/ http://allthingsd.com/20080121/kara-visits-sundance-myspace-main-street-and-our-very-own-celeb-tour-guide/#comments Mon, 21 Jan 2008 18:56:37 +0000 Kara Swisher http://kara.allthingsd.com/20080121/kara-visits-sundance-myspace-main-street-and-our-very-own-celeb-tour-guide/ While at the Sundance Film Festival, I took a little tour of Park City, Utah, visiting with Chris DeWolfe and Dani Dudeck of MySpace and Sundance’s digital guru Ian Calderon and trudging up Main Street with my celebrity tour guide, Jane Lynch (who is about as hysterical as you get in “Best in Show” and “The 40-Year-Old Virgin”).

This is my third year at Sundance, where I moderate tech panels for the independent film festival.

Obviously, issues related to technology are becoming ever larger for the film community and most especially for the independent filmmakers, as they seek to get their material wider distribution than Hollywood’s current chokehold system provides.

The Sundance Film Festival is held annually in Park City and focuses on screenings of new indie films. Still, Sundance has been expanding additional offerings in the digital arena with panels throughout the festival.

The panel I moderated (see video here) was about online video, called “Webolution!–Hollywood Adapts to the Web.”

Here’s the video:

[ See post to watch video ]

]]> http://allthingsd.com/20080121/kara-visits-sundance-myspace-main-street-and-our-very-own-celeb-tour-guide/feed/ 0 http://allthingsd.com/20080118/sundance-bound/ http://allthingsd.com/20080118/sundance-bound/#comments Fri, 18 Jan 2008 08:02:55 +0000 Kara Swisher http://kara.allthingsd.com/20080118/sundance-bound/

I just got to Park City, Utah, for my annual visit (well, this will be my third year here) to the famous film festival that takes place in this lovely mountain resort.

While I like a good movie as much as the next person, I am no film aficionado, nor do I have a screenplay stuffed in a drawer, nor do I hope someday to direct. I do like celebrity sightings, of course.

I am here because the Sundance Film Festival has understood early and often that technology is becoming increasingly important to the future of the film industry.

Because of that, they’ve been expanding additional offerings in the digital arena with panels throughout the festival.

The panel I will moderate is a great one about online video, called “Webolution!–Hollywood Adapts to the Web.” It will take place tomorrow at 12:30 p.m. at the New Frontier on Main here.

Here’s the description:

“The writing is on the wall–the industry must adapt to new media or face extinction. Today’s studios and independents are finally embracing the challenge of porting content and revenue to new distribution strategies. Join Hollywood power brokers and new media superstars to discuss their strategies for the Web.”

The panelists include Ted Sarandos (Netflix), Dmitry Shapiro (founder and CEO of Veoh.com), Dan Glickman (MPAA), Jason Kilar (CEO of Hulu.com), Mike Volpi (CEO of Joost.com), Erik Flanagan (EVP Digital Media MTV Networks/Comedy Central/South Park Studios) and tech strategy adviser Phil Lelyveld.

Videos, of course, to come, along with visits with various tech players here, who are increasing in number annually. And, maybe, a Hollywood celeb or two.

]]> http://allthingsd.com/20080118/sundance-bound/feed/ 4