Here’s a really terrific video tribute to legendary Hollywood director and producer Steven Spielberg, done for the recent 2012 David O. Selznick Achievement Award from the Producers Guild.

It highlights a plethora of films Spielberg has made over his long movie career, many of which — once you see them strung together — have a heavy techie, special-effects or simply sci-fi element.

It’s pretty impressive to see such a significant body of work collected so well.

Enjoy:

This is just plain creepy, and just when you thought it was crazy hillbillies (“Deliverance”) chasing the imbecilic group, it’s some kind of sci-fi, alien-hunting-people plot (“Predator”).

Still, this movie trailer for the upcoming “The Cabin in the Woods” is creepy!

What do you get when you mix classic science-fiction novels by Edgar Rice Burroughs with a Confederate solider and Mars?

Why, “John Carter,” of course.

Here is the trailer for the movie, which is chock-full of elaborate special effects:

The Washington Post, where I once toiled, asked me to do a short piece recently for a spring-cleaning feature in its Outlook section.

It was titled “Twelve Things the World Should Toss Out,” and the candidates nominated by others include: Harvard Law School’s Elizabeth Warren nixing fine print, feminist blogger Jessica Valenti dumping virginity, political whisperer Karl Rove hating exit polls and actor and activist Ed Begley Jr. giving the heave-ho to lawns.

BoomTown’s choice: The physical computer keyboard and its partner-in-carpal-tunnel-syndrome, the mouse.

You can vote here on which is the most useless of the suggestions.

Here’s the piece, which–before you go all technical on me–I wrote on an Apple (AAPL) iPad with a virtual keyboard and touchscreen.

And frankly, if I could have my blog posts downloaded directly from my noggin, it would be okay by me:

The prototype of the first computer mouse–which got its name because of the wire that trailed it–was invented by Doug Engelbart in 1963.

Yes, nearly 50 years ago.

But it’s only a toddler compared with the keyboard, which is a direct descendant–via punch-card and teletype technologies–of the typewriter, patented in 1868 by Christopher Latham Sholes.

In other words, it’s long past time for a change in the way we interact with the digital devices that have proliferated in our lives. While the keyboard and the mouse have introduced billions of people to the digital experience, they have become antiquated obstacles to the kind of computing that is now emerging.

This new computing is immersive, augmented and completely social. As sci-fi movies predicted, our digital devices are poised to become even more ubiquitous. They will surround us, responding to our expressions, emotions and gestures.

From wearable devices to sensors that will envelop our world to 3-D screens that will react to us, personal computing is about to get a lot more personal. Internet-based television now in development will recognize a viewer and deliver customized entertainment.

And it will do this without the trusty keyboard and mouse. We’re already phasing them out, thanks to the increasing popularity of touchscreens–including the patron saint of all this, the Apple iPhone, and a spate of copycat smartphones. All of these devices allow users to navigate without physical buttons or input devices.

Thus, with a flick of the finger, the era of the mouse and the keyboard will soon be over.

After all these years of covering tech, after too many words on Apple and its CEO Steve Jobs, after even interviewing the tech icon several times onstage at various D: All Things Digital conferences over the years, BoomTown is a little embarrassed to admit that I have never attended in person one of the legendary keynote speeches delivered by him.

What ho? Never seen the man–who is known for blowing the doors off any room he headlines–work his apparent magic on the enthralled crowd? Never seen him handle that presentation clicker like Mozart conducting one his operas? Never heard him utter the immortal phrase, “one more thing,” to be immediately followed by much audience oohing and ahhing?

No. I have not. And, as much as I like to ooh and ahh, nope!

We always send a crack team from All Things Digital to these various Apple (AAPL) events, but I have not been part of that thus far, opting to watch the proceedings online at ATD HQ.

But this year I finally said yes to an invite and will apparently get to see Jobs unveil one of the more anticipated and potentially innovative new devices from the Silicon Valley computer icon. It will most certainly be the long-expected tablet that I predicted will be called the iPad.

“You are going to love it and want to come to all our events,” wrote one Apple exec to me about the Wednesday gathering in San Francisco, which immediately made me think of the iPods, oops, pods, in the sci-fi movie classic, “Invasion of the Body Snatchers.”

Note to self: Do not fall asleep.

All joking aside, I will be curious to be at this event, since the level of media hype–which is typical–seems to have reached even higher than I ever thought possible, including one report today about how people have “overheard” Jobs saying that the tablet is the most important thing he has ever done.

Ooh. Ahh. How about we all wait and see first?

Until then, send your advice as to the do’s and don’ts of attending the Jobs revival meeting, especially tips on whether I need to set my phaser on “stun” for disabling fervent Apple fanboys if they get too excited.

Also, what should I wear? A black mock turtleneck, jeans and sneakers too much?

Video to come, as usual, along with all of our terrific coverage from ATD.

And, finally, I really hope it is not as cheesy as this bizarre video about how to present like Steve Jobs. My two cents as an expert-to-be on how to do that: Be Steve Jobs.

Hollywood director James Cameron is well known for his heavy use of special effects and techtastic techniques in his movies, which include “Titanic,” “Aliens” and the first–and best–two “Terminator” blockbusters.

In a few weeks, Cameron is hoping to hit geek gold again with a 3-D sci-fi juggernaut called “Avatar.”

Set to come out in mid-December, it is full of all kinds of fancy and innovative CGI animation.

And the use of blue-colored avatars–essentially digitally animated likenesses of the real-life actors–is a big plot point in the movie, which is about a soldier caught in a war between a greedy mining company and a heroic indigenous tribe on a planet called Pandora.

Here’s one of the trailers for “Avatar”:

And, of course, here is a video of a hysterical recent spoof of the movie done by “South Park”–with a little “Dances With Wolves” tossed in, because it is the same exact plot–called “Dances With Smurfs”:

ABC certainly is taking its sweet time in releasing the first episode of “V,” a sci-fi television series that debuted earlier this week on the Web in any substantial way.

The network is showing about nine minutes of the redo of the 1980s miniseries about a lizardy alien invasion disguised as a peace mission by outerspace hotties online on its site.

But pretty much the only way you could watch “V” in its entirety this week, if you missed its broadcast Tuesday, is by buying it on Amazon.

It initially streamed there free, to build momentum, as well as on Apple (AAPL) iTunes, but now the only place you can get it–if you fork over $2–is Amazon (AMZN).

That all changes tomorrow, when the show–whose debut racked up surprisingly high numbers at 13.9 million viewers–shows up for free on ABC’s site and on the Disney (DIS) network’s joint venture video partner, Hulu.

If you cannot wait, here is the extended promo video for “V,” with a glimpse of scaly badness, as well as a preview of the show next week:

For the last month or so, the Google homepage has played with the famous colored-letter logo by morphing it into a sci-fi in-joke and later adding another “l” to indicate the company’s 11th birthday.

The former–which included logos with alien spaceships and crop circles–was to honor writer H.G. Wells, author of “War of the Worlds” and other science fiction.

Now, a portrait of Mahatma Gandhi–the Indian leader whose 140th birthday anniversary is today–has become the “G” in the logo. (If you click on the image, it links to a search for his last name.)

While the impulse to do so seems hard to resist, I am not quite sure I much like Google (GOOG)–even with good intentions to educate and honor–using the image of one of the world’s great political leaders and peace advocates as a letter on a search service homepage, even if it will be seen worldwide.

(The poor Gosselin kids as a “G”? Oprah as an “O”? Liza Minelli as an “L”? I am totally down with that!)

Then again, I might be a tad grumpy on this issue since I also didn’t like Gandhi’s photo being used in that “Think Different” Apple (AAPL) marketing campaign more than a decade ago, which made him seem like some sort of advertising pitchman.

In any case, here’s the real thing to truly appreciate his impact on this world–Gandhi’s actual voice in his famous “One World” speech in 1931:

Please see this disclosure related to me and Google.

Big, giant and prolonged sigh–as well as a cranky-old-lady shake of the fist–to our distant cousins over at the Fox television network, who dinged BoomTown’s favorite sci-fi show, “Terminator: The Sarah Connor Chronicles,” today.

I am officially in a Summer Glau funk, with major gadget withdrawal.

After much fake agonizing over the fate of “Sarah Connor,” Fox programmers finally stuck a fork in the series after two seasons. Loosely based on the movie franchise, the show garnered a passionate fan base online and off, but not enough to merit being renewed.

It’s ironic since the latest film in the cyborg-versus-man epic, “Terminator Salvation,” will open this Thursday.

It is the next blockbuster in a tech-heavy summer movie season, following the boffo reception that the new “Star Trek” has gotten (next up: “Transformers: Revenge of the Fallen”).

But the arrival of “Terminator Salvation,” with its noisy, Armageddon-is-nigh theme, could not save the more thoughtfully dark “Sarah Connor.”

Thank goodness, then, for YouTube and a very pissed-off and half-naked young actor named Thomas Dekker, who plays a teenage savior of humanity, John Connor, in the TV series.

In this perfect online video clip he did himself, the real-life (and very wild-eyed) Dekker calls Fox’s viewer comment line to express his support for the show in no uncertain terms:

Full disclosure: News Corp. (NWS) owns Fox, as well as Dow Jones, which owns this Web site.

BoomTown’s favorite space villain, as well as an alum of two of the “Planet of the Apes” sci-fi movies, Ricardo Montalban, died earlier this week in Los Angeles. He was 88 years old.

While he was also a movie star and helmed the always bizarre 1970s television show, “Fantasy Island,” those who love some serious scenery-chewing will never forget Montalban’s turn as the insane Khan Noonien Singh in the second “Star Trek” movie, “The Wrath of Khan.”

The fabulous movie was based on a famous episode of the “Star Trek” television series, “Space Seed,” about a race of super-men lost in space and found by the crew of the Enterprise.

While Montalban’s over-the-top performance is extreme in both cases, it is pure sci-fi genius too.

So, here is a great Internet video mashup of from “Khan,” with the terrific “From Hell’s heart, I stab at thee…” line, as well as a preview of “Space Seed.”

(And, I could not resist throwing Montalban’s classic commercial for the Chrysler Cordoba and his wonderfully languid way of saying “soft Corinthian leather.”)

The Wrath of Khan:

Space Seed:

Chrysler Cordoba: