Mark Pincus can sure talk a blue streak. Mark Cuban can easily be classified as a chatterbox, both online and off. And Marc Andreessen certainly knows how to keep up his end of the conversation.

In other words, the pantheon of famous digital entrepreneurs is full of blabby Marks.

But Mark Zuckerberg, not so much.

So, when watching “The Social Network”–the movie about the rocky origins of Facebook–a person who has known the co-founder and CEO of the social networking powerhouse even longer than BoomTown has leaned over and said, “The Mark in this movie has said more in 15 minutes than I have heard the real Mark say in the first few years I knew him.”

And how.

If you want to know, although critics are raving over it, it’s like a very talky, very geeky version of “The West Wing.”

The Mark Zuckerberg in the movie, as penned by master wordsmith Aaron Sorkin, is able to parry with top-notch lawyers and deliver perfectly crafted rejoinders one after the next to friend and foe alike.

He can conduct several conversation streams at once–so much so that a soon-to-be-ex-girlfriend remarks that talking to him was like “being on a StairMaster.”

I’d agree with that statement about the real Mark, except that the effort is quite the opposite of being dazzled by wild verbal gymnastics.

In fact, unlike a lot of Internet moguls, it has often been a struggle to get him to be fully articulate about the company, due mostly to a more taciturn, awkward and incredibly precise way of speaking.

When Zuckerberg famously asked Leslie Stahl of “60 Minutes” in a television interview–”Was that a question?”–right after she asked a question, I shuddered in recognition at the exchange.

In that way, he is a lot like the original leader of AOL (AOL), Steve Case, a person who created the first major social explosion online while also being incredibly shy and terse in real life.

Actor Jesse Eisenberg (pictured here) playing Zuckerberg in “The Social Network” certainly has the clipped delivery and often furrowed brow down–but the rest is a dude I certainly would love a chance to interview.

That said, he also plays Zuckerberg as a dour and wary person, also nothing like the real thing.

While I am in no way a personal friend of Zuckerberg’s, I have spent enough time with him to say that he strikes me as someone who generally tries to get along with people and makes a big effort to seem like a regular Joe, despite his fame and, well, billions of dollars worth of stock.

That does not mean he can’t be a bit robotic in tone or that he is not very much in charge at Facebook–indeed, one thing the movie does show is how very much the company is a creation of his single-minded devotion, restless innovation and intense forcefulness.

What I found perhaps most interesting about the movie was that it seems to, in fact, make the very case it is not trying to make.

Which is that, as the movie Zuckerberg says to the trio suing him for stealing the basic idea for Facebook: “If you guys were the inventors of Facebook, you’d have invented Facebook.”

Exactly. Because even if Zuckerberg did swipe the kernel of an idea about making a social network about friends from the Winklevoss twins at Harvard University–which seems obvious that he did indeed do– they were still incapable of creating what he created, even if they had gotten bigger head start.

Though hysterically played by actor Armie Hammer (pictured here, who does both of the Winklevii), these two seem more like rich kids with good chins, great bods and not much else.

So too Eduardo Saverin, Zuckerberg’s original partner in Facebook, who got left behind and then diluted out of his stake in the start-up.

While that move by Zuckerberg and his new investors was probably too cute by a half–and they had to pay up later for it–the movie makes clear that Saverin did almost nothing to make Facebook what it was, except write an early check.

In fact, in one scene, it’s clear he does not even know how to use it enough to change his relationship status. This, I believe.

(Also, incredibly, that Justin Timberlake–who plays the devilish Sean Parker–can actually act.)

Finally, there is the part about the impetus for Zuckerberg to make Facebook–which opens the movie–over a bad breakup with a girlfriend.

Again, it would be great for the origins of Facebook to be that interesting, but that trick is only there to provide a good ending shot of Zuckerberg hitting the refresh button.

And, of course, to lay out the big question of whether or not Zuckerberg is an “asshole” or not.

That’s from “The Social Network” and not me, which at the end twists that grand theme again.

Instead, it posits via a woman lawyer–the only truly positive portrayal of a woman in the entire film, by the way–to the Zuckerberg character that: “You are not an asshole, Mark. You’re just trying so hard to be one.”

I am afraid that is not really true either, at least in my experience.

Sure, Zuckerberg has been diffident, has treated some friends shabbily (even recently) and has even been borderline disingenuous once or twice with me.

But that’s not that different from a lot of people I cover in tech and that does not make him that proverbial “asshole” of the movie.

Oh, I sure have known a few of those in my time covering Silicon Valley, but that’s a list I’ll keep for my movie.

Kidding. Sort of. (You know who you are.)

The New Yorker finally came out with its profile of Facebook CEO Mark Zuckerberg today, titled “The Face of Facebook.”

And while the magazine piece by Jose Antonio Vargas reads well, there is not much new in it for those who have followed the career of the innovative young wunderkind of social networking.

Exeter computer prodigy, Harvard computer prodigy, Silicon Valley computer prodigy. Throw in the Winklevii’s ceaseless quest to say they could have been somebody (they couldn’t have been), mix in Sean Parker and set to bake to billions.

Vargas did score a few interviews with Zuckerberg, including a visit to his current home and a short glimpse of him interacting with his longtime girlfriend Priscilla Chan.

But, like Zuckerberg himself, it’s kind of all gray T-shirt and hoodie and working at Facebook.

The best part is Hollywood writer Aaron Sorkin, who penned the upcoming Zuckerberg-slasher, “The Social Network,” finding out his subject loves his television classic “The West Wing.”

“I wish you hadn’t told me that,” he responded to Vargas.

Oh, suck it up, Aaron, as Mark surely will have to when the movie comes out October 1.

Until then and as usual: Gray T-shirt, hood and, of course, Facebook.

Apparently, the review is in–only one review, so far–but it’s a corker.

Although “The Social Network,” the Columbia Pictures movie about the origins of Facebook, is not coming out until its premiere at the New York Film Festival in October, Scott Foundas, a reviewer for its publication, Film Comment, is loving it in a piece in the September issue.

The magazine operates under the auspices of the Film Society of Lincoln Center, which throws the film event where “The Social Network” is debuting.

After a lot of film reviewer throat-clearing about not using social networking tools, harrumphing on its global implications and then bizarrely boiling Facebook down to being “born of a romantic rejection,” Foundas writes in the review titled “Revenge of the Nerd”:

This is very rich material for a movie on such timeless subjects as power and privilege, and such intrinsically 21st-century ones as the migration of society itself from the real to the virtual sphere–and David Fincher’s “The Social Network” is big and brash and brilliant enough to encompass them all….

Adapted by “The West Wing” creator Aaron Sorkin from Ben Mezrich’s nonfiction best-seller “The Accidental Billionaires,” “The Social Network” was one of those “buzz” scripts that seemed to be on everyone’s lips in Hollywood for the past couple of years, and it’s easy to understand why. The writing is razor-sharp and rarely makes a wrong step, compressing a time-shifting, multi-character narrative into two lean hours, and, perhaps most impressively, digests its big ideas into the kind of rapid-fire yet plausible dialogue that sounds like what hyper computer geeks might actually say (or at least wish they did): Quentin Tarantino crossed with Bill Gates.

Oh, dear. Oh, dear. Now, I am beginning to feel bad for CEO and co-founder Mark Zuckerberg, because it looks like this film might even be Oscar-worthy for Columbia’s Sony (SNE) bosses.

But more:

From a legal perspective, it’s a thorny case of he-said/he-said, though the movie is less concerned with assigning blame than with considering Zuckerberg’s precise degree of assholedom, or lack thereof….But to the sure nervousness of the studio, and the potential discomfort of some viewers, Fincher and Sorkin chart a more treacherous course straight down the middle of Zuckerberg’s many contradictions, one in which there are no obvious winners or losers, good guys or bad–only a series of highly pressurized social (and genetic) forces.

Oh, dear, a treacherous course, well charted.

Lest I seem to suggest otherwise, I hasten to add that “The Social Network” is splendid entertainment from a master storyteller, packed with energetic incident and surprising performances (not least from Justin Timberlake as Napster founder Sean Parker, who’s like Zuckerberg’s flamboyant, West Coast id). It is a movie of people typing in front of computer screens and talking in rooms that is as suspenseful as any more obvious thriller. But this is also social commentary so perceptive that it may be regarded by future generations the way we now look to “Gatsby” for its acute distillation of Jazz Age decadence.

Oh, dear, Gatsby, and back to fabulous. May I have the envelope, please…

What to do then?

Here are BoomTown’s five steps to reclaim the ground in this seemingly surefire Hollywood invasion of Silicon Valley.:

1.) Even though he looked at me like I was tripping, I wasn’t kidding when I recently told Zuckerberg to attend the New York premiere. With me! (Elliot can come only if he keeps a lid on it.)

If Zuckerberg attends, he is the story, sucking the oxygen away from the movie itself, especially if he looks fly and laughs a lot.

A tux, going up to the actor who plays him and saying the resemblance is astonishing and general self-deprecation can go a long way.

Especially when you are the only one who ended up a soon-to-be billionaire, including the moviemakers and their bosses.

2.) Throw a movie night at Facebook for the staff–and make it a double feature with the excellent “Catfish,” about a scammer on the social networking site.

Then, lead a discussion group about the fact versus fiction. Ignoring this film, especially if it is a hit, does not make its impact go away.

Invite the filmmakers and all the players from back then to talk too–Winklevii alert, but this time Zuck has security! To be sure, this is a risky one, given Zuckerberg’s sometime awkwardness in public.

3.) Unveil all the original documents–and I mean all–about those years, making them available on Facebook for all to see. The Winklevoss case and others are settled now, so there seems little need to hide what was clearly a rocky start.

If Zuckerberg and Facebook truly believe in transparency, use the movie to get it all out there and be done with it.

4.) The ignoring-it option seems only available to an island like Apple (AAPL) CEO Steve Jobs, who truly does not care what people think of him. On the other hand, Zuckerberg surely and clearly does.

If he wants to take the company public, why not practice with intense scrutiny here, as these incidents at the origin of Facebook are still not purged from the company.

5.) After it’s all over, live well. It’s apparently the best revenge. (Also, at least “The Social Network” is going to be much more interesting than the Google (GOOG) Movie.

Famous-for-being-famous celebrity Paris Hilton continues her comic run for “fake” President of the United States, with a new online video for the Funny or Die comedy site.

She is pictured here in a photo from a current spread in Harper’s Bazaar, part of her ongoing “Paris for President” campaign.

In that article, Hilton said of her foreign policy platform: “I will carry out a foreign policy platform that will transform America’s role in the world to that of a proactive, not reactive, superpower that will use diplomacy and incentives to head off trouble in unstable regions before they unravel out of control. I will also be wearing platform shoes when I meet with foreign dignitaries to accentuate my well-toned calves.”

Somehow, given the current mess we are in, this blather actually makes some sense.

Hilton did her first online spoof video in August after Republican presidential candidate Sen. John McCain used her image in an ad attacking Democratic presidential candidate Sen. Barack Obama.

In it, she referred to McCain as the “white-haired dude” and laid out–literally, Hilton is seen in the video lounging by the pool in a bikini–her policies.

In the latest, Hilton consults the most famous of fake Presidents, actor Martin Sheen, who played President Jed Bartlett for many seasons on the NBC hit “The West Wing.”

In the video, the pair kibitz over how to be the best fake President, which has been getting too close to the real thing these days.

The video includes a cameo by real Martin Sheen son, Charlie Sheen.

Here is the video (and, below it, is her first one for Funny or Die):