Enjoy:

A while back, the incomparable actor Samuel L. Jackson did an epic reading of the book “Go the F**k to Sleep.” Now, the “Django Unchained” movie star is taking on an even bigger task, with a dramatic take on Taylor Swift’s I-lost-another-boyfriend song, “We Are Never Ever Getting Back Together,” for a radio show.

Enjoy (it’s really enjoyable):

Here’s the annual holiday video lunacy from First Round Capital, which is always fun to watch, especially if it’s super awkward to see venture capitalists cavorting all around in costume.

And cavort they do in this mash-up of PSY’s “Gangnam Style” and “Call Me Maybe” by Carly Rae Jepsen, which are the two infectious musical hits of 2012.

(Last year, it was Rebecca Black’s “Friday” as the muse. Forgot her? Me too!)

First Round features their companies in its yearly video effort, using the song and dance.

Enjoy:

I’m not quite sure what to think of this awkward traffic accident of a music video that reunites Olivia Newton-John and John Travolta, who played star-crossed high-school squeezes so adorably in the classic movie musical, “Grease.”

Not so much with the cute in their odd new holiday song, “I Think You Might Like It,” which I am thinking you might not. (Added bonus: It just makes me feel very old.)

Judge for yourself and then, below it, remember fondly how they used to do it:

But, in part, it includes singing while sticking your head in a box with a skunk. Also Steve-O is the host.

Your move, Japan.

When I was in college I liked this Elvis Costello song, ‘What’s So Funny About Peace, Love and Understanding?’ I think today we need a new song, ‘What’s So Funny About Individual Freedom, Free Enterprise and Accountability?’

– Yahoo activist shareholder Dan Loeb of Third Point, in a speech after receiving the Columbia University 2012 John Jay Award for Distinguished Professional Achievement

Yahoo celebrated its 17th birthday last Friday and — in spite of some seriously troubling changes going on at the Silicon Valley Internet giant — the fantastic employees got together for a flash mob of dancing.

Set to a number of songs, including the catchy “Jai Ho!” from “Slumdog Millionaire,” a group took over the URL’s Cafe on the main campus in Sunnyvale and let it fly.

(Thanks to Yahoo Chief Product Officer Blake Irving for the tip on the video via Twitter.)

Oh, dear — Silicon Valley VCs acting like teenage girls.

And there’s not even a hot start-up in sight to chase and scream over.

It must be the holidays and First Round Capital’s annual digital greeting card, which is based on one of the popular viral videos of the year.

In 2008, First Round did its own version of “Dancing Matt.” In 2009, the firm’s CEOs sang as if they were Susan Boyle in “I Dreamed a Dream.” And last year, it was partner Josh Kopelman wearing a body suit to mimic the Old Spice guy.

This year, it spoofs one of the more irksome music videos of 2011 — Rebecca Black’s “Friday.”

I like First Round’s version a lot better.

Along with the rhythm-impaired VCs, you can see a wide range of their start-ups here, such as Xobni, Path and — thank goodness, since they can sing — Birchbox.

Enjoy:

In a deal that was struck some time ago and is close to fruition, BermanBraun is prepping three major Web properties for AOL that will focus on pets, men and, interestingly, the weather.

After I inquired, AOL confirmed that the Hollywood production company — headed by former Yahoo and ABC exec Lloyd Braun and former Paramount exec Gail Berman — will debut the trio of sites around March. The new sites will use rich features and a slick design to attract premium advertisers.

The pair will jointly sell the advertising, but the sites themselves will be operated by BermanBraun in cooperation with AOL’s media unit, the Huffington Post Media Group. The deal was struck in late 2010, before AOL bought the Huffington Post for $300 million in January of this year.

While AOL has partnered with many outside sites, this will be the most prominent one since that acquisition.

Since then, much of the new content development on AOL has been aimed at drastically increasing the number of sites with that brand. There have been more than two dozen of those since March.

In this case, the Huffington Post Media Group, run by Arianna Huffington, has typically either created new topic sites or relaunched old AOL ones.

This week, for example, the company rejiggered AOL TV as HuffPost TV, as well as announcing El Huffington Post, an international Spanish-language version of the Huffington Post that will debut in early 2012, in partnership with El País.

The BermanBraun effort, though, is more independent and large-scale. It will feature extensive video and heavy use of imagery. Huffington Post will be involved in editorial selection, and has been working closely with the firm on incorporating social elements.

“It’s been a very dynamic and collaborative partnership — we’ve worked together on everything from design to picking the editors,” said Roy Sekoff, founding editor of the Huffington Post Media Group, about the arrangement. “BermanBraun brings a distinctive approach to their sites, and we’ve helped infuse that with our focus on real-time, social, and building community.”

Sekoff declined to give more details, such as the names of the sites. (They won’t be HuffPost Pets, HuffPost Weather and HuffPost Dudes, though!)

Pets could be a strong category if done in a new way, especially if designed with new tablet devices in mind. And weather, to my mind, is a sleeper category if reimagined freshly.

BermanBraun — which also develops television shows and movies — has a lot of experience in the online content arena. It has previously created Web sites for Microsoft’s MSN unit, including the high-profile celebrity site Wonderwall.

It will be interesting to see how the collaboration turns out. In the meantime, here’s my favorite weather song — Lena Horne rules! — to enjoy until the three sites launch:

I am not exactly sure what to make of this funkadelic remix by former Disney tween queen and pop singer Miley Cyrus of her “Liberty Walk,” to honor the Occupy Wall Street movement.

Her singing, interspersed with images of the protests all over the world, is more than a little surreal, but it gets an A for effort!

If this movie trailer for upcoming indie film and Sundance favorite “Like Crazy” doesn’t make you relive the bittersweet agony of every doomed relationship you have ever had since puberty, then you must be a robot.

This small movie is being called the “Love Story” of today and is getting big play all over the Internet, mostly for its combo of scenes from a young and dashed love and Ingrid Michaelson’s melancholy version of the classic song “Can’t Help Falling in Love.”

So please grab the tissues and enjoy:

As many know, BoomTown is a Belieber.

Which, loosely translated, means I love me some Justin Bieber.

Which is why this video of a woman who looks exactly like him is so obvi compelling. It’s both disturbing and hilarious.

Here’s Dani Shay’s parody of Bieber’s hit song “Baby”:

Here’s Keri Hilson performing “Pretty Girl Rock” recently on “The Ellen DeGeneres” television talk show.

Her hit song has some saucy lyrics, including the refrain: “Pretty as a picture/Sweeter than a Swisher.”

Hilson is obvi not referring to BoomTown, but the tiny cigars, Swisher Sweets. But a girl can sugar-plum dream.

Enjoy:

BoomTown scrambled the All Things Digital jet (aka, United Airlines, Seat 7A) late last night to get up to Microsoft’s big event for its online advertising clients today.

Called “Imagine 2011: Marketing Leadership Summit” and held at its Redmond, Wa. HQ, the two-day gathering is designed to wow peeps by trotting out a spate of strategery concepts those who buy advertising on Microsoft’s various digital offerings from its Bing search service to MSN to Xbox to Windows Phone 7.

Some program topics: “Elsewhere USA,” “Teens Hanging Out, Messing Around, and Geeking Out” and “Audience Buying Goes Real-Time: True or False?”

Presumably the goal of all this heavy-duty thinkery is to get these marketers to buy more ads from Microsoft by warning them about being left behind on the platform as the train chugs inevitably off to the digital future.

And just in case that doesn’t work, there will be a free concert tonight featuring the hipster band Train for the Imagine 2011 attendees at Microsoft Co-founder Paul Allen’s Experience Music Project venue to open those ad wallets.

Hey, Geek Mister: Stop sending all those digital marketing bucks to Google and Facebook and give them to us!

Before a panoply of various social, design and anthropology experts pontificated, Microsoft CEO Steve Ballmer kicked off the day with his patented loud and lovable Ed McMahon act, complete with the booming catchphrases.

Hey-Yo!

“You have to move forward or die!” (About the Web.)

“If you wanna get big, you have to think big!” (About the Windows 7 Phone smartphone deal with Nokia.)

I love the U.S. government, I don’t want to give it a hard time.” (About its crappy Web site, not the antitrust conviction thing.)

Ballmer outlined some key trends, which are not new to anyone paying attention over the last five years: Location; social; pervasive displays; ubiquitous connectivity; computers everywhere; cloud; data; and natural user interaction

He also joked about how there were 10 fake Steve Ballmers on Facebook, all using Steve Ballmer photos. Imagine that!

You’d think Microsoft’s badillion-dollar investment in the social networking site would get you a verified account!

Status: Monkey boy mad!

Actually, pissed off is more related to the fact that the person who conceived and organized the Imagine 2011 event was former global ad sales head Carolyn Everson.

But, she left the company in mid-February after only six months, for essentially the same job at Microsoft partner Facebook.

Since then Microsoft and Facebook have been wrangling over the talent raid, including Microsoft even considering legal action to block the move.

Nonetheless, the show must go on and it did in a pretty classy way.

But not without another road bump in today’s action–the news that Microsoft’s own marketing head, longtime company veteran Mich Mathews, was leaving the software giant later this year.

The departure had the halls buzzing about what happened and who will be taking over the big job with a $1 billion marketing budget.

Maybe some external CMO sitting right there in the audience or perhaps some internal Microsoft candidate such as Yusuf Mehdi or Capossela?

I suppose it’s time for some strategery stat!

Until it is all figured out, here is the music video for Train’s hit song, “Hey, Soul Sister”:

IntoNow users can “check in” to a particular episode once it’s been recognized, like one would check into a restaurant on Foursquare. The goal is to enable conversations around the watercooler and on social networks by helping users connect around what they’re watching and discover new things to watch.

It’s common knowledge that the only thing people love more than watching TV is talking about it, but none of the many “social TV” start-ups–GetGlue, Miso, Philo, Comcast’s Tunerfish etc.–has emerged as a clear leader. Unlike the competition, IntoNow isn’t trying to provide a platform for conversations, but rather to show what people are watching.

Still, it’s not clear people want to download an app to tell themselves and their friends what they’re already watching on television.

IntoNow can recognize both live television and five years of archived U.S. TV airings. It constantly analyzes satellite feeds and matches them to TV listings to have current data.

Adam Cahan, the CEO of IntoNow, says his company’s TV recognition technology–which it calls SoundPrint–is akin to a GPS, which takes the hassle out of figuring out exactly which restaurant you’re at and matching it to something like Foursquare’s database.

Cahan’s company was very recently spun out of Auditude, a company where Cahan was also CEO. IntoNow’s seven employees and its technology were all formerly part of Auditude, actually. That company, which just raised $11 million from investors including Greylock Partners and Redpoint Ventures, has shifted away from video identification to video advertising management. IntoNow has yet to raise its own funding, but Greylock and Redpoint already have equity in the start-up.

In addition to creating a feed of what episodes they’re watching, IntoNow users can share on Facebook and Twitter, look up programs on IMDb, add shows to their Netflix queues and purchase episodes on iTunes.

The name “IntoNow” comes from the expression “What are you into now?” IntoNow hopes other companies will build SoundPrint audio recognition into their own social TV products. SoundPrint has 2.6 million airings in its catalog, is constantly recording 130 channels and needs four to 12 seconds of audio to make a match.

While it’s only iOS for now, IntoNow and SoundPrint are in development for Android and Web-enabled televisions.

IntoNow eventually hopes to help content owners validate that their watchers are participating with live content, and help the TV industry measure advertising and viewership metrics without relying on a panel.

Nickelodeon has ordered up another season of its popular animated television series “SpongeBob SquarePants” for a ninth season.

Yay!

No, really–it is the only kids’ show I have been able to endure so far.

Krabby Patties for all!

Here is the good video of its theme song:

Still here? It’s Christmas Eve! But since you’ve got time, check out this interesting Washington Post story on the history of the Bowie-Bing original.

One particular highly accessible kind of flash mob, in which local singing groups perform Handel’s “Hallelujah” chorus at shopping malls, has been replicated all over the U.S. and Canada in the last month or so.

Quickly: Flash mobs are traditionally secretly orchestrated performances that play out in public places while bringing a little bit of magic to unsuspecting people in the right place at the right time. If you’ve ever seen those videos of a person breaking into song or dance in a public place, then being joined by hordes of interlopers who somehow know the full routine, you’ve seen a flash mob. (There are also less choreographed variations, like public pillow fights.)

Since flash mobs seem so fun, organic and full of life, they’ve of course been co-opted by marketers who mimic the style right down to camera shots of the surprised and confused onlookers capturing videos of the moment with their own camera phones. But they’ve also recently been adopted by wholesome community groups wanting to spread a little holiday joy. And in many cases, both the performers and the audience know about the event in advance (element of surprise be damned).

One flash mob performance of “Hallelujah” in a Canadian shopping mall, posted on YouTube on Nov. 17, has been seen more than 25 million times. YouTube’s Trends blog recently called it “by far, the most popular video of the season.”

YouTube’s Kevin Allocca also highlighted some 20 other flash mob performances, also of “Hallelujah” and mostly in shopping malls, from Orlando, Cleveland, Chattanooga, Juneau and Winnipeg. Allocca says the meme may actually have been kicked off by the Opera Company of Philadelphia performing “Hallelujah” in a Macy’s as part of the Knight Foundation’s Random Acts of Culture. That video was posted Nov. 1 and has more than six million views.

It’s gotten so bad that on Monday night a mall near Sacramento had to be evacuated after crowds overwhelmed it and the fire department feared for its structural integrity. A planned flash mob by the Sacramento Choral Society and Orchestra and other local congregations had been endorsed by the mall and promoted for weeks, drawing thousands to watch and sing along with their printed-out sheet music.

Would-be flash mobbers broke into impromptu singalongs as they were escorted out of the building and into the parking lot (with their video cameras recording all the while, of course). So apparently spontaneity isn’t dead yet.

And then take some more time: Apple has started to increase the length of the free music samples it offers at its iTunes music store, from 30 seconds to 90 seconds.

Will that help Apple and the music industry move more product? It shouldn’t hurt, right? And anything they can do, they should do: Download sales are starting to droop.

This move has been in the works for months, but Apple had been unable to get clearances from music publishers. I’m still not sure if Apple will be doing this throughout the store: As of early Thursday morning, most of the songs I checked, in a decidedly unscientific survey, still had 30-second samples.

But my hunch is that Apple will adopt the 90-second standard as widely as it can, and that the inconsistency we’ve seen so far is just because it hasn’t gotten around to changing everything yet.

For instance, if you want to sample the Beatles’ version of “Twist and Shout”, you can hear 90 seconds of the song, but you can only hear 30 seconds of “Day Tripper.” Etc.

The only consistency I’ve found so far is that no Sony acts seem to offer the extended samples. But, again, my gut is that’s a temporary aberration.

Meanwhile Amazon, which runs a very distant second to iTunes in digital music sales, seems to still be offering the shorter samples.

How do I convert songs in iTunes to plain MP3 files? I want to use them in another program that doesn’t recognize the AAC song format that iTunes prefers.

A:

Assuming you are using the latest version of iTunes, for either Windows or Mac, first go into the General section of preferences, select “Import Settings” and then change to “Import Using MP3 Encoder.” Next, choose the AAC song you want to convert, go to the Advanced menu, and select “Create MP3 Version.”

Note that this works with songs you have imported into the AAC format from your CDs, or purchased from the iTunes store in unprotected AAC form. It won’t work with songs you bought in the days when iTunes song purchases were sold in a special copy-protected form of AAC. You can tell which type of song you have—purchased, but unrestricted; or copy-protected—by turning on the “Kind” column in your iTunes song listings. You do this from the View menu under “View options…”.

Q:

For years I have run a Norton Antivirus product and a Webroot antispyware product on my computers. For the 2011 version of the Norton product, installation requires uninstalling the Webroot program. This concerns me. Should I be nervous?

A:

I haven’t tested Norton 2011, so I don’t know for sure. But I do know that standalone antispyware products are less and less needed because security programs that once focused mainly on viruses, and ignored spyware, now are designed to protect against both. Even Webroot now sells a combined product.

Write to Walter S. Mossberg at walt.mossberg@wsj.com

Here is a cute music video that Yelp CEO Jeremy Stoppelman pointed me to, which is a result of its most recent hackathon.

Set all around San Francisco and also Yelp’s HQ downtown, it’s not its official theme song for the online reviews site. But it should be, as it has a nice indie feel, kind of a geek version of the Moldy Peaches.

Enjoy:

Answer: Nope. Consumers had room for two million Fab Four songs, and another 450,000 albums in their digital catalogs, it turns out. That’s from EMI, via Billboard.

Top album: “Abbey Road.” Top song: “Here Comes the Sun.” Both excellent choices.

Probably didn’t hurt that the George Harrison song is one of the ones Apple is using in its new campaign. Also, it’s a great freaking song:

The really important point to make about the Beatles on iTunes, at least from Apple’s perspective: It will be be nice for the company if it sells a lot of Beatles songs. But it’s really great for them that they get to advertise iTunes using Beatles songs.

And remember, once people get to iTunes, it doesn’t matter to Apple if they buy Beatles songs, Angry Birds or episodes of “House.”

You can put a price on that kind of marketing campaign. But whatever Apple paid (I have a hunch it was a big sum, at least part of which was up front), it will end up getting its money’s worth.

Here’s another spoof music video, titled “Don’t Stop Competing,” shown at the Web 2.0 Summit conference in San Francisco today, using the go-to classic song “Don’t Stop Believin’” by Journey.

It’s from investment banker Terry Kawaja, who goes by the stage name “L. McDuff.”

The video makes fun of the increasing competition and rancor between and among the various power players of Silicon Valley these days–from Google to Apple to Facebook.

Personally, BoomTown thinks a better song might be Kenny Loggins’s “Danger Zone” (which I also embedded below).

Enjoy:

You have to hand it to the ego-soaked imagination of singer Kanye West, who has debuted what appears to be the longest music video of all time for his song “Runaway.”

It’s not just his Twitter rants that are wild, as you will find after digesting this gem–an art film, really–which includes a phoenix-lady from a meteor, a giant Michael Jackson head and a lot of ballerinas.

Also, of course, a Lamborghini, driven by West.

Enjoy:

Yesterday, BoomTown made a brief stop at what felt like an underground bunker in a hotel in San Francisco to see the Doobie Brothers.

Yes, the legendary band of indelible hit songs such as “Black Water” and “China Grove” and misspent youth way, way back in the day.

Except the group, which was founded in San Jose, Calif., in 1970, was performing at a Cisco (CSCO) television studio down south in Silicon Valley to launch its first album in a decade, called “World Gone Crazy.”

Cisco–founded in San Jose too, but in 1984–put on a 90-minute concert by the Doobie Brothers that was broadcast to 11 U.S. cities, helped by AT&T (T) and Marriott (MAR).

It was an odd event, because we were watching a concert on a big screen in what felt like a place more suited for a corporate retreat.

Still, in its ongoing attempt to push its telepresence technology into the consumer space, such a thing has become more typical for Cisco.

That’s why it will be interesting to see what the tech giant will announce at an event it is having on October 6.

The invite reads: “Come see a new Cisco consumer experience at an exclusive media event, hosted by Chairman and CEO John Chambers.”

What could the new consumer product be?

Perhaps Cisco has built its own version of Apple (AAPL) TV. Or perhaps a consumer-aimed home version of telepresence?

Until we all find out, here is a short video I did at the event yesterday: