Notice I said “TV industry.”

Most observers and analysts believe that Siri’s voice commands could eliminate the need for those clunky TV remote controls. With the blurring and exponential proliferation of television and Web content, telling your TV what you’d like to watch, instead of scrolling through a nearly infinite number of program possibilities, makes a lot more sense.

But from my perspective, Siri’s greatest impact won’t ultimately be on users, or on device manufacturers (though they certainly risk losing market share to Apple). It will be on the TV industry’s content creators and packagers. Why? Because a voice-controlled television interface will fundamentally disrupt the six-decade-old legacy structure of networks, channels and programs. And that’s a legacy that — until now, at least — has been carried forward from analog to digital.

There’s an important underlying precedent here.

If the Internet can be generalized to have one effect across every industry that moves online, that effect would be disaggregation. Choices go from finite to infinite. Navigation goes from sequential to random access. And audiences choose content by the item far more than by the collection. We’ve gone from the packaged and channelized to the unbound and itemized. Autonomous albums are fragmented into songs; series into clips; and magazines and newspapers into articles and individual photos.

As much as we may think that has already happened with video, it is nothing compared to the great leveling that will occur in the voice-controlled living room. Voice-controlled TV means direct navigation to individual episodes, programs and clips. And it will almost certainly lead to a discernible deconstruction of the network and channel structure — not to mention the decomposition of even the aggregated marketplaces like Netflix, Hulu and YouTube.

Here’s the simple reason: No one is going to sit on their couch and say, “Siri, show me NBC’s ‘Community.’” In a voice-activated world, monikers like “NBC” become useless. They don’t stand for anything meaningful to the consumer. They’re just remnants of a decrepit channel structure that’s unraveling. And, in the end, they’ll simply connote the fast-fading allure of mid-20th century mass appeal.

To be sure, the TV majors will lose much of their ability to realize network effects. Already, you’re hearing less about “lead in” and “lead out.” What you are hearing more about, however, is disconnected videos. A program on YouTube, for instance, will sit on a level voice-controlled playing field with an NBC show, and that field will soon become even more level, because Siri will eliminate the menus that structure the artificial hierarchies of content collections.

So how will we be able to get network effects back in video? Let’s look at four possible ways:

• Branded Content — Players can build a strong brand that stands for something with their audiences. Break.com, Discovery and Oprah are all meaningful and build long-term customer loyalty. (“Siri, show me new TED Talks.”)
• Curation — Brand the collection with a curation strategy so that the curator’s name and stamp of approval means something to the audience. (“Siri, show me Jason Hirschhorn’s latest movie suggestions.”)
• Social — In the fully social world that we expect to see, focusing on the virality of content means you tap the human distribution network and social operating system. (“Siri, show me what videos my friends are watching.”)
• Personal — We’ve already seen the extraordinary value of well-tuned personalized recommendations, with Netflix’s notable prize and other famed stories of the benefits of great recommendations. Increasingly, our own patterns of individual videos and the brands we affiliate with, along with recommendations from friends, will be combined into personalized recommendations we won’t even have to ask for. I have no doubt that Siri will be as good a “Genius” as iTunes is at recommending what else to watch. Ultimately, in the age of data, whoever knows the most about us will be able to give us the best experience.

Beyond disaggregation, personalization is ultimately the most powerful consumer value of digital media. My mother’s TV experience was to walk over to her TV set and turn a dial to select among three channels to satisfy her individuality. But in the next generation, no two people will receive the same recommendations from the millions of content choices available.

Before he died, Jobs now famously told Walter Isaacson, his biographer, that he had finally cracked the TV code. It’s unclear what Jobs meant, what this entailed or what he thought it would lead to in the years to come. So, barring further posthumous disclosure, Jobs’s own predictions of his ripple effects will be a media mystery for now.

One thing that’s clear, though, is that Jobs’s Siri will start the dismantling — or creative destruction — of the TV industry as we’ve known it for the last 60 years.

This post originally stated that Siri was unveiled the day after Steve Jobs passed away. It’s been corrected to reflect that the announcement actually occurred the day before.

Ben Elowitz (@elowitz) is co-founder and CEO of Wetpaint, a next-generation media company that is reinventing the media model on the social web. Ben is also author of Digital Quarters, a blog about the future of digital media. Prior to Wetpaint, Elowitz co-founded Blue Nile (NILE).

Author Walter Isaacson stopped by “The Daily Show” last night for what was basically a spoiler-free interview with Jon Stewart. Then again, if you’re reading this, you’ve likely hoovered up the book already, either in its entirety or via the excerpts flooding the Web.

Still, an entertaining seven minutes, touching on Jobs’s “Zen Stare,” the role of cosmic coincidence in the Apple co-founder’s story, and a requisite dig at Microsoft.

Jobs was often bullied in school and stopped going to church at age 13, according to “Steve Jobs,” by Walter Isaacson, which will be published Monday by Simon & Schuster. The Associated Press purchased a copy Thursday. Advance sales of the biography have topped best-seller lists since Jobs died Oct. 5 after a long battle with cancer at age 56.

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Adam Lashinsky, Fortune magazine’s high-profile Silicon Valley reporter, will be penning a book titled “Inside Apple: How America’s Most Admired — and Secretive — Company Really Works.”

An expansion of a well-read article that Lashinsky wrote for the publication earlier this year, the book will be available on Jan. 18, 2012 from Business Plus, an imprint of Hachette Book Group.

Lashinsky’s will be the second Apple tome to be coming out that will shed more light inside the workings of Silicon Valley’s most iconic company.

In November, former Time Inc. writer and editor Walter Isaacson’s much anticipated biography about Apple CEO and co-founder Steve Jobs will be released by Simon & Schuster.

“Steve Jobs” has been written with cooperation from Jobs, who has not done so in the past.

Lashinsky said in an interview today he did not garner Jobs’s help on the book, but did manage to get a deep inside look at the company.

“Doing an unauthorized book is harder,” said Lashinsky. “But what you get is well-reported information, which is outside the message Apple wants to deliver, and there is so much good stuff, this company is worth far more than an article.”

Lashinsky has been a longtime reporter in tech, including covering Apple, a company that is notoriously secretive and difficult to report about.

Still, Lashinsky has written a lot about the maker of the groundbreaking Mac, iPod, iPhone and iPad devices, including a piece in 2008 about recently installed CEO Tim Cook, titled “The Genius Behind Steve: Could the Operations Whiz Run The Company Someday?”

Inside Apple will be more about the entire company, which has vaulted from near death only 15 years ago to become one of the most highly valued companies in tech and, in fact, globally.

The publisher promises a lot of insidery facts, including, “how Apple creates killer products, forges intense bonds with consumers, and gets what it wants from suppliers … the lessons about leadership, product design and marketing are universal, and they should appeal to anyone hoping to bring some of that Apple magic to their own company, career or creative endeavor.”

Lashinsky said these are important lessons for others to explore.

“So much of what Apple does stands decades of business teaching on its head, because they just don’t do things the way other companies do,” he said. “The rest of the business world might want to pay attention.”

Indeed, they should.

It is actually an old and well known, if striking, photo of Jobs, which has been much used by Apple over the years.

The new publication date for the much anticipated book from Simon & Schuster has also been moved up to November 21.

“Steve Jobs,” which is 448 pages long and is based on dozens of interviews, including the legendary Apple CEO himself, was originally set for March 12, 2012.

All Things Digital can say for certain this time: The iPhone 5 will launch before the book.

A little over a year ago, news of a Steve Jobs’ biography, penned by well-known author Walter Isaacson, made the rounds.

Since then, according to numerous sources in Silicon Valley, Isaacson has been busy interviewing well over 100 people in the Apple CEO’s past and present, both inside and outside the company.

That includes current execs at Apple, as well as Jobs’ friends and colleagues, such as Oracle’s Larry Ellison.

Most recently, Isaacson–who has written big, popular biographies other American luminaries, such as Benjamin Franklin and Albert Einstein–was in San Francisco for the iPad 2 launch on March 2.

Unlike others who have written about Jobs, sources said, Isaacson has the legendary tech icon’s full cooperation and participation, but apparently also will maintain control over the book itself.

(Nonetheless, it still might be a good idea to take Jobs’ advice on the cover, since he’s pretty good at design stuff.)

In any case, when and by whom the Jobs bio will be published remains anyone’s guess, since there has been no actual publisher nor release date named yet.

Isaacson, who now heads the Aspen Institute, is currently contracted with the CBS-owned Simon & Schuster, so it seems the likely publisher of what will be one of the most anticipated books in tech.

I suppose such mystery is in keeping with Apple’s tone around the launch of its own products, the next of which is supposedly an iPhone 5 this summer.

Or so we’ve read.